Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How are teens negatively portrayed in mass media
How are teens negatively portrayed in mass media
Negative media influence on young people
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: How are teens negatively portrayed in mass media
Pam Noles’s Whipping Boy is no stranger to the life in the inner-city. Dexter, a young man with an extraordinary gift, pushes the crack cocaine and methamphetamine through the streets of Citrus Groves while struggling to repress his whipping boy role. Granted with the power to cleanse one of their sorrows, Dexter vigorously rejects his whipping-boy role much to his Aunt June’s dismay, who entices him to become all that he can be. He focuses on the drug business and establishing a love with with Tamika, a woman who too was “born and raised in Citrus Groves.” The story offers a perspective on the realities of inescapable responsibilities as well as the state of the Black community. Dexter’s responsibility is nothing political or hierarchal; in …show more content…
The aforementioned is not always easy to do, as interests and beliefs are constantly nourished with new information. It becomes easier to follow the behavior of a popular music artist if exposure derives from friends in a group or growing personal interests. Drugs are prominent in poor Black communities, but gangs are equally dangerous for young Americans. Territorial obsession and superficial pride will warp the mindset of young Black Americans in neighborhoods like Citrus Grove, and sometimes it becomes too late for them to realize what’s important. Although Dexter’s specialty is not the best, Pam Noles uses him to show both the consequences of apathy and exhibiting a flawed mindset. As with false idols, Dexter’s lust for Tamika and projection onto her of everything he wants shrouds his thoughts as he “couldn’t imagine her ever forgetting him”. What is saddest about Dexter and Tamika’s relationship is the underlying truth she refuses to share. When “the last bits of him [flowed] from every part of her”, Dexter’s emotions exploded with rage, frustration, and depression. Even when Tamika prizes keeping her friendship with Peek and attempts to swoon a player, Tamika is disparaged for her erotic behavior by her friend. Crowning the wrong people leads only to disappointment in the end. Acting this way induces confusion. Revering the wrong individual can damage one’s decision-making capabilities. You can lose sight of who you are and what you believe in by performing for other’s benefit and not your
This is mirrored by the power of the black aides in the ward, with the untraditional role of power. On the ward they have a position of power with their ability to rule the lives of those in the ward. Although their power is often from terrorization and sexual harassment of those on the ward through “sex acts” and intimidation of “sex acts” their role i...
When it comes to friendship, personality type, race, and age are trivial matters; Brent’s strong bonds with Emil, the African American children, and the painter prove this. However, the idea of looking beneath the surface applies to not only the characters of the story, but also real people in our world. Humans need to learn how to accept everyone the way they are, for mankind is simply too judgemental. Paul Fleischman is trying to warn humanity about the many consequences that can occur if people continue to refuse to embrace one another’s flaws and faults. No one is perfect, so why judge? Just like Brent’s whirligigs’ interconnected parts, the world and all its people are linked together in a way that people should be able to feel the truth of a relationship regardless of each other’s outer appearances and characteristics.
Throughout the years, women have been mistreated brutally by gangs in their neighborhood. In a memoir by Luis Rodriguez, Always Running, the main character experiences many random acts such as shootings, rape, and many arrests. Even though, Luis may seem like a very tough young man, he gives the women the respect and love they wish to receive from a gang member. In today’s society, many young girls are attracted to what society calls a “bad boy” because their lifestyle seems exciting. When one decides to join a gang, one must prove their loyalty to their new family by getting “jumped” by the whole gang or committing a serious crime. When a young girl begins to date a gang member, she begins to see how quickly a situation can escalate to a violent scene and abuse. As soon as a young girl is expose to that lifestyle, they tend to get mistreated mentally and physically by other gang
8-Ball Chicks: A Year in the Violent World of Girl Gangsters is a compelling glimpse into the lives of females in gangs. The book highlights two things: these women do exist, and they are screaming for help. The book's author, Gini Sikes, is a New York-based journalist who spent two years chronicling the worlds of these girls and women in three cities--Los Angeles, San Antonio and Milwaukee. Through her travels she became immersed in the lifestyles of each gang. What she found on her journey through backyards, living rooms and housing-projects was startling. There are perhaps thousands of girl gang members across the nation, and yes, many of them are violent. Sikes' portrait of female gangs in America will both shock and move you. She delves far beyond the usual clichés and shows a depth to her subjects that are rarely seen. These girls carry razor blades in their mouths and get into fights just like their male counterparts, but many of them overcome tremendous adversity to get out of their gangs and change their lives. Sikes reports on these girl gangsters with compassion and honesty, compellingly raising the issue of our troubled urban youth without posturing or preaching. Sikes details the girl's reactions to her as well as to their own environment. 8-Ball Chicks describes everything from gang members' stories of dangerous initiation rites (girls knowingly having sex with an AIDS infected boy; gang rape initiations; gang wannabes allowing a dozen girls to beat them up at once) to the conditions that drive these young women to join gangs in the first place. Most of these girls she discovered entered the gangs for power and belonging. They did not care if they were hurt because survival became their most significant recourse. If they survived the abuse and the poverty, then they felt powerful. In 8 Ball Chicks, we discover the fear and desperate desire for respect and status that drive girls into gangs in the first place--and the dreams and ambitions that occasionally help them to escape the catch-22 of their existence.
