Have you seen beached whales? These massive creatures strand themselves on the beach, alone or in a group, the whims of the moon’s tidal forces. Sometimes, a single whale trapped by the moon’s pull calls in distress, drawing the sympathy of the whole pod, a case of symphony dooming the whole community stranded on the beach to a slow death. In “Why we care about whales”, Marina Keegan writes about witnessing fifty or so stranded pilot whales “lying along the stretch of beach in front of her house, surrounded by frenzied neighbors and animal activists” (35,36). Like the others, she jumped in to help—a futile task which finally led to “23 pairs of whale eyes glazed over” (32,33). Keegan suggests that despite the logic that human welfares are more important than animals’, emotions of compassion towards animals blind us from(better words) feeling the fragility of human suffering near or far away from us. She herself couldn’t think philosophically in the present of dying whales. The ambiguity of her thoughts reveals the paradox between logic and emotion. (unfinished) Human try to control all the things; however, there are …show more content…
still things that human cannot manipulate—nature. Natural forces don’t discriminate, whether human or animals. Starting with “when the moon gets bored, it kills whales.” (1), Keegan reflect the cruelty nature draw upon these lovely creatures. She then describes whales’ seemingly foolish action to fight the nature and their incapacity to help themselves as “They try to fight the waves, but they can’t fight the moon. They can’t fight the bathymetry of oceans or the inevitability that sometimes things just don’t work out.”(8-12), which makes them extremely innocent and helpless. The vulnerability—whether a human or an animal--naturally triggers our compassion and empathy. (better connection) By writing “There is no echolocation on the land…the Ethiopian aren’t fine” (114-117), Keegan indicates that human cannot feel the whales’ struggle and pain at this moment, the same way as we cannot know the feelings of these homeless people and Ethiopians hiding in the corner of our society. But the unknowability should not preclude us from trying to understand and act. Humans sometimes are unable to control the forces, the moon, the gravity, the Mexican earthquake, the Hurricane Harvey, the political leader or the accidents in our life. Facing these cruelties, humans are equally indefensible as other species on the earth. But what we could control is to help other human and animals relieve their pain and suffering even if we fail to save them. If we could help, we are able to help, we probably should help. According to Keegan, human’s emotion always defies logic when we witness the vulnerability of animals and human. She made a “logical” argument that we should care more about human than animals; however, when “looking in the eye of a dying pilot whale at four in the morning” (94), her thoughts swing from logic to emotion, and compassion overwhelms her eventually. “There wasn’t time for logic. My rationality had slipped away with the ebbing dance of waves.” (96,97) Before trying to judge her action or compassion, we probably should rethink about how we define and build up our logic and emotion towards nature and other species. Under our logic, Keegan indicates that “their [animals’] welfare is important, but surely that of human is more so.” (88,89) In this way, we tend to logically place ourselves above other animals and nature in utility value, but forget we are part of nature. Prioritizing our welfare above nature makes us extremely self-centered, also jeopardizing our future. By denying and diminishing other animals’ cognition, emotions and communication, we separate them from us and treat them as our adjunct and property. For example, though the earth itself shows its cruelty to the whales, human destruction also plays a significant role in mass stranded whales—human-generated noise. Military sonars disturb the echolocation of the whales in some cases, causing the whales strand on the beach. While we are destructing other animals and the earth, we are also destroy ourselves. Keegan forces us to reflect on the fact that these whales, seem unrelated to our life, are tightly bond with our fate. (a lot to say) Keegan also points out the poignant truth that humans are not so altruistic as we regard ourselves. “I worry sometimes that humans are afraid of helping humans.”, She describes her concern for humans’ indifference towards our siblings(65). Human victims, unlike vulnerable whales lying in front of us, are less tangible, more stickier, and more complicated. Take the homeless people as an example. When we walk pass the homeless people on the road, sometimes we help, sometimes we just pretend not seeing them. The reason that we choose not to help varies: Maybe we are just in a bad financial aid, maybe we are afraid getting entangled by them, or we So where does this strange impulse come from?
