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The theme of death used in literature
Narrative composition on death
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Our universe is an ever-turning wheel that maintains a beautiful balance of life. On the spokes of this wheel the existence of all things is assured; life is given, bodies and souls are fed, each position on the wheel is cultivated by the next, and then one day we will pass away, only to start the circle again in another mysterious way. Take a moment to look around you and see the many cycles that exist for the sole purpose of keeping our wheel in motion, and then recognize how little these great givers of life are celebrated, or even noticed. Without a second thought we will all at one time or another dishonor the same things that pay tribute to us. But that, too, is a part of the cycle. It’s not good, nor is it bad. It just is.
In his story “Death in the Woods,” Sherwood Anderson demonstrates mankind’s ability to take for granted the gifts received through our Mother Earth, aptly symbolized by an old woman with no name. He also reveals to his reader the beauty that lies within the ceremonies of life and death that are constantly taking place all around us and within us. The story is broken into 5 different parts, told in first person, and although the narrator is not the main character, he lends significant importance to the symbolism that takes place throughout the tale.
In the first part of the story our nameless storyteller introduces his reader to an old woman; one that everyone sees, but nobody knows. Demonstrating society’s lack of concern for such an old woman, the narrator states, “People drive right down a road and never notice an old woman like that” (23). In this first section he uses the words ‘old woman’ eight times, and yet we know he considers her to be strong, not frail like the people that we usually associate with the condition of being aged. Our first clue of this takes place in the first and second paragraphs where she is diligently working to make a few eggs and hens trade into enough food to feed a farm. This is her job, and she does it without complaint. Somehow, she is able to make the impossible work. In the fifth paragraph he describes himself as “a young and sick boy with rheumatism” (23), and then in the next sentence depicts her carrying a heavy pack on her back- one that he could probably not manage on his own. In that pack on her back she carries the burden of feeding and caring for those that depend on her, and yet she ma...
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...r shoulder. She is a young and innocent girl once again, and she is finally given her due respect in death. Unfortunately, when the weight of our burdens finally does our Mother Earth in, we won’t be able to mourn her and put her to rest with ceremony. Our own circle of life is far too dependent on hers. Most likely, the animals on the old woman’s farm will die within days of her passing, since there will no longer be anyone around to fulfill their needs.
In the fifth and final part of the story the narrator recounts how the details all come together for him since the time of the old woman’s death. He slowly collects the pieces of information throughout his life in a quest to understand the meaning of it all. For some enlightened people, the search for understanding of our place in the universe is very much like that. We gather together the clues that our Mother leaves us and slowly come to respect the important nature of life and death. We begin to see the rituals, appreciate our roles and recognize the signs of our Mother’s wellness, or illness. The cycle of life and death is dependant on our cooperation, or lack thereof. We decide how much we want to invest into its abundance.
Early on in the story, there is a phrase about an older woman explaining an image. It says, “A woman with shorn white hair wearing tennis shoes and a shapeless gray sweater over a summery calico dress. She is small and sprightly, like a bantam hen; but, due to a long youthful illness, her shoulders are pitifully hunched.” She dresses comfortable but we know
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
The interpretations of what comes after death may vary greatly across literature, but one component remains constant: there will always be movement. In her collection Native Guard, Natasha Trethewey discusses the significance, permanence and meaning of death often. The topic is intimate and personal in her life, and inescapable in the general human experience. Part I of Native Guard hosts many of the most personal poems in the collection, and those very closely related to the death of Trethewey’s mother, and the exit of her mother’s presence from her life. In “Graveyard Blues”, Trethewey examines the definition of “home” as a place of lament, in contrast to the comforting meaning in the epitaph beginning Part I, and the significance
Throughout the novel, crucial family members and friends of the girl that died are meticulously reshaped by her absence. Lindsey, the sister, outgrows her timidity and develops a brave, fearless demeanor, while at the same time she glows with independence. Abigail, the mother, frees herself from the barbed wire that protected her loved ones yet caused her great pain, as well as learns that withdrawing oneself from their role in society may be the most favorable choice. Ruth, the remote friend from school, determines her career that will last a lifetime. and escapes from the dark place that she was drowning in before. Thus, next time one is overcome with grief, they must remember that constructive change is guaranteed to
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
Common among classic literature, the theme of mortality engages readers on a quest of coping with one of the certainties of life. Katherine Anne Porter masterfully embraces the theme of mortality both directly and indirectly in her story, “The Jilting of Granny Weatherall.” Understanding that all mankind ultimately becomes subject to death unleashes feelings of dread and anxiety in most people; however, Granny Weatherall transitions from rushing to meet her demise in her sixties to completely denying she is on her deathbed when she is eighty. Readers have seen this theme of mortality reverberated over and over in literature, but what makes this story stand the test of time is the author’s complexity. In Katherine Anne Porter’s
