Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Determinism vs free will philosophy
Determinism vs free will philosophy
Determinism vs free will philosophy
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Joan Didion’s The Year of Magical Thinking, the author exemplifies the anthropological ideology of free-will having the ultimate power to dictate the events of one's life as illustrated by Didion’s use of the term “Magical Thinking” in the title of her memoir. Magical Thinking is the ideology of one’s cause and effect – every event of one’s life is caused by a previous action, choice, or lack thereof. Only in the end does Didion realize the deterministic factors behind her husband’s death – with it, the realization that there was nothing that Didion could have ever done to save her husband’s life. Joan Didion, throughout her memoir, experiences a character evolution in which she attempts to figure out how to cope with her husband’s death, …show more content…
Halfway through her memoir, Didion realizes: “Not only did I not believe that ‘bad luck’ had killed John and struck Quintana but in fact I believed precisely the opposite: I believed that I should have been able to prevent whatever happened” (Didion 173). As Didion mentally recovers from the trauma involving John and Quintana – John and Joan’s adopted daughter, Didion gains increasing rationalization regarding her newfound psychological characteristics. Didion finds herself believing that free- will – the idea that one’s life is dictated by his or her own actions – is dominant over the idea of determinism – the idea that some to all of the events of one’s life is entirely random. Didion illustrates: “I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome” (Didion 35). Although she fails to act upon it, Didion utilizes self-realization in the fact that she subconsciously realizes that she has little-to-no control over some events. Despite realizing her actions, Didion struggles to overcome her ideaology. In regards to the power of free-will, Didion states: “As I recall this I realize how open we are to the persistent message that we can avert death. And to its punitive correlative, the message that if death catches us we have only ourselves to blame” (Didion …show more content…
In regards to the death of John, Didion remembers: “I now know how I’m going to die, he had said in 1987 after the left anterior descending artery had been opened by angioplasty” (Didion 203). Didion is illustrating John’s awareness of his imminent fate. John goes on to show a premonition-like awareness of his future by coming to his conclusion after a meeting with his cardiologist. Didion comes to this conclusion much later by saying: “Only after I read the autopsy report did I begin to believe what I had been repeatedly told: nothing he or I had done or not done had either caused or could have prevented his death” (Didion 206). Didion’s realization hof the imminent fate of her husband serves the purpose of illustrating a major logical shift in her own character. Didion is now realizing that she cannot control everything. More importantly, Didion is realizing that nothing she has ever done could have changed the events of her life in a matter in which John Gregory Dunne would still be alive. In the end, Didion concludes: “He had inherited a bad heart. It would eventually kill him. The date on which it would kill him had already been, by many medical interventions, postponed” (Didion 206). John’s biology is what killed him. He has been aware of this fact ever since he had a pacemaker put into his body. He was on borrowed time.
Joan Didion in her essay, “On Keeping a Notebook”, stresses that keeping a notebook is not like keeping a journal. Didion supports her claim by describing entries that are in her notebook. The author’s purpose is to enlighten the reader as to what a notebook is. The author writes in a nostalgic tone for those who are reading the essay, so that they can relate to her. She uses rhetorical appeals; such as flashback, pathos, and imagery to name a few. By using these devices she helps capture the reader’s attention.
There are many unpredictable and ungovernable accidents, coincidences, and chances that drive the universe and can ultimately affect the events of a person’s life. One of the main concepts surrounding David Guterson’s novel, Snow Falling on Cedars, is the power of free will vs. fate. The last sentence of the novel: “accident ruled every corner of the universe except the chambers of the human heart” explains the lack of control that humans have on the forces surrounding them compared to the control they have over their actions or decisions and the impact that it has. Snow Falling on Cedars looks closely at the effect free will and fate has through the murder trial that occurs post World War II in the story where a Japanese American, Kabuo Miyamoto, is charged with the murder of an American, Carl Heine. As the trial takes place, the story interconnects the characters one of who is Ishmael Chambers, a journalist who may be Kabuo’s only hope but struggles with the decision to do what’s right as he was left burned by Kabuo’s wife and his childhood love, Hatsue. The notion of chance and free will can be seen especially in the character of Ishmael who struggles against the effects of the war and Hatsue leaving him. And as a Japanese American during the war, Hatsue herself displays the power of free will in her self-acceptance and in creating a balance in her life. Apart from the portrayal of free will vs. chance in the development of the characters, certain events in the novel such as the case of Carl Heine’s death and the war itself exhibits similar themes. However, unlike Carl’s death, the war shows that there are instances where circumstance may be the result of human actions. In David Guterson’s Snow Falling on Cedars, the events tha...
Laura Deeb’s An Enchanted Modern: Gender and Public Piety in Shi’i Lebanon seeks to rectify post-9/11 notions of political Islam as anti-modern and incongruous with Western formulations of secular modernity. Specifically, Deeb is writing in opposition to a Weberian characterization of modern secular Western societies as the development of bureaucracies through social rationalization and disenchantment. Within this Weberian framework Deeb asserts that Shia communities are in-part modern because of the development of beuorocratic institutions to govern and regulate religious practice. However, Deeb makes a stronger argument oriented towards dislodging the assumptions "that Islamism is static and monolithic, and that
For example, Lipsha believes he caused his death. The novel states, “... that it wasn’t her fault, but only mine” (250). Lipsha feels that since he did not properly prepare the love medicine that it was all his fault for Grandpa choking. Lipsha cheated by buying, not catching, the hearts, and they were turkey hearts instead of goose hearts like he originally planned on. In addition, Marie also blames herself for his death. The novel states, “She was so mad she hopped up quick as a wink and slugged him between the shoulder blades to make him swallow” (246). Marie thinks because she forced him to swallow that she inadvertently caused him to choke to death. But on the flip side, everyone else believed it was just a crazy accident, and it was his time to leave. The novel states, “If only Zelda knew, I thought, the sad realities would change her. But of course I couldn’t tell the dark truth” (250). Zelda, like the other mismatched children, believed that Nector’s death was an accident with no one to blame. This is a different view from Lipsha and Marie. The difference shows that something simple, but tragic, like choking can cause a person or persons to believe they caused it through the events leading up to the choking. The reader then further understands that blame is a powerful thing that consumes a person and makes them mentally
“Goodbye to all that” is a captivating story of young women and the journey she takes to identify who she is. Through the expressive writing by Joan Didion, the emotions in this text are truly tangible. Didion writes from her own experience as a young writer living her dream of being in New York City. Throughout her story there is miscommunication and through each obstacle, she grows as a person, learns what priorities are important, and overall she finds herself. I find this very appealing because everyone can relate to a life changing experience and reflect on how it changed you.