In “Don’t anthropomorphize inky the octopus”, Jacob Brogan offer an answer to us—anthropomorphism. That is, human tend to interpret animals by “turning them into distorted mirrors of our own experience and expectation” (Don’t, 23,24). The escape of the octopus, Broman illustrates, is anthropomorphized by the human as “breaking out of animal aquarium”, “reminiscent of Finding Nemo”, “a magician like Houdini” for our own plights. We don’t want to know and care what exactly how octopus thinks and how he finds the way to escape; we focus on how to reflect our willingness on their behaviors. Instead of anthropomorphizing them in human terms, Brogan logically demonstrates, we should understand these creatures by their own cognition, their emotion, their complexity even if they are different than us in some
way. Moreover, anthropomorphism makes human resonate more with the species that shows the similarities to human. Like Keegan mentioned in her essay “Perhaps the whales’ sheer immensity fosters empathy…they give birth, for god’s sake.” (57,62) Whales are more like human, they feel “cohesion, a sense of community, of loyalty” (Why,14,15) Their resemblance of human traits helps us to imagine their suffering and therefore generate the sympathy to help. In some extent, anthropomorphizing the whales facilitates us to echo with these species. Then the next puzzle comes into our mind: If we can’t interpret other animals in human terms then we can’t relate to them and care about them, but if we only anthropomorphize them, we won’t appreciate what makes them different. These ideas provide a paradox between our logic--“it is wrong to anthropomorphize animals” and our emotion—compassion, sympathy, love, empathy, etc. Why do we frequently anthropomorphize animals? Maybe it is too difficult to separate our logic and our emotion when we interpret the world. Since we are humans, we only know the feeling to be human. Therefore, when we try to understand other animals’ behaviors, we assume the feeling means the same thing for these species even if it really doesn’t. In fact, the way we interpret existing thing based on our own standard also reveals our egoism towards nature. Just like Alan walker has ever said “The animals of the world exists for their own reasons. They were not made for humans any more than black people were made for white, or women created for man.” Maybe we should admit that animals are like us and we are not superior to other species on the earth. Since we share the same ancestor, the same environment, and part of the evolutionary history, it is reasonable that we share some same characteristic with other species on the earth. Human and animals just evolved in different and unique paths, but with the same origins. In the past, we diminish other animals’ ability to use tools, to communicate and deny that they do not have the cognition to convince the superiority of ourselves. But more researchers and studies prove that animals can communicate, use tools, experience pain, grief, compassion, happy and make plans and decision more than we could imagine. For instance, Brogan suggests, though octopus “presumably aren’t conscious in the way that humans are” (Don’t, 86), “they are simply intelligent in a qualitatively different way than we are.” (Don’t, 87). Their complex nonvisual sensory, extra-cranial complexity, attitudes and orientation, though dissimilar to the conventional human standards, also show their unique intelligence to achieve thousands of motions and perceive the world. Likewise, whales have sophisticated brain size which human still could not fully understand and remarkable way to communicate underwater—echolocation. What truly surprise human is that whales could sacrifice themselves due to their compassion for each other, which Keegan writes as “a fatal symphony of echolocation” (Why,16). Comparing to humans’ conditional compassion, whales tend to behave more altruistic when they encounter the vulnerability of one--whether whales or other marine animals.
Save the Whales, Screw the Shrimp is an essay written by Joy Williams, about the overwhelming complacency that todays culture shows towards nature.Williams argues in a very satirical way, that todays culture has all but completely lost touch with what nature really is, and that unless we as a nation change our morals regarding the role that nature plays in human existence, we may very well be witnessing the dawn of our own destruction.
An accident can take away lives, either literally or figuratively. In The Pod, a short story by Maureen Crane Wartski, the main character, Jesse realizes there is more to life than being able to play soccer as he sees a dolphin out of the water, struggling for its life. The story’s symbolism and irony make one think of the significance of living life.
Anthropomorphism is giving non-human characters human qualities. In How Stories Came to Earth it’s shown various times, “After following the tracks of the leopard, spider dug a very deep pit. He covered it over with the branches of the trees and came home. Returning in the very early morning” , this quote is
Family therapy is often needed when families go through transitions such as separations between parents and divorce. According to research, “the power of family therapy derives from bringing parents and children together to transform their interactions” (Nichols, & Davis, p.18), as problems need to be addressed at their source. The children who are the most vulnerable, when parents decide to separate, exhibit symptoms which are exaggerations of their parent’s problems (Nichols, & Davis, p.18). Frank and Walt Berkman are the examples of how children cope and adapt to the stressors of family separations such as marital separations and
“…animals, plants and even “inert” entities such as stones and rivers are perceived as being articulate and at times intelligible subjects, able to communicate and interact with humans for good or ill. In addition to human language, there is also the language of birds, the wind, earthworms, wolves and waterfalls – a world of autonomous speakers whose intents (especially for hunter-gatherer peoples) one ignores at one’s peril” (Manes 15).
