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Role of media in democratic society in Indian Context essay
Popular culture and society
Popular culture and society
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MANJHI- THE MOUNTAIN MAN IN BIHAR: SOME GLARING QUESTIONS -N. Kumar The movie 'Manjhi- The Mountain Man' is out in the theatres. The biopic was in spotlight even before its release. The Director Ketan Mehta has received accolades for engraving on celluloid, the fascinating saga of a common labourer from Bihar. And well-deserved ones. Bihar has seldom attracted Bollywood brains over the years. We have Prakash Jha's flicks like Gangajal and Apharan, but they have mostly focussed on crime and political corruption. Prakash Jha has always shown proclivity to sell the negative contours of the state. The epic saga of Dashrath Manjhi never caught Jha's attention. Or maybe, it never suited his brand of cinema. However, Ketan Mehta is counted among the sensible directors of …show more content…
He gave a sense of pride to the common man of Bihar. It is ironical this common man was deprived from this movie. The government owes an answer to the people of Bihar in this regard. Meanwhile, the response for 'Manjhi-The Mountain Man' was lukewarm in Patna. Perhaps, Ketan Mehta could explain better. Nawazuddin Siddiqui was immaculate in his portrayal of Dashrath Manjhi. But jury is out in the open for Ketan Mehta's treatment of the character. For instance, Manjhi gifts Taj Mahal to his wife in the movie. It is something very difficult for any Bihari to relate to, especially the downtrodden Musahar community of Manjhi. Little did Dashrath knew that his souvenir would one day belittle, even world's foremost monument of love. The movie also portrays Manjhi engaging in pillow fight with Fagunia. There is hardly anyone in the Manjhi community who can identify with this kind of mushy expression of love. Then, Naxalism enters the plot out of thin air, suddenly after Manjhi has completed breaking the mountain. One might ask where were the red ultras for 15 long years when Manjhi was still at his
Mississippi Masala, directed by Mira Nair, is a movie about an Indian woman and an African-American man who fall in love, despite objections from both of their respective families. The couple, Demitrius and Mina, struggle to maintain their relationship despite their families disapproval. The movie utilizes the mise-en-scene element of color to communicate its themes of conflict between cultures.
Farewell To Manzanar On December 7, 1941 the Japanese bombed Pearl Harbor in Hawaii, leading to the United States entrance into World War II. A couple months after the Japanese attacked Pearl Harbor, President Franklin Roosevelt ordered that all persons of Japanese descent must be secluded. The Japanese were sent to internment camps outside of the Pacific military zone, due to the fear Americans had of Japanese espionage.
I felt that this movie was very interesting and entertaining. It was also very sad. I think that the social inequality was the most prevalent thing in the movie because it was clear how the ruling class thought of the Indians. There was also a great gap between the rich and the poor.
fragmented by the interruptions of song and dance, lending a sense of unreality. I believe Mira Nair successfully achieved her aim to make a Bollywood film on her own terms. As a director, she effectively combined the techniques of sound, editing, costume, colour and location to produce a fairly unique Bollywood film. Her message of the continuing modernisation of India, and her criticisms of both the societies she illustrates in the film comes across clearly, as do the more controversial points she brings up that Bollywood, as a film industry, does not typically address. Its appeal and effectiveness can be measured by the huge range of global audiences it has attracted, both Western and Eastern, which indicates that she accomplished her goal of making a realistic movie, breaking the traditional Bollywood mould.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
A mountain man is a male trapper and explorer who lives in the mountains. Mountain men were most common around the North American Rocky Mountains from around 1810 through the 1800s. Almost 3,000 mountain men were in the mountains at around 1820 and 1840, the peak beaver harvest period. While there were many free trappers, most mountain men were employed by major fur companies. The life of company men was nearly militarized. The men who had the company also had mess groups that hunted and trapped in brigades and they all reported to the head of the party. Mountain men rose up in geographic and economic expansion driven by huge earnings in the North American fur trade (wickipedia).
...nwillingly accepted by Lady Catherine. The different and more rationalized ending in Pride and Prejudice reflects upon the difference between the 19th century folks and the 21st century viewers, who are much more attracted to the Bollywood conventions of melodramatic development and happy endings but not the practical complications present in real life. Therefore, by reducing the level of practicality but focusing on comical characterizations, dramatic presentation of scenes, and glorious music, Chadha skillfully attracts the 21st century audience to better understand the integrity of commonly misunderstood aspects of traditional cultures and the folly of cultural tension.
Summing, the most important factor behind the film’s international success is Cameron’s perfectionism and passionate attitude towards direction. In addition, the director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.
...ing care of Shankar and feels good doing so. He is constantly sacrificing his money and time by helping others This empathy helps him change his life journey by helping him meet new people. Even though helping people delays his own success he does ultimately achieve his dreams.
In the movie, the application of his leadership was social. Gandhi wanted to unite India towards a democracy and most importantly towards freedom. At the end, he achieves this goal and he was the main trigger for the successful completion of this goal.
Mahesh Dattani writes on the burning issues that beset the post-independence Indian society, whether it is communal discord, politics and crime, growing homosexuality or the gender bias. He uses stage to condemn many of the drawbacks prevailing in society. His plays depict marginalized groups of society, people who are considered misfits in a society where stereotyped attitudes and notions reign supreme. His plays have varied content and varied appeal.
Baldick (2008) defines that hamartia is a Greek word for “error” or “failure,” used by Aristotle in his Poetics (4th century BCE) to designate the false step that leads the protagonist in a tragedy to his or her downfall. The term has often been translated as ‘tragic flaw,’ but this misleadingly confines the cause of the reversal of fortunes to some personal defect of character, whereas Aristotle’s emphasis was rather upon the protagonist’s action, which could be brought about by misjudgement, ignorance, or some other cause. This paper examines Artistotle’s emphasis upon protagonists’ “some other cause,” i.e. “caste as tragic flaw.” African American tragic characters’ tragic flaw is race; but, Dalits’ tragic flaw is birth itself.
Kapoor.” He is the man who will attract the audience to the film as he
The God of Small Things by Arundhati Roy tells the story of the communist state of Kerala and the forbidden love between two castes, which changes the lives of everyone. In the novel an ‘Untouchable’, Velutha is a carpenter and works at Paradise Pickles and Preserves for much less than he deserves because of his status as an Untouchable in the caste system. Velutha falls into a forbidden love with a divorced woman, Ammu who is associated with an upper caste Syrian Christian Ipe family. Marriage was the only way that Ammu could have escaped this life, but she lost the chance when marrying the wrong man, as he was an alcoholic and this resulted in them getting a divorce. Ammu breaks the laws that state ‘who should be loved, and how and how much’, as their affair threatens the ‘caste system’ in India, which is a hierarchal structure and social practice in India in which your position in society is determined and can’t be changed. Arhundati Roy portrays the theme of forbidden love within the caste systems and shows how they are t...