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Critical analysis of Raymond Carver's Cathedral
Critical analysis of Raymond Carver's Cathedral
Interpretation of cathedral by raymond carver
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Changing the beginning of the introduction was essential to make a stronger statement of how important reading is for our personal growth and even our social and economic advancement. Reading also widens the horizon of thinking, and as I read authors like Rick Moody and Alberto Manguel, it widens my horizon on the all the possibilities of what reading means. On the third sentence of the introduction I stated that reading, “plays a key role to academic success” and this a very important aspect of reading for a student like me. Reading is one of the very fundamental tools of learning. Not heeding the professor’s annotations by leaving the word “students” on the last sentence of the introduction was necessary because I am a student, and Rick …show more content…
The second sentence was reconstructed not only to fix the mixed construction, sentence, but also to highlight the beginning of the essay as Rick Moody lists the all the things he believes about reading. The sentence was revised to “He recites about his freedom of picking out the kind of books that “strikes” him as he walks up and down the stacks,” because it shows how Rick Moody was the type of person that was not confined to following the norm. I strive to be more like Moody in that sense where I do not really care about society’s expectations of me. Being a free thinker Rick Moody stands up for his beliefs and never falters regardless of his critics. I have learned to use an “assertive, confident, and objective” essay language and this is why it was necessary to reconstruct the sentences of the summary for several reasons, first, to construct a well thought out cohesive sentence structure and second, to avoid mixed constructed ones. The summary paragraph is now written in an organized and objective way to show the reader that I have a detailed knowledge of Moody’s essay. When describing Mr. Buxton as he reads Macbeth, the word Shakespeare was omitted to avoid redundancy. When introducing Mr. Flanders, it was necessary to expand my thought to have an assertive sentence. Ending the summary paragraph with a …show more content…
Rewriting the Argument “position” sentence was necessary to demonstrate a stronger argument on why I agree with Moody’s opinion, as well as inform the reader right away to what specific extent my argument holds. In my Argument essay I agreed with Moody to a certain extent, but I needed to show the reader to what capacity my agreement stands. Literary texts, novels, even the Gospel are the type of writings that can be read in many ways. Euphemisms, metaphorical meanings, psychological and philosophical meanings exist in these type of texts and I agree that there is no ‘right or ‘wrong way” to read these particular kind. Continuing on with the idea of Umberto Echo’s concept of “open text,” the sentence was restructured, first because of mixed construction and second to provide a complete and well thought out idea. The Kafka’s Metamorphosis example of the “bug” was omitted, because in the original essay, I was forcing myself to make a point that the word “bug” could be interpreted in many ways. Though that is true, using Umberto Echo’s Role of the Reader and the concept of “open text”, already more that supported my argument. Revising the example made regarding Mr. Flanders’ influence was necessary to support my reason that there is more than one way to interpret a text like
The pressure of making a living in today’s world detaches some workers from the enjoyment of the little things in life. The days start to repeat themselves and there is no excitement or joy in it all, and the stress piles up until the body can not handle it anymore. In Rick Moody’s “Demonology,” the narrator sees the changes of his sister’s physical and mental state from constantly being busy to support her family but never expects her sudden death. There is no way for the narrator to be prepare for this, and his emotions are over the place. It is hard to realize when someone is falling into the working stereotype and the effects it has on close ones. However, Moody’s characterization of Meredith and style allows a look into the struggles of
The use of a highly debated topic give good reason for someone to give the essay a read without prior knowledge of the underlining message within the essay. As a result of this, one can understand why this eassy was published in this magazine and has received limited
Through vivid yet subtle symbols, the author weaves a complex web with which to showcase the narrator's oppressive upbringing. Two literary critics whose methods/theories allow us to better comprehend Viramontes. message are Jonathan Culler and Stephen Greenblatt. Culler points out that we read literature differently than we read anything else. According to the intertextual theory of how people read literature, readers make assumptions (based on details) that they would not make in real life.
Richard Wright has been referred to me for therapy regarding his theft from the local theater, and I believe that he committed this crime because he believes that because of his station in society he would never be able to support himself and his family through honest means. Despite the fact that he does hold some remorse for his actions, it would appear that whatever remorse he holds is tempered by his justifications for stealing. A thorough analysis of his reasoning has been conducted and with testimony from the patient to serve as my proof, I will begin treatment to show him the error of his ways.
Essay 2 Psychoanalysis is the method of psychological therapy originated by Sigmund Freud in which free association, dream interpretation, and analysis of resistance and transference are used to explore repressed or unconscious impulses, anxieties, and internal conflicts (“Psychoanalysis”). This transfers to analyzing writing in order to obtain a meaning behind the text. There are two types of people who read stories and articles. The first type attempts to understand the plot or topic while the second type reads to understand the meaning behind the text. Baldick is the second type who analyzes everything.
