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Black people in the media
The evolution of African American people in the media
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Growing up half White European and half African American Jermaine Lamarr Cole also more commonly known by his artist name as J Cole, struggled with black oppression when he moved from Germany; his birthplace, to North Carolina. J Cole 's father was black and left him and his mother when they moved to North Carolina. Therefore, J Cole grew up with his white European mother who raised him in a decent way where he could get an education and graduate from a University with a degree. However, J Cole 's passion was with music, since he was around twelve years old. Therefore he went on to pursue his career as a hip hop/ rap signer in New York, where he succeed and made the power of music be known through his unique lyrics and more recently with his …show more content…
At the beginning of the song J Cole calls himself "Hollywood Cole" which to him translates to House Negro, because in the video J Cole plays the role of the house slave. The first scene shows J Cole going into the kitchen and shaking hands with one of the male slaves and looking over the shoulders of the women cooking a full course lunch for their master and his guest. In this scene the typical women stereotype …show more content…
J Cole say the phrase "Get off my dick, woah (Get the fuck off my dick nigga)" J Cole states in his interview with Saint Heron that the phrase is more than just being vulgar and making a statement, its about everyone being up against each other, up against a lot of shit, people doubt others.... Everybody’s always going to have friction. It’s just telling those people to get the fuck off my dick.." Now if you look for a correlation of these words to the video you can find them by relating them to J Cole the house slave and field slaves being tired of being bossed around and treated worse than dogs. They just want the white racist masters to get off their case and let them be free. During the video J Cole takes the keys from the master and managed to get weapons to rebel against his master and make the slaves free, Cole is trying to let the black community know that they " Came here together, you can 't leave without 'em", so they all have to fight together for justice and freedom. Although the main key towards succeeding in their seek for freedom is unity, love also play a big role as he says, "It 's called love, niggas don 't sing about it no more, Don 't nobody sing about it no more, no more" so without the love the equation to success deteriorates the purpose of sticking together to gain true freedom.
Another case is that of 17-year-old Kendrick Johnson whose death was initially ruled the result of accidental suffocation. A second autopsy produced a different conclusion, but when the second autopsy was performed, his body had been stuffed with newspaper, and his organs were missing ("Organ Trafficking, Melanin Theory & the Fountain of Youth -," n.d.). The brain, heart, lungs and liver were missing. He also discovered Johnson's death was due to blunt force trauma to the right side of his neck (Archer,
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
To begin with, black people are victimized by prejudice. Society shows prejudice by having a tainted, preconceived notion of what a black person is—dangerous. This is shown when a young woman runs away from Cole after getting off the bus. This situation elicits a feeling of defence from Cole: “I resisted the urge to call out in my own defence” (Cole, 2015, par. 20). Prejudice is also shown when Cole campaigns door-to-door. On one of the houses, a teenage girl opens
Jay-Z was born Shawn Corey Carter on December 4, 1969. He grew up in the infamous Marcy Projects in Brooklyn with a sister and a brother. You would think that just growing up on the Marcy projects would be hard enough for a kid, but at the age of twelve, Shawn’s parents got a divorce. Shawn then attended the Brooklyn High School with two of today’s better known rappers, Biggie Smalls and Busta Rhymes. Shawn Carter was an intelligent and promising student, but he had behavior problems.
Stereotypes are harmful because they affect those who are struggling with their identity. I think Wolfe included typical African American stereotypes such as the basketball player described by Miss Pat, the African American woman with “attitude” and “a healthy head of kinks” described by Janine, and Aunt Ethel who portrays the “down-home black woman.” In The Hairpiece, the woman is being persuaded to either be the sociality
A native of Jacksonville, Florida, Johnson attended Atlanta University through graduate school. In 1901 he became the first African American admitted to the Florida Bar, but he did not re-main in Florida very long. Forming a creative partnership with his younger brother Rosamond, a writer of popular music