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Essays on how three ways WWI impacted american society
How did world war 1 transform american culture
Essays on how three ways WWI impacted american society
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American society , his personal experiences and perceptions formed on the basis of those experiences.
Writing about the hero in contemporary American Literature, Ihab Hassan comments that heroes in fiction are made ,not born and that he is one mirror fiction uses to surprise reality and identify its forms .The hero thus becomes a reflection of reality.
This paper argues how Mailer,s heroes also become a medium of expressing the American cultural and social reality.As America slides
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Aldridge [1971:134] writes:
“ No novel since Red Badge of Courage and War and Peace has contained a more vivid or terrifyingly acute picture of the conditions of actual warfare and certainly no novel of our time since U.S.A has projected its theme on a more variegated background of human experiences. On page after page and in episode after episode. It is Mailer’s magnificent reportorial sense, his gift for evoking the tactile essence of a scene, that sustains the book and that will keep it alive at least as long as the events it describes live in the memory”.
On the narrative level, The Naked and the Dead is an account of American conquest of the Japanese held island of Anopopei in the South Pacific. The novel opens by focussing on an anonymous soldier in the hold of one of the troopships the night before the landing. The book closes four months later as the mopping up operations are being completed and Major Dalleson is occupied with his plans for filling time before the campaign of
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In its structures and effect on men it represents Mailer’s view of the modern social order. As Richard Poirier [1972:21] has stated, "War" was the determining form of his imagination long before he had the direct experiences of war that went into his first big novel. Though, The Naked and The Dead is a novel about war, it has very little to say about the military enemy, the Japanese forces led by General Toyaku. The novel mainly deals with the actions of a handful soldiers of I and R platoon, the division commander General Cummings and his young aide Lt. Hearn. As we become familiar with the characters of the novel we find that what they most despise and fear is rooted in their prior experience of life in America. Mailer interrupts the narrative flow with, “ Time Machine” vignettes which summarize the life of characters in the pre-war America, and account for how they became the persons they are at a crucial point of their careers. The novel deals less with war and more with lives of the men involved in the war. Aldridge observes [1971:
All Quiet on the Western Front is a powerful novel that communicates many messages concerning war’s hidden horrors and gives insight into the unique experiences of soldiers. Remarque uses a wide array of language techniques and writing concepts to expose readers to truth of the simultaneously corrupt yet complex affair that is war. It is an important, genuine novel – the type that needs to exist to end dreadful human affairs, such as
“I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another (263).” Powerful changes result from horrifying experiences. Paul Baumer, the protagonists of Erich Remarque’s All Quiet on the Western Front utters these words signifying the loss of his humanity and the reduction to a numbed creature, devoid of emotion. Paul’s character originates in the novel as a young adult, out for an adventure, and eager to serve his country. He never realizes the terrible pressures that war imposes on soldiers, and at the conclusion of the book the empty shell resembling Paul stands testament to this. Not only does Paul lose himself throughout the course of the war, but he loses each of his 20 classmates who volunteered with him, further emphasizing the terrible consequences of warfare. The heavy psychological demands of life in the trenches and the harsh reality of war strip Paul of his humanity and leave him with a body devoid of all sentiment and feeling.
There is a major change in the men in this novel. At first, they are excited to join the army in order to help their country. After they see the truth about war, they learn very important assets of life such as death, destruction, and suffering. These emotions are learned in places like training camp, battles, and hospitals. All the men, dead or alive, obtained knowledge on how to deal with death, which is very important to one’s life.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
Storm of Steel provides a memoir of the savagery and periods of beauty that Ernst Jünger’s experienced while serving the German army during the First World War. Though the account does not take a clear stand, it lacks any embedded emotional effects or horrors of the Great War that left so few soldiers who survived unaffected. Jünger is very straightforward and does remorse over any of his recollections. The darkness of the hallucinations Jünger reports to have experienced provides subtle anti-war sentiment. However, in light of the descriptive adventures he sought during the brief moments of peace, the darkness seems to be rationalized as a sacrifice any soldier would make for duty and honor in a vain attempt for his nation’s victory. The overall lack of darkness and Jünger’s nonchalance about the brutality of war is enough to conclude that the account in Storm of Steel should be interpreted as a “pro” war novel; however, it should not be interpreted as “pro” violence or death.
One limitation Tomedi’s book has is that it is very subjective, allowing the reader to only see a portion of the war through a single person’s view. For example Fred Lawson, an interviewee, stated “We has no idea what was happening over on the other side of the mountain” (Tomedi, 87). Tomedi does not present his readers with a story of “what was happening over the mountain.” The book also neglects various perspectives, such as officers and women in the war. The compilation of stories strictly focuses on combat veterans, many of whom did not know what was going on; they were simply “a bunch of kids…trying to do [their] job” (Tomedi, 8).