Deep-seated in these practices is added universal investigative and enquiring of acquainted conflicts between philosophy and the art of speaking and/or effective writing. Most often we see the figurative and rhetorical elements of a text as purely complementary and marginal to the basic reasoning of its debate, closer exploration often exposes that metaphor and rhetoric play an important role in the readers understanding of a piece of literary art. Usually the figural and metaphorical foundations strongly back or it can destabilize the reasoning of the texts. Deconstruction however does not indicate that all works are meaningless, but rather that they are spilling over with numerous and sometimes contradictory meanings. Derrida, having his roots in philosophy brings up the question, “what is the meaning of the meaning?”
This piece of criticism has strengthened my arguments as to who the real monster is. It has given me a new way to look at things in the novel. I have since then re-read part of the novel and can now read it much more clearly. It will help me greatly in strengthening my argument for the final paper.
For many first year college students, the idea of sitting down in an English class and being asked to write an essay conjures up anxiety and stress from their high school experience. Many students bring a secret of reading and comprehension illiteracy with them to college. There is a shifting definition of literacy occurring in the United States with the advent of technology. School districts are assuming that the issue of reading will be addressed in the home and are leaving many students behind in reading goals. Many educators assume that when a student enters the first day of their English 1010 course that their reading level is sufficient to complete their coursework and produce coherent compositions. It is only after the initial class meeting and composition assessment that the instructor is able to view the bigger problem of reading illiteracy in English 1010. How does the instructor address the literacy of each individual student without affecting the learning environment of the students who are able to read and write a coherent composition? The problem in regards to reading levels should be addressed before the student even arrives on campus. There can be many reasons for the cause of reading illiteracy: learning disability, poverty, and education of parents to name just a few. The school systems are placing the burden of reading comprehension in the home and not at the educational level when all parties should be a part of the issue. Administrators are assuming that students are read to from infancy and receive encouragement to read from their parents. The school systems also assume that children have abundance of reading materials in their homes and have initiative to pick up...
“1.The reader response is what counts. We can’t know for sure what an author intended, and the text itself is meaningless unless a reader responds.
In like manner, Gregory Fowler also uses allusions to prove his thesis. In the beginning of the essay, he alludes to mul...
Deconstruction is the art of ambiguity. The theory posits infinite interpretations to literary works, with most of them just as creative as the work itself. With so many interpretations, no one ...
By considering such arguments, psychoanalysis can be said to have no ultra fundamental meaning when assessing an author’s work. For former advocate of this analysis, Frederic...
W. K. Wimsatt and Monroe C. Beardsley are two of the most famous New Critical theorists. Their essay, “The Intentional Fallacy” impacted and further developed the study of New Criticism. It even has a profound impact on the way scholars practice criticism now. “The Intentional Fallacy” exposes the various “fallacious” or mistaken approaches to the interpretation of literature. It is false to believe that literature follows through with what the assumed purpose is from the author himself. Wimsatt and Beardsley argue that there are a whole variety of meanings of which the author might even be unaware of or never intended to be. If the audience can produce textual evidence, that meaning is valid. Meaning is found within the text itself and not within the intentions of the author. If the reader focuses on the intentions of the author, that is a fallacy or a mistaken approach to the
Literature is an intricate art form. In order to attempt to understand the meanings and ideas within literary work, there are many forms of criticism that propose different approaches to its interpretation. Each criticism is crucial to the understanding of how individuals interpret literary works. Since each criticism has a different approach to enrich the understanding literary works, the question is raised whether one criticism should be used over others, whether a certain combination of criticisms should be used, or whether all criticisms should be taken into account. This may all be dependent on the reader’s individual preference or opinion, but each criticism presented builds on the others to create a well-rounded and unique understanding
During the time-period when they authored this essay, the commonly held notion amongst people was that “In order to judge the poet’s performance, we must know what he intended.”, and this notion led to what is termed the ‘Intentional fallacy’. However, Wimsatt and Beardsley argue that the intention, i.e., the design or plan in the author’s mind, of the author is neither available nor desirable for judging the success of a work of literary art. It is not available because the author will most certainly not be beside the reader when he/she reads the text, and not desirable because intention as mentioned already is nothing but the author’s attitude towards his work, the way he felt while writing the text and what made him write that particular piece of writing and these factors might distract the reader from deciphering the meaning from the text. This method of reading a text without any biographical or historical background of either the poem or the poet practiced by the New Critics was known as ‘Closed Reading’. This stemmed from their belief in the autonomy of the text.