In marriage, men viewed women more as possessions, but for women it was a fulfilling ambition just to be married (Brown, 1973). Other statements in the book suggest the only valuable part of a woman is her beauty, making it clear that women were not treasured for their accomplishments, although it is critical they have them (El Azrak). Lady Catherine de Bourgh represents the stereotypical woman in this time period as well (El Azrak). She is a very overbearing woman who finds pleasure in dictating other’s decisions to ensure she gets her own way. She strongly believes in the arts, money, and other simple abilities, women are supposed to have. As a very wealthy widow, Lady Catherine also represents the epitome of a woman being financially dependent. …show more content…
(El Azrak) She greatly goes against the grain and chooses to be herself and not worry about pleasing her family in order to fill this stereotypical role of an “accomplished woman.” Elizabeth is self-assertive and quickly reacts to other’s behaviors (Bring, 2010). Although Elizabeth knows her characteristics greatly differ from Jane’s and the “typical woman” of the time, she acknowledges her sister’s beautiful and angelic nature, while continuing to love herself (Bring, 2010). One prominent aspect of her feminist persona is her choice not to marry Mr. Collins, despite her family’s desperate encouragement in order to improve her wealth and status (Jane, 2011). She also blatantly told Mr. Collins he was a “conceited, narrow-minded, pompous, and silly man” (Bring, 2010). Through Austen’s defiant portrayal of Elizabeth, it is clear that the author herself hates the idea of being dependent in love (Brown, 1973). She believes that love should be on a personal and intimate level, instead of the reliance of financial support. Elizabeth is determined to marry for love and compatibility versus economic reasons, like her sisters (Kies, …show more content…
Elizabeth Bennet has been characterized in opposition to the views of women and she lives a life full of independence, without relying on men to make decisions and provide financial stability. On the other hand, Jane and the other sisters represented the typical views of women, making them very dependent on men, with little power. The differing views of women displayed in the novel have changed throughout the years and eventually have brought society to the current views of women, which are much more equal to men than in the
...e women form a crucial part of this society, and are integral to its maintenance. In spite of her early hesitance and her preconceived notions of the status of women within this society, Elizabeth learns that every member has a place within the social hierarchy. While Elizabeth, or Beeja did not manage to change the society of El Nahra as she thought she might, she was given a place within it and granted respect from both the women and men of the society.
This source provided the unique perspective of what was thought to be the perfect household, with a man who worked and a wife who cooked and cleaned. However, it also showed how a woman could also do what a man can do, and in some cases they could do it even better. This work is appropriate to use in this essay because it shows how men talked down to their wives as if they were children. This work shows the gradual progression of woman equality and how a woman is able to make her own decisions without her husband’s input.
Which is caused by the narrator having a male perspective. The narrator does not give the women and credit or redeeming qualities. All the women follow a general stereotype. If they tried to break away from the stereotype, they would me more important and influential characters. Paquette, a chambermaid in the Baron’s castle, is described as “a pretty and obedient brunette” (5). She is identified obedient not because of her job as a chambermaid, but because she is willing to exploit her soul and body to the men around the castle. In regards to the old woman, she doesn’t even have an actual name, which does not matter since is ugly and useless. The old woman has the mindset that she is; an object; a mistake; a disgrace. That her time has passed as a beautiful useful woman. All the rape and abuse has physically affected her and she is out of luck. In fact, she is lucky if men talk to her, or even look at her without
Elizabeth from Jane Austen’s Pride and Prejudice is bright, direct, and unapologetic. Throughout the novel she proves to have her aspirations and goals clear and will not settle for any less. She refuses proposals from men in high places who would more than likely rise her hierarchal status, simply because the men would not make her happy. Austen makes it very clear that Elizabeth sets herself apart. When Darcy and Bingley are discussing what makes a woman accomplished, Elizabeth is quick to refute this claim because she, “never saw such capacity, and taste, and application, and elegance.”(Austen) Lizzy is typical in that she is a self-acclaimed woman who is “not like other women” but like all humans, she is susceptible to the effects
In her novel, Pride and Prejudice, Jane Austen used the character of Elizabeth Bennet to epitomize the harmonious balance between reason and emotion in a woman, making her a truly admirable and attractive character.
From an early age Jane is aware she is at a disadvantage, yet she learns how to break free from her entrapment by following her heart. Jane appears as not only the main character in the text, but also a female narrator. Being a female narrator suggests a strong independent woman, but Jane does not seem quite that.
When studying gender roles in history, one will find that females are often depicted in similar ways no matter the era or region of study. Even when comparing the industrialized, early, twentieth century to today’s progressive era, there are striking similarities between female roles. We can see that over the course of the twentieth century, the qualities of loyalty and honesty have decreased in marriages due to the treatment of the two main female roles as depicted literature. The first was the role of the wife. The wife was often portrayed as a housekeeper and a nanny. Dull in appearance, there was no aesthetic beauty to this typical female. The other main role was the “other woman.” The more mysterious and promiscuous character, this woman portrayed the other part of the female population. Both of these types of characters are composites that portrayed the average, disposable female while how they were treated conveyed the general handling of females in the early, twentieth century.