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.
In our society of today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women. Women, black women in particular, are placed into a society that marginalizes and controls many of the aspects of a black woman’s life. As a result, many black women do not see a source of opportunity, a way to escape the drudgery of their everyday existence. For example, if we were to ask black mother’s if they would change their situation if it became possible for them to do so, many would change, but others would say that it is not possible; This answer would be the result of living in a society that has conditioned black women to accept their lots in lives instead of fighting against the system of white and male dominated supremacy. In Ann Petry’s The Street, we are given a view of a black mother who is struggling to escape what the street symbolizes. In the end though, she becomes captive to the very thing she wishes to escape. Petry presents black motherhood, marriage and the black family as things that are marginalized according to the society in which they take place.
The story begins with Delia, a working Black woman in Florida, who is a wash woman. It is a warm spring day and she is sorting and soaking the clothing she washes for the white residents of her town. Her husband walks into the house and is immediately looking for a confrontation. It is throughout this confrontation that the exploitative and abusive nature of Delia and Syke’s relationship becomes clear.
Getting played is a well written portrayal of the harsh realities of African American girls in poor urban environments. The theoretical framework this book uses will be related to Sampson and Wilson 's Toward a Theory of Race, Crime, and Urban Inequality 1995. The relationship with race and crime is complex with historical, cultural, structural factors and more.
This book is giving details about what was hidden from the rest of the world, shielding us from the truth. At the Dark End of the Street describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. While sifting through court files and old trial transcripts, McGuire produced evidence that showed white on black rape was endemic in the segregated South. I felt like I had discovered a whole new civil rights movement with black women and their struggle for dignity, respect and bodily integrity at the center that is as poignant, painful and complicated as our own lives.
Although none of the novels were wrote in conjunction, each has a link towards the other regarding abuse, both sexual and spousal, as well as class oppression and the manual labor that was a necessity for survival among black women. By examining present society, one can observe the systems of oppressions that have changed for the better as well as those that continue to devastate the lives of many women today.
Mentioning his friend, Laura, he displays a regretful and apologetic tone, based on his influence of turning a young, virtuous girl to a drug addict. He states that he was “deaf, dumb, and blind,” as he was able to let such appalling things happen to her(160). As time goes on, he depicts a pessimistic and glum manner talking about his family’s conditions after his father passed away and his mother breaking down, eventually with her being taken to a mental hospital. The temptations to gloss over his horrid actions and state of mind during his Harlem ghetto days seem to be stifled, but with culture described in great
Inner city youth are usually very impressionable due to less than ideal living conditions in their communities. As a result, it is easy to see why so many African American youth think that selling drug is a way out of poverty. Unfortunately, because of their surroundings, the only people they know with substantial amounts of money are the drug dealers they see in their community. Whether it is a friend of a friend or a close relative, these young people have become accustomed to this way of life. With dreams of one day making enough money to have just the bare necessities or the respect of their peers, these are some of the reasons why drug trafficking is so prevalent in urban areas. In the story The Coldest Winter Ever, by Sister Souljah, she describes how this, the sensationalism and fast money associated with drug trafficking within urban communities, effects a young girl who wants to emulate and hold on to this lifestyle.
In 1960, the American sociologist Paul Goodman published his seminal work, Growing Up Absurd: Problems of Youth in the Organized Society. Having observed that, since World War II, there had been an increasing rise in juvenile delinquency – especially amongst white, middle-class, educated males – Goodman set out to study both the source and forms of delinquency. Simply put, he wanted to understand why and how young men were rebelling not just from the previous generation but from society as a whole. Goodman ultimately posited that having been frustrated by an increasingly bureaucratic and corporate culture, the only way for these young men to begin forging their personal identities was to reject the very middle-class culture and values from which they had emerged. Goodman then discovered that many of these young men began to find solace and freedom, to quote Allen Ginsberg, “by dragging themselves through negro hipster streets.” These middle-class young men – or what Goodman would ultimately label as “the white negroes” – found for themselves an entirely new cultural frontier by embracing what they felt to be the only free space available: within the bosom of black culture. The fact middle-class, white males listening to “black music” would hardly raise an eyebrow today only serves as a testament to the enduring power of blackness as a cultural trope. Whether it be jazz in the 1950s or hip-hop at the turn of the century, white youth have continued to find avenues of self-expression and self-formation through what Toni Morrison calls an Africanist presence.
“According to the Bureau of Justice Statistics, one in three black men can expect to go to prison in their lifetime.” We beat the street, is a novel created to tell the testimonies of three doctors Sampson D. , George J. , and Rameck H. , who didn’t let the environments defy who they was and what the could do with their lives. The Theme that was conveyed in the novel was “If you get caught up in bad things there is always hope you can overcome them.” The theme was conveyed through the storytelling of some of the adversities that the three gentlemen go through as they went through school for doctors.
In this narrative essay, Brent Staples provides a personal account of his experiences as a black man in modern society. “Black Men and Public Space” acts as a journey for the readers to follow as Staples discovers the many societal biases against him, simply because of his skin color. The essay begins when Staples was twenty-two years old, walking the streets of Chicago late in the evening, and a woman responds to his presence with fear. Being a larger black man, he learned that he would be stereotyped by others around him as a “mugger, rapist, or worse” (135).