Too many of us family is the most important thing in our life. They will always be there for us when we need them, there our backbone. In Joan Didion 's “On Going Home” she tries to explain to us what family to her is. What I think she wanted to tell us was that family is supposed to be sacred but there are circumstance where it may become a burden or you might have to distance yourself from them. Once she left home her life changed drastically, she now has to worry about her marriage, raising her daughter, and dealing with her family.
There are many arguments for and against the freedom of will. The distant causation argument seems to show that the freedom of will is a deception. Since, it states that our actions are all the product of causes that happened outside of our own control. In the essay I will be discussing how effective this argument is in showing that our freedom of will is actually an illusion.
Determinism and free will are incompatible. The events in people’s lives are already chosen for us, or determined. The expected behaviors of people are explained by natural laws and by experiences that they were exposed to. But this viewpoint does not explain people’s intuition. Although, there is a chain of physical causes that lead into people’s intuition.
When reading William Shakespeare’s play, Macbeth, it seems that Macbeth was predestined to do the terrible deeds that he did. However, there is also a valid argument that Macbeth exercised his free will and chose to do those things on his own. This discussion leads into many different topics, but it relates most to spirituality. The concept of free will and how it relates to Macbeth and our present lives yields a relevant and interesting topic for further discussion.
Social Anthropology seeks to gauge an understanding of cultures and practices whether they are foreign or native. This is achieved through the studying of language, education, customs, marriage, kinship, hierarchy and of course belief and value systems. Rationality is a key concept in this process as it affects the anthropologist’s interpretation of the studied group’s way of life: what s/he deems as rational or plausible practice. Witchcraft and magic pose problems for many anthropologists, as its supernatural nature is perhaps conflicting to the common Western notions of rationality, mainly deemed superior. In this essay I will be exploring the relationship between rationality and witchcraft and magic, and will further explore rationality as a factor of knowledge.
2. Reamer, Frederic G. “The Free Will-Determinism Debate and Social Work.” Social Service Review, vol. 57, no. 4, 1983, pp. 626–644. JSTOR, JSTOR, www.jstor.org/stable/30011687.
Macbeth illustrates a debate between fate and free will. Are people’s destinies already set in stone? Do destinies come about as a consequence of our actions? How much free will is truly bestowed upon people? Originally, it may seem that the malicious, manipulative women are to blame for Macbeth’s fate, but because they are women, they do not possess the equal amount of power a man has. Macbeth can decide whether or not he pursues his “destiny,” while they can merely impose their point of views. Macbeth must take responsibility for acting upon his ambitions. However, many wonder, what if Macbeth had not acted upon the prophecy at
Within and beyond philosophy, lies the tension between the universal concept of free will and determinism. From a general standpoint, individuals are convinced that they rule and govern their own lives. Free will embodies that individuals have the freedom to dictate their own future. It asserts that our minds and essence have the capacity to choose our own actions and direction, whilst also choose alternative paths. Determinism on the other hand, suggests that life is a product of necessity and causation, built upon the foundations of the past and laws of nature. It threatens the thesis of free will by positing that the world and everything in it is knowable through strict cause and effect relationships - eliminating the possibility of freedom
Psychological susceptibility to various faiths in the fact that human life is exposed to supernatural forces that affect a person's fate, and often prejudge its outcome, always existed in all human societies and cultures. One of the major determinants of this psychological susceptibility is superstitions that appear as the main engines of believe in the intervention of supernatural forces in human’s life. According to Encyclopaedia Britannica (2010) ‘superstition’ could be defined as ‘belief, half-belief or practice’, which does not have any rational explanation or basis. Despite this fact, according to Behringer (2004) the amount of believers in witchcraft and superstitions are significantly higher than in XVII century.
Alice in Wonderland belongs to the nonsense genre, and even if most of what happens to Alice is quite illogical, the main character is not. “The Alice books are, above all, about growing up” (Kincaid, page 93); indeed, Alice starts her journey as a scared little girl, however, at the end of what we discover to be just a dream, she has entered the adolescence phase with a new way to approach the mentally exhausting and queer Wonderland. It is important to consider the whole story when analyzing the growth of the character, because the meaning of an event or a sentence is more likely to mean what it truly looks like rather than an explanation regarding subconscious and Freudian interpretations. Morton states “that the books should possess any unity of purpose seems on the surface unlikely” (Morton, page 509), but it’s better to consider the disconnected narrative and the main character separately, since the girl doesn’t belong to Wonderland, which is, as Morton says, with no intrinsic unity. Whereas, there are a few key turning points where it is possible to see how Alice is changing, something that is visible throughout her journey. Carroll wants to tell the story of a girl who has to become braver in order to contend with challenges like the pool made by her own tears, or assertive characters, like the Queen.