In society there is a longing for a story to have a nice and neat happy ending. Broadway and the theater originally would give this to their audience, especially in America. Give the audience what the want! They want happy endings that mirror their own values and interpretations of how the world should be and at the end of it should be, “and they all lived happily ever after.” The fairy tale ending is something society hopes, dreams, and strives for since we could listen to our parents read us fairy tales with these sweet stories of finding true love and having to fight the odds to be the Prince or Princess you deserve to be. With Into the Woods, Lapine and Sondheim sought out to explore what could go wrong with “happily ever after.” Effectively leaving the audience with the adage, “be careful what you ask for…”
The beginning of the short story starts with the narrator's description of her mental state and the perception of her family members towards her condition. The narrator talks about, despite how she feels, her family, especially her physician husband John, did not take her condition seriously. She even mentions that John being
In the short story “A Rose for Emily” death plays a major role in developing the story. It also shows how the death of one person can change a city as a whole. However, if you compare this story to the life of the author, William Faulkner, you can see how death in his life can contribute to why he wrote the story the way he did. The death of the people is used to add to the meaning of the work altogether. William Faulkner’s experiences add meaning to his work, “A Rose for Emily,” through several deaths and Emily’s ultimate demise.
No matter how hard society tries to achieve the perfect life, it does not always go as planned. It doesn’t matter if the characters are bored and depressed, confused and guilty, or virtuous and lucky; the gradual path of version A is not always in reach. Atwood states near the end of the short story, “You’ll have to face it, the endings are the same however you slice it. Don’t be deluded by any other endings, they’re all fake, either deliberately fake, which malicious intent to deceive, or just motivated by excessive optimism if not by downright sentimentality. The only authentic ending is the one provided here: John and Mary die. John and Mary die. John and Mary die” (690). The idea of this short story is not the fact that every one dies, but with the eventful memories that can make the life worthwhile. The author says, “So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it’s the hardest to do anything with. That’s about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what. Now try How and Why” (690). This short story forces the readers to question the meaning of life. Every story has the same ending, because very life has the same ending. Life is exciting because of the experiences that can lead each individual onto their own path in life. The how and the why are the inspirations, the feelings, and the interpretations that the reader goes through as they make their own way through version A. Be adventurous and make memories because the story isn’t in the ending; it’s in what’s done on the way
Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both parallel and opposing views on death.
It pinpoints out how women were taken as during the 1900’s. The story also highlights the extremes of repression and sexism by viewing the woman as mad by a rest cure. In the view of the Narrators role as a woman, lack of intellectual stimulation in her thought and unjust environment usually led her insane. This points out failure in the society in which sexism and oppression was carried out towards women. An aspect of feminism portrayed by the Narrator in the story is how she tries to dismiss John’s opinions. She repeatedly requests him to relocate her to another room downstairs. This is an aspect of feminism which should be encouraged among women to demand for their freedom. The Narrator takes part in not conquering with John. But as time goes she is less able to feel the usual relief. John rejects the request and replies to her that she must spend in the nursery room which is barred and rings similar to those of dungeon on the walls. She is denied the right to choose what pleases her. Later she comes to like the nursery room where other times she locks herself up to avoid husband’s disturbance upon the story. Also the act of Narrator’s wallpaper routine is a sense of imprisonment. She recognizes that the pattern is so ugly like a cage imprisoning women who are desperately trying to escape. The Narrator figuratively tears the bars and the wallpaper of the cage to clear her way to escape.
By the year 2060, rainforests will be but a dream (facts about the rainforest). The rainforests are the lungs of Earth providing 40% of the world’s oxygen yearly. The world needs to preserve the rainforests because without them our ecosystem will suffer. The rainforests provide the western world with one out of four of the prescription drugs sold today and many valuable resources (contribution of rainforests to mankind). The balance of the ecosystem, water cycle, and carbon dioxide levels depend on the rainforests. Furthermore, rainforests are home to many animals, plants, endangered species, and tribes.
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.
Although a scene of a funeral home might come to mind when a reader first hears a short story aptly named “The Dead,” the tale actually takes place in the festive setting of a winter dance at the home of the two aunts of the main character, Gabriel Conroy. James Joyce’s short story “The Dead” has a literal title, because its main concept is death – both physical death and spiritual death.