Concepts of femininity in eighteenth-century England guided many young women, forging their paths for a supposed happy future. However, these set concepts and resulting ideas of happiness were not universal and did not pertain to every English woman, as seen in Jane Austen’s novel, Pride and Prejudice. The novel follows the Bennet sisters on their quest for marriage, with much of it focusing on the two oldest sisters, Jane and Elizabeth. By the end, three women – Jane, Elizabeth, and Elizabeth’s friend, Charlotte Lucas – are married. However, these three women differ greatly in their following of feminine concepts, as well as their attitude towards marriage. Austen foils Jane, Charlotte, and Elizabeth’s personas and their pursuits of love, demonstrating that both submission and deviance from the rigid eighteenth-century concepts of femininity can lead to their own individualized happiness.
...stantly trying to be agreeable and passive and allowed her to speak her mind and act upon her values. Elizabeth was very active in her life and expressed her thoughts when she wasn’t happy with something. This is in stark contrast with agreeable, passive women that were idealized by society in the Regency Period. Because Elizabeth was so independent and freethinking, Austen gave her an ideal ending and initiated the rewriting of societal norms for women in the process. Austen was known for her subtle but powerful social commentary in her books, especially on women’s rights and equality. Her ideas of how women should live and be treated were very ahead of her time and she helped pave the way for other feminists. Her character, Elizabeth Bennet, will always be iconic in the history of feminism for being one of the first to promote female independence and individuality.
In conclusion, the roles of the Bennet sisters were quite typical to that of their time period. They all were expected to find strength and meaning of self in a submissive state and in dedication to only their home and family. Their educations only prepared them for a homemaking career, while striving for a respectable marriage. It is women like Jane Austen and her creation, Elizabeth Bennet, who lived bending the boundaries of society and have shaped it into the one we live in today.
Stereotypes of the Bennet Sisters Women are supposed to be shy, passive and submissive. Men are expected to be tough, aggressive, dominant and self-confident (Gender Stereotypes). In Pride and Prejudice, a book by Jane Austen, there is a married couple with five daughters and each of those daughters has their own way of showing a different stereotype within themselves. In this paper I’ll be showing that each sister shows a different type of affiliation that is influenced by the way society is set up in the book. In the book, the Bennet sisters are still unmarried and their mother is wanting them to get married as soon as possible.
Throughout the novel, the reader follows Elizabeth through her struggle to maintain her personal identity, despite what her mother, sisters, and other women in society think of her. Elizabeth enjoys physical activities, such as walking , which is uncommon for women in the society in which she lives. “She has nothing, in short, to recommend her, but being an excellent walker. I shall never forget her appearance this morning. She really looked almost wild.” (Austen, 24). The women often look upon Elizabeth negatively due to her behaviour and personality, especially for her outspokenness, which was especially uncommon and unacceptable upon women. “‘Lizzy’, cried...
Elizabeth wants to marry for love and not social gain. Charlotte is the example of what a woman was expected to be in society and does not agree with Elizabeth and she is content to secure a future. While Lydia runs the risk of disgracing her family by running a riot around town. This is a clear example of social class and the different perspective characters express on the topic. Mrs. Bennet attempts to marry off her daughters to the best possible men.
Anna and Elizabeth both come from humble beginnings; however, Elizabeth marries for love, while Anna desires to marry solely for financial need. Elizabeth rues her decision to decline Darcy’s proposal once she becomes cognizant of her love for him. Elizabeth contemplates, "A man who has once been refused! How could I ever be foolish enough to expect a renewal of his love? Is there one among the sex, who would not protest against such a weakness as a second proposal to the same woman? There is no indignity so abhorrent to their feelings!" (Austen 308). Elizabeth progresses as a character as she is no longer naive to her feelings for Darcy and is wishful for another proposal. Austen emphasizes that love supersedes one’s need for social status as Elizabeth only accepts Darcy’s proposal once she genuinely knows she is in love and, as a result, lives a fulfilled life. Anna is the antithesis of Elizabeth as when she visits her family after her marriage, “Her father and the boys [look] at her in a peculiar way, as though just before she came in they had been blaming her for having married for money a tedious, wearisome man she [does] not love; her rustling skirts, her bracelets, and her general air of a married lady, [offends] them and [makes] them uncomfortable” (Chekhov 3). Anna parades her ostentatious new life, reminding her family of her fortune. Despite Anna’s apparent
Jane Bennet is the eldest daughter in the Bennet family at 23 years old and is deemed the most beautiful of all the daughters and of all the ladies of Hertfordshire. She is amiable, and her “sweetness and disinterestedness are really angelic” (132). She never wishes to think shamefully of anyone as long as she can help it. Her modesty is strong enough that those who do not know her may believe her to be reserved. Elizabeth and Jane have opposing dispositions yet their relationship is vital as they balance each other out. Jane brings out the benevolent qualities of others for Elizabeth while Elizabeth keeps Jane weary of ill-intent.