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Native american culture lit essay
Native american culture lit essay
Native american culture lit essay
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In Joy Harjo’s writing, Last Rites for Indian Dead, she argues that her ancestors shouldn’t be treated the way that they are, being put up on display at museums and even been sold to private collectors. Harjo shows emotion, uses strong and powerful diction, in order to get attention, and appeal to, the emotional sensibilities of the audience. Harjo especially utilizes emotion in her writing, as exhibited in her desperate tone and details about the sadness of the Native American people. Harjo writes about how sad will it be for the families returning to the grave sites of their recently deceased relatives to find the bodies dug out and taken for research purposes. This is a horrific experience and it makes the reader terribly empathetic and
sympathetic to the Native American cause. Harjo uses logos to appeal to the reader in her exercise of specific numbers and facts. For example, she states that the total number of American Indian bodies that are in museums around America is over 1.5 million (para 6). This huge number is meant to shock the reader because it is not something that would be commonly known. Harjo puts these numbers in her essay to get the point across. It is logical for her to argue that because of the huge numbers of bodies in museums. Harjo targeted the questionable logic behind keeping the Indian remains stored in museums and whatnot, when they should be given a chance to rest in peace. This is shown when she talks about how the dead stored in museums actually the people that origin alive today and how it is dehumanizing to be put on display, such as extinct creatures. Harjo’s main point when questioning the people, who put the American Indians on display, as if they were dinosaurs, was that there is simply no logic to it.
hooks, bell. "Sorrowful Black Death Is Not a Hot Ticket." Writing as Re-Vision: A Student's Anthology. Ed. Beth Alvarado and Barbara Cully. Needham Heights: Simon & Schuster Custom Publishing, 1998. 99-107.
James Baldwin had a talent of being able to tell a personal story and relate it to world events. His analysis is a rare capability that one can only acquire over an extensive lifetime. James Baldwin not only has that ability, but also the ability to write as if he is conversing with the reader. One of his most famous essays, “Notes of a Native Son,” is about his father’s death. It includes the events that happened prior to and following his father’s death. Throughout this essay, he brings his audience into the time in which he wrote and explains what is going on by portraying the senses and emotions of not only himself, but as well as the people involved. This essay has a very personal feeling mixed with public views. Baldwin is able to take one small event or idea and shows its place within the “bigger picture.” Not only does he illustrate public experiences, but he will also give his own personal opinion about those events. Throughout “Notes of a Native Son” Baldwin uses the binary of life versus death to expand on the private versus public binary that he also creates. These two binaries show up several times together showing how much they relate to each other.
In the short story “What You Pawn I Will Redeem” by Sherman Alexie, Jackson wanders from person to person and seems to have an unusual connection with those that are Native Americans. All of his ‘friends’ may fail him, but he never disowns them. Some may argue that he is simply afraid of people he can’t relate with, but it is evident that he merely feels a familiar bond with those he can relate with. This is also apparent in the poem “Capital Punishment,” when the cook feels sympathy for the Indian killer. Therefore, the story simply exemplifies the family bond Native Americans feel toward each other due to the prejudice that they feel from peoples of other races, and not a fear of people from other races.
In the novella Heart of Darkness and the collection of poems Native Guard, Trethewey and Conrad depict vivid images of decaying corpses and bodies to show society’s ability to manipulate justice.
The novel The Lovely Bones by Alice Sebold follows the path the Salmon family takes after the death of the daughter Susie. The book addresses the grieving process which is hard to confront. The family goes through division throughout the book as each tries to cope with the death in their individual lives instead of dealing with it as a whole. Susie can’t communicate with her family but merely watches her family, community, and killer from heaven. Susie sees everything from this perspective giving more insight in her world of isolation. With this, Susie's experiences after death are alienating and enriching as she watches from heaven.
Artists portray gruesome events in many ways including poems and videos. Gruesome events are portrayed in similar ways and also different ways including what is put in and what is left out. Whether it be leaving out who started the war, telling the whole story, or emphasizing elements in different ways the artist clearly portrays the Civil War of Spain as a gruesome and horrifying event. Both mediums clearly show how life was before the war and how people have been hurt. Both artists give the reader a sense of how the war affected everyone in Spain and eventually give the rest of the world a reason to “come and see the blood in the streets”(1/5 voices).
Wheeler , Joseph. "Testimonies from the Dead." Literary Culture. 26 Jun 1959: 15-18. Web. 6
An poignant example of reflexivity in writing is the much critiqued and criticized essay by Renato Rosaldo, “Grief and a Headhunter’s Rage”, wherein he explores his reactions to and understanding of Ilongot headhunting, as based on his personal experiences with death, or lack thereof. He argues that “most anthropological studies of death eliminate emotions by assuming the position of the most attached observer,” a precarious position which often leads to “actual indifference.” (15) He also acknowledges that reflexivity can easily slip into self-absorption, wherein one loses sight of differences which do exist.
He conforms with political figure Ross Beaton’s worries as to the fall of right-to-die laws, and gives an alternate, arguably more realistic, standpoint to the presence of family members in a time of dying. He also connects to the reader on an emotional level by giving examples of certain circumstances. This process of emotional stimulant is intrinsic to the strength of his argument and the development of his writing. Watt’s analysis focusing on the moral aspects of the subject is visible in the other authors’ assertions making his the most powerful and agreeable.
Toni Morrison’s Beloved stumbles upon issues that we do not face in our day-to-day life, yet Morrison has unquestionably become one of the most taught, influential American writers today. Beloved is “suspended between the nastiness of life and the meanness of the dead” (Pg 4), drenched with a fury situated in the interior of the family living at 124 Bluestone. Even though the story of Beloved is not an easy one to discuss, it is one that has earned the right to be conferred, and has become a necessity to teach.
Death is a natural process in life. When we lose a loved one in our life the result of grief can be very shock, dramatic and the despair seems insufferable. However, it takes time for humans to relieve it emotionally and physically. The story begins with a fourteen year old girl named Susie Salmon, the protagonist of the story. She was murdered by the antagonist, George Harvey. After Susie’s death, her family and friends react in different ways. Each character in the novel went through different stages of grief in order to accept the death of Susie Salmon. Losing someone important in life can be the most difficult things to go through and the novel gives the readers an authentic perspective of each character's emotion. In The Lovely Bones, Alice Sebold clarifies the primary theme of the novel is grief and the unconditionally love of family.
horrors after they are dead are the family who have lost a son or a
Beloved is a Pulitzer Prize winning novel written by Toni Morrison and published in 1987. The story follows Sethe as she attempts to make peace with her present (for her, post Civil War America) and her past as a former slave and the atrocities she suffered at the hands of the "benevolent" Gardner family. Information given to the readers from different perspectives, multiple characters, and various time periods allows her audience to piece together the history of the family, their lives, as well as provide insight into slavery and the aftermath as a whole. The characters feel as though they discover more and more as the novel passes in time, just as history unfolds. Critically this novel is recognized as one of the greatest works on the subject of slavery's impact on the slaves, the owners, the past, and America's future. In this analysis of Beloved, the characteristics of new historicism will be used to evaluate this literary piece.
In his story “Death in the Woods,” Sherwood Anderson demonstrates mankind’s ability to take for granted the gifts received through our Mother Earth, aptly symbolized by an old woman with no name. He also reveals to his reader the beauty that lies within the ceremonies of life and death that are constantly taking place all around us and within us. The story is broken into 5 different parts, told in first person, and although the narrator is not the main character, he lends significant importance to the symbolism that takes place throughout the tale.
Humans have a unique ability to express themselves clearly and profoundly without speaking a word. The way a person sighs, cries, screams, or groans exposes his emotion and state of mind. It is a gift that all humans bear, this power to display emotion through instinctual sound. Novelist Alan Paton has a strong grasp on this aspect of the human condition, exemplifying this in his treatment of women in the novel Cry, the Beloved Country. In Paton’s stark, poetic prose, the mere manner in which a woman laughs or weeps symbolizes an entire volume of depth and feeling, providing the reader with a glimpse into the inner workings of gender roles in South African society. Through the laughter and the wailing in Cry, the Beloved Country, Paton enriches his searing portrayal of life in an apartheid nation by honestly depicting the struggles of South African women.