Orca whales do not like to be taken from their family, held captive for many decades and put with other whales that they do not know. No other living organism on this planet would like to be put through the same thing. Orca whales are highly social animals, they are very intelligent, and are very emotional. If they are kept away from other whales, fed intermittently and received little attention from staff makes them get very emotional and can lead to death of people and the whales. Orca whales should not be held captive; they are beautiful creatures that are not great for people’s amusement and if they are treated poorly, they will act poorly.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
Most importantly, the creature wrestles with the nature of his identity by asking “who was I?” . Being able to consider such human questions concerning identity and existence, the creature shows an intellectual capability unique to human beings. In the same respect of reflection, the creature acknowledges and respects his creator as exclaims “I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me.” (Shelley 84).
Guests leave parks believing that killer whales enjoy being in captivity. How can humans be so selfish to enjoy the presence of these animals, if the animals aren’t enjoying themselves? After the gates are close and the lights turned off, the whales spend hours alone, floating lifelessly. It’s hard to postulate that they receive world-class care. “Orcas are too large, too intelligent, and too behaviorally and socially complex to adequately provide for in concrete enclosures” (Rose).
Whales living in captivity become aggravated and have been known to take out anger on themselves by self harming. In the pools they live in, metal bars are placed in between the pools to prevent the killer whales from swimming to another pool. On several occurrences, the whales have attempted to bite and break the metal bars. This leaves the whales with broken teeth and a risk of infection. Infections in killer whales can lead to death in many cases. If a whale gets an infection, they have to be taken out of the pool and placed into another pool by themselves to prevent any problems with other killer whales they live with. In many cases, whales with infections need serious care from whale specialists.
They are forced to contend with the realization that their survival does not matter to nature. The correspondent comes to the realization, “When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples” (Crane 213). While the men may try to pin their trouble on the “mythicized deity,” that really does not serve them. When discussing this, Hilfer says, “The discomfiting thing about nature is that though we can address it, our messages can only come back stamped ‘return to sender’” (251). No matter how much the men in the boat try to make sense of what is happening to them, they cannot find the being or force behind
The short film ,”Humpback Whale Shows AMAZING Appreciation After Being Freed From Nets,” shows 3 men, and a woman are in a small boat, cutting away the net that inprisons the whale. This is a fine example of the value of human emotions enhancing the survival of the whale, that otherwise would more than likely die. After being freed the whale danced a happy dance of sorts, and showed it 's appreciation for valuing it 's life enough to risk their own safety to save it ("Humpback Whale Shows AMAZING
Stephen Crane’s short story “The Open Boat” is a story of conflict with nature and the human will and fight to survive. Four men find themselves clinging to life on a small boat amidst a raging sea after being shipwrecked. The four men, the oiler (Billie), the injured captain, the cook, and the correspondent are each in their own way battling the sea as each wave crest threatens to topple the dinghy. “The Open Boat” reflects human nature’s incredible ability to persevere under life-and-death situations, but it also shares a story of tragedy with the death of the oiler. It is human nature to form a brotherhood with fellow sufferers in times of life threatening situations to aid in survival. Weak from hunger and fatigue, the stranded men work together as a community against nature to survive their plight and the merciless waves threatening to overtake the boat. The brotherhood bond shared between the men in “The Open Boat” is evident through the narrator’s perspective, “It would be difficult to describe the subtle brotherhood of men that was here established on the seas. No one said that it was so. No one mentioned it. But it dwelt in the boat, and each man felt it warm him” (Crane 993). Crane understood first-hand the struggle and the reliance on others having survived the real life shipwreck of the S.S. Commodore off the coast of Florida in 1897. “The Open Boat” is an intriguing read due to Crane’s personal experience and though it is a fictional piece it shares insight into the human mind. Crain did not simply retell a story, but by sharing the struggles with each character he sought to portray the theme of an inner struggle with nature by using the literary devices of personification of nature, symbolism of the boat, and iron...
Imagine a scene in which a small, wooden boat is peacefully floating on the ocean. Now, imagine that the scene is panning out to reveal the boat is merely a tiny speck, the ocean reaching out endlessly around it. Suddenly, the peaceful quality of the boat has been replaced by a feeling of consuming meaninglessness. Stephen Crane, a naturalist writer and reporter in nineteenth century America, often used nature to prompt readers into questioning their purpose and place in the universe. In “The Open Boat,” complex symbolism allows Crane’s characters to reflect humanity's shared experience regarding existence and self-worth.
In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans. The human voyage into life is feeble, vulnerable, and uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the dangers we face, we also have to overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap."