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Plato and love in symposium
Plato and love in symposium
Plato and love in symposium
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ECHOES OF PLATO’S SYMPOSIUM DOWN THE AGES
“Because of the centrality and power of love in human experience, men and women throughout the ages have felt the compulsion to sing songs, to write verse, and to tell stories about this ineffable and mysterious force which leads them to the peaks of felicity, and to the depths of despair. Love indeed is an ultimate, if not the ultimate, human concern. It is the universal principle undergirding all human activity, the object of all human striving, resulting, naturally, in the need to examine and discuss it carefully.”- Dr. David Naugle 1
The above said things can be applied to Plato’s Symposium. Since time immemorial people have been reading it and thus getting influenced has tried to imitate Symposium in their works. Plato in his work has recorded the speeches of seven Athenians namely Phaedrus, Pausanias, Eryximachus, Aristophanes, Agathon, Socrates and Alcibiades, six of which employ both story and verse to convey a variety of myths and motifs about the nature and function of Eros. The work also provides an insight into the complexities in Greek attitude towards sexual relations at that time. Originating with Plato’s writings on love, this tradition has evolved through works of Aristotle, Plotinus and revival of neo-platonism2 during the Renaissance. But the influence of Symposium does not end here. It can be traced in the works of Spenser, Shakespeare, Freud, F. W. Rolfe, E. M. Forster, D. H. Lawrence, Jacques Lacan, T. S. Eliot and many more. My aim in this paper is to trace the influen...
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...ve channelled portions of Plato’s Symposium into his sonnets which guides in the pursuit of beauty and truth. The sonnets even help in a better understanding of Symposium. The sonnets which are addressed to the fair youth mostly talks about desire, immortality, and deception in seeking love. In a way it gives the message that in order to find true beauty we must look with our hearts and not eyes since eyes can be deceive us but not heart as Plato says. Shakespeare’s sonnets, although they are mainly about the speaker’s love for the fair youth and dark lady, have been believed to be a replica of Plato’s idea of truth and beauty, their meaning and interpretations may change with the passage of time but they remain universal in thought and argument.
Images of male homosocial and homoerotic relations pervade Athenian culture. From plays to poetry and jugs to the justice system one can find these relations represented pictorially and in words. But do all these images align with each other or are there irreconcilable differences between them? To look at this question we will take two small pieces of culture, a philosophical treatise, Plato's Symposium and the lyric poetry of Theognis and Anacreon.
Thus, the partygoers in Symposium have gathered during a festival celebrating the fertility and productivity of heterosexual relationship to attempt to justify their homosexual relationships by eulogizing Eros. Since heterosexual relationships were justified by the production of children, a justification of homosexual relationships woul...
It is well known that Plato, a devoted student of Socrates, chronicled many of Socrates' speeches and conversations. Every so often one can find instances where Socrates and other players in these conversations seem to contradict themselves, or at least muddle their arguments. One such occurrence of this is in Plato's Symposium and Plato's Phaedrus. Both texts speak of love in its physical sense, both texts describe love and its effects, and both discuss how it is best realized, yet they do this in very different fashions, and for different reasons.
The ideas presented by the patrons in Plato’s Symposium differed immensely. All pertaining to a main topic, being love, but none having the same conclusion. Two speeches in particular, those of Pausanias and Aristophanes, seemed to oppose the most. Many elements of their arguments contradicted that of the others, none more than the origin of love and the whom is the eromenos of love.
A great writer once wrote: “The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they 're brought out.” Boundless things -- ideas, concepts, memories -- are all torn apart when we speak about them. They get cut up into little pieces, so that we may chew on them and digest them without choking. We end up turning these immeasurable things into literary defecation. Love, for instance, has been constant subject among writers and philosophers for eons. Everyone from E.L James to Plato has written on love and attempted to explore it with language. In Plato’s Symposium, love is discussed
The Symposium, The Aeneid, and Confessions help demonstrate how the nature of love can be found in several places, whether it is in the mind, the body or the soul. These texts also provide with eye-opening views of love as they adjust our understanding of what love really is. By giving us reformed spectrum of love, one is able to engage in introspective thinking and determine if the things we love are truly worthy of our sentiment.
Love, in classical Greek literature, is commonly considered a prominent theme. Love, in present days, always appears in the categories of books, movies, music, etc. Interpreted differently by different people, Love turns into a multi-faceted being. In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes of Love; Agathon enunciates that the correct way to present an eulogy is first to praise its nature and gifts.
Love and beauty is another theme that recurs in Greek discussion, especially in Plato’s dialogues. In the Phaedrus and especially the Symposium, Plato discusses the nature of erotic love and give the argument for the ultimately transcendental object of love: Beauty. In both dialogues, Plato presents Socrates as a quintessential philosopher who is a lover of wisdom, and through his great speeches we are able to grasp Platonism and Plato’s view on the interesting theme.
When he writes "And yet, by heaven, I think my love as rare as any she, belied with false compare." (lines 13-14) in the final couplet, one responds with an enlightened appreciation, making them understand Shakespeare's message that true love consists of something deeper than physical beauty. Shakespeare expresses his ideas in a wonderful fashion. Not only does he express himself through direct interpretation of his sonnet, but also through the levels at which he styled and produced it. One cannot help but appreciate his message of true love over lust, along with his creative criticism of Petrarchan sonnets.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
The Symposium (which means “Drinking Party”) (Puchner), is a connotation that goes back to Ancient Greece from approximately the seventh century BCE, and was a significant part of the Greek culture, known as a gathering for the upper socially classed Greek men. A symposium was held at one of the homes of a participant, in a room specifically dedicated to such assemblies called the “andrōn”. In this room seven to eleven couches were organized along the walls, allowing the men to sprawl out on while observing each other, as they drank, feasted, and sang together. A symposium was also known for the various forms of entertainment, including the hetairai. The hetairai were women perceived as high class prostitutes elevated by their skills and proficiency in high culture, dance, music, and aerobics. During these gatherings the Greek aristoi (meaning “elite”) might chose to play games, tell stories, discuss and reflect on such topics as the concerns of the day, including politics, philosophy, and poetry. In such events held after the feast, each of the collective group took a turn in succession by circling the room in a traditional counter-clockwise way. These symposiums were held of men of mutual stations and cultural, which helped bond the groups of the elite that ran the city. In this particular synopsis Plato describes how
At the time of its writing, Shakespeare's one hundred thirtieth sonnet, a highly candid, simple work, introduced a new era of poems. Shakespeare's expression of love was far different from traditional sonnets in the early 1600s, in which poets highly praised their loved ones with sweet words. Instead, Shakespeare satirizes the tradition of comparing one's beloved to the beauties of the sun. From its opening phrase "My mistress' eyes are nothing like the sun", shocks the audience because it does not portray a soft, beautiful woman. Despite the negative connotations of his mistress, Shakespeare speaks a true woman and true love. The sonnet is a "how-to" guide to love.
The Republic is an examination of the "Good Life"; the harmony reached by applying pure reason and justice. The ideas and arguments of Plato center on the social settings of an ideal republic - those that lead each person to the most perfect possible life for him. Socrates was Plato's early mentor in real life. As a tribute to his teacher, Plato uses Socrates in several of his works and dialogues. Socrates moderates the discussion throughout, as Plato's mouthpiece. Through Socrates' powerful and brilliant questions and explanations on a series of topics, the reader comes to understand what Plato's model society would look like. The basic plan of the Republic is to draw an analogy between the operation of society as a whole and the life of any individual human being. In this paper I will present Plato’s argument that the soul is divides into three parts. I will examine what these parts are, and I will also explain his arguments behind this conclusion. Finally, I will describe how Plato relates the three parts of the soul to a city the different social classes within that city.
Shakespeare's Exploration in Sonnet 2 of the Themes of Age and Beauty. Look closely at the effects of language, imagery and handling of the sonnet form. Comment on ways in which the poem’s methods and concerns are characteristics of other Shakespeare sonnets you have studied. The second of Shakespeare’s sonnets conveys an argument the poet is. making somewhat implicitly to a subject whose identity is hazy and unknown to the reader, even in retrospect.
The literary works of Plato were highly inspired from Socrates' teachings. He presented the ideas through poems, drama, rhetoric and upbringing the various social issues to be addressed in the society. The dialogues of Plato are the most famous for their bold remarks, conversational interactions and as a great source of understanding the intricate delicacies of complex situations. Plato's early works of dialogues addressed investigations of a single issue and one criticism in this respect is that these early works lacked concluding remarks. Euthyphro has also raised significant doubts regarding defining the morally right action in light of the d...