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Richard wagner's essays
Richard wagner's essays
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The orchestra began with the first piece called Prelude to Die Meistersinger von Nurnberg which was composed by Richard Wagner and presented in the year 1868. The piece begins with a crescendo piano and strings. The opening bars represent the motive of the Meistersinger (Mastersinger) themselves of the 16th century Nurnberg. The piece starts with main them of the Meistersingers themselves, which can be heard throughout the piece. The beginning creates an atmosphere of peace and a feeling of happiness. The piece was scored for following instruments: one piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, trumpets, three trombones, tuba, timpani, bass drum, cymbals and strings including 1st and second violins, violas, cellos and double basses. After the powerful opening ends, the oboe, flute and the clarinet offer a musical theme representing the character Walter, a stranger who has appeared in Nurnberg. This piece is quickly joined by strings and soon the whole orchestra to make grand and spectacular marching-like music. This ends to reveal a soft and swift music which created an atmosphere of calm and sereneness. The second part of the Prelude begins with a fugal distortion of the Meistersinger theme. This part is made from wind instruments with the strings adding a humorous tinge and other similar effects. The third part begins with the brasses combining to with soon with the orchestra to create a grandiose march-like effect again. Wagner’s sense of humor is apparent in his use of instruments to represents parts which help create an atmosphere of comedy adding much laughter to the piece without ever listening or seeing the play. The music stand alone by itself as its own piece and does not require the play t...
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...ch created a feeling of excitement and grandness movement leading to the third movement.
The third movement, Valse, starts out with strings creating a very uneasy melody, foreshadowing something ahead in the melody. The motto theme is repeated again in this movement which creates a feeling of nostalgia for the tragic opening of the symphony. The fourth and the last movement start out with a fully synchronized and a major mode. The last movement contains many repetitive structures but also has some delicate structures such as the part including the woodwinds. The tempo of the last movement is constant and keeps the same pace giving the audience a feel of steadiness, this piece is also marked by the pianissimo, which helps with the effect. Overall, the Tchaikovsky’s Symphony No, 5 created a perfect atmosphere for ending the day with Bakersfield Symphony Orchestra.
The first movement felt as though it was the beginning of a riddle sure to be solved later in the symphony. It began with a sense of suspense with all basic elements of music: tonality, melody, and rhythm. The entire first movement was of an established sonata, between all instruments. However, what caught my attention was the mumble of the low strings which erupted into violins. I was on the edge of my seat for what was to come.
5 the 4th movement. Beethoven’s innovation of bigger orchestra’s was a game changer in the Classical Era and he definitely deserves to be ranked as a “Maverick of Sound.” This piece is rumored to be an autobiographical tale of Beethoven losing his hearing and was done in the period’s traditional sonata form. This piece beautifully evoked the mood of what I imagined as Beethoven’s dilemma of “fate knocking at the door.” Everything in this composition is built around the four opening notes. The tempo allegro was brisk and lively. The exposition set the tone with string instruments followed by the entire orchestra repeating in a march-like character. The bridge was similar in mood to the opening and was announced by horns. The recapitulation led to a long coda that punctuated the ending which built to an exciting climax accentuated by a dynamic fortissimo resolution to the frenzied tension. This joyful finale was great fun to listen to and a most excellent way to end the
In the first part of this recital the vivaldi, contained a string Quartet. After the first intermission, I looked down at the podium and noticed that the precussions were added which included the timpani, bass drum, tylophone, and cymbals. In this recital Nancy Menk was the conductor, Judith Von Houser was the soprano which played a high note, and Mary Nessinger was the Mezzo-soprano which played a slight softer note. This part of the concert was divided into four pieces. First there was the Magnificant by M. Haydn (the orchestra accompaniment was edited from the composer's manuscript by Mark Nabholz). This piece consisted of strings without violas, two french horns, and an organ.
The year is 1788 as Wolfgang Amadeus Mozart began to work on his last three symphonies during a time of strife for musicians as the Austro-Turkish War continues to war on in Austria. Tired from moving his family from central Vienna to the suburbs of Alsergrund all while in debt to his ears as he continued to borrow money from friends including a fellow mason, Michael Puchberg, Mozart finished his final symphony on August 10, 1788. This piece, nicknamed the “Jupiter Symphony,” coined by impresario Johann Peter Saloman, was Mozart’s longest symphony with a total of four movements, a typical symphonic form during the Classical era. The Jupiter Symphony totals to about forty five minutes of music ending with a quintuple fugato that brings back the five melodies introduced in the final movement making the closer one of the most complex examples of counterpoint that has ever been created. My goal shall be to give the reader a sense of Mozarts life at the time of this composition, a detailed analysis of all four of these movements, as well as a look at why this piece was seen as a work of innovation.
...ers and the audience. The dramatic nature of this piece alone is something to be reckoned with as it is extremely passionate. The symphony is presented in 4 movements as is common and begins with a Poco Sostenuto- Vivace, followed by a Allegretto movement, Presto movement, and finally ends on an Allegro con brio movement. the central theme of this piece is introduced in the first movement by a flute playing in tripple meter continuously ascending up the scales rising in dynamic contrast, continuing to grow into a louder and more stark contrast between it’s highs and lows. Consistently dance like, the piece is celebratory of its roots buried in historical Austrian music that has been present in the culture for years. The accomplishments of the soldiers for which the piece was composed for are easily told of simply by the energy and power present throughout the piece.
First of all, strong insight is perhaps given into the Viennese high society, who were "devoted to order, mannered charm and the grandiloquent facades on the `Ringstrasse' "³ by the reaction of the audiences alone to the play and its characters. Both shocked and embarrassed the Viennese bourgeoisie with its "uncompromising representation of the Viennese world"². Schnitzler's writing of the play and his inclusion of these common, gritty characters coupled with the reaction of this part of Viennese society represents the "test of wills... [sic] between well-behaved traditionalism and liberated modernism"³ emerging in Vienna at this time.
pervasive use of a single motif combine to make the Fifth Symphony, which had one of
... Without warning, the axe has fallen, the sweet clarinet melody is cut off by the crash of a symbol and then the coda. My Impression: Harriet Smithson should be proud to have this symphony written about her. The symphonie fantastique fourth movement relates a quality of energy that is consistent with inappropriate mood changes that can sometimes be captured when in a dream-like state.
The same line is repeated ecstatically by the quartet, which soars upward to it’s peak. The orchestra and chorus re-enter at a rapid tempo to bring the movement to its conclusion.
Symphony No. 5 in C minor, composed by the legendary Ludwig van Beethoven, is one of the most famous orchestral musical compositions done by the German-born composer. The symphony is broken down into four movements. The symphony has such a profound effect on so many people because of its use drama by introducing sudden and powerful chords which quickly grabs the audience’s attention as well as creating a variety of musical ideas through his use of excitement by way of fast and slow tempos. The first movement, Allegro con brio, which utilizes the Sonata form, contains an opening sequence or Exposition, which initially compels my attention during its first 6 seconds due to its powerful entry and introduction of the basic four-note motive (short-short-short-long) of the piece. The quick repetition in a lower step using strings in unison keeps me engaged due to its energy, as it sort of
Wanger lived in a reactionary and unsettled time, this restlessness is given a creative voice in his music and the condition of the romantic era man, removed from nature and isolated from communion with humanity is expressed in all of his music but especially in his operas. The morality of Wagner’s work has always been controversial, at best thought a work of a clearly flawed and tortured genius and at worst it is suspected to be steeped in subtle but deep racial hatred. For the purposes of this article I will present Wagner’s taking them at face value, without examining the theory stating that Anti-semitism was inherent to Wagner’s operas. I will use Wagner’s music drama Parsifal as the lens through which we can frame Wagner’s early operas and follow the themes of development to his mature style in this his final opera. Examining Wanger’s developments to music especially as regards the genesis of the music drama and how this contribution changed opera forever. His artistic reform, though not executed to the last detail, accelerated the trend towards organically conceived, through-composed structures, as well as influencing the development of the orchestra, of a new type of singer, and of various aspects of theatrical practice.
One of the world’s most talented composers and polemists, Richard Wagner, appeared to be also one of the most ambivalent figures in history. His last dramatic musical opera Parsifal reflects on both its author’s immense talent and his complicated character. The multitude of aspects considered in this work, together with the historic and political situation of the time creates a mixture of emotions that is sometimes difficult to analyze. However, even with his moral and ethical values being questioned by some researchers, Wagner’s significance as an innovator and a dedicated perfectionist of musical plays is undeniable. Regardless of your position towards Wagner and his personality, Parsifal is a work of art with worldly significance, which should be appreciated as the masterpiece that it is.
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
Symphony No. 6 is one of Beethoven's few programmatic works and describes a county scene. It is titled "Recollections of country life". It has 5 movements, unusual for a classical symphony. The first movement is in sonata form and is titled "Awakening of cheerful feelings upon arrival in the country". It has two beautiful rustic themes. The second movement is titled "Scene at the brook" and depicts a bubbling stream on a calm day. It is also in sonata form with two flowing themes. The third movement is a scherzo and depicts a country dance being titled "Happy gathering of country folk". It is an unusual scherzo with the scherzo section played only once before continuing to the trio. After the trio, instead of returning to the scherzo, a short section in 2/4 time interrupts. Then the scherzo is played followed by the trio again. The 2/4 section appears a second time, followed by the scherzo one last time. The dancing in the third movement is interrupted by raindrops ushering in the fourth movement, titled "Thunderstorm".
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.