...display how the average citizen would see war for the first time. Colonel Kelly sees her as “vacant and almost idiotic. She had taken refuge in deaf, blind, unfeeling shock” (Vonnegut 100). To a citizen who even understands the war process, war is still heinous and dubiously justified when viewed first hand. The man who seems to have coldly just given away her son’s life without the same instinct as her has participated in this heinous wartime atrocity for so long, but it only affect her now because she cannot conceive of the reality of it until it is personally in front of her. That indicates a less complete political education of war even among those who war may have affected their entire lives. The closeness and the casualties of this “game” will affect her the most because she has to watch every move that previously could have been kept impartial and unviewed.
“The Red Convertible” transports the reader to an environment where they can witness the changes in a soldier and horrible mental state for those soldiers with PTSD when they return from war. War affects a person’s relationships with people close to them and their relationships with themselves. Erdrich embodies those changes through the text in “The Red Convertible.”
The men stationed in the Pacific Theatre of World War II faced many challenges and hardships. The fighting that occurred with the Japanese far surpassed the level of brutality in the European theatre. Some American military units faced relentless fighting throughout the entire war, while other units waited for the entire war for orders to deploy into combat, and never actually saw any action. Only a few stories surrounding both ends of the spectrum of men in the Pacific Theatre exist, and even a fewer number do the men and women that served during that time justice. One of these authors who captured the nature of life during World War II in the Pacific Theatre, James Michener, did so in the novel Tales of the South Pacific. Michener not only offers an in-depth perspective of life during the time, but also brings up key themes of issues that existed during that period. He introduced a new outlook on the South Pacific during World War II, showing that a variety of people scattered around the Pacific joined for the common goal of a successful military operation. The primary purpose for this collection of tales from around the South Pacific focused on telling the tale of everyone who spent the war there. Michener used varying points of view within the plot line to strengthen this point. Within the main focus he brings up three themes: the first being of camaraderie and fellowship, the second the issues of power struggle, and finally racism in World War II. Michener utilizes diction to help characterize individuals to help literary convey these three themes. James Albert Michener brings up the issues of racism and power struggle in the South Pacific, while portraying the men that lived there during that period and the fellowship they s...
O’Brien’s unique verisimilitude writing style fills the novel with deep meaning and emotion. Analyzing the novel through a psychological lens only adds to its allure. Understanding why characters act the way they do helps bring this novel to life. The reader begins to empathize with the characters. Every day, the soldiers’ lives hang in the balance. How these soldiers react to life-threatening situations will inspire the reader. Life has an expiration date. Reading about people who are held captive by their minds and who die in the name of war, will inspire the reader to live everyday as if they are currently in the
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
In conclusion, a hero may not measure up to what the public accepts as true, but the nation grants them credit for the country’s success. If the world lacked baristas and other “small” employments, “the right stuff’s” significance would cease to exist. A hero’s accomplishments often overshadow the genuine individual behind the deeds. The Right Stuff by Tom Wolfe illustrates how humans have the tendency to place heroes in a position of high honor and respect, when perhaps these idols do not hold entitlement to the privileges they
Though the book is a novel, it gives the reader insights into the realities of war. In this genre, the author is free to develop the characters in a way that brings the reader into the life of Paul Baumer and his comrades. The novel frees the author from recounting only cold, sterile facts. This approach allows the reader to experience what might have been irrelevant facts if presented in a textbook. This book is written from a perspective foreign to most Americans.
For many years the American Hero has filled the silver screen and wide screened television sets, along with shelves of countless bookstores. Audiences love to see the protagonist overcome great odds, defeat the forces of evil, and save the beautiful girl at the last second. The character of the American Hero however, is not a new idea. James Cooper, in the 1800’s, created the archetype of the American Hero. Natty Bumpo, also called Deerslayer, embodied many qualities of the great American Hero. Modern day heroes are simply following the example set by Cooper’s creation.
I fully accept that I am a geek when it comes to the Marvel superhero comics. I could not help but note that after watching Captain America, my favorite from the Avenger’s series, I noticed Chris Evans capitalized on the classic iconic American Hero. Typically when we hear superhero we think of a man that begins with Bat, Spider or Super. Yet none of these men fully embody the American icon of comic heroism. While using a narrative paradigm and Bourke I will examine our icon in comparison to a Norwegian Viking through a postmodern lens. Comparing these two icons may seem as an odd comparison, however their similarity might shed light into who the American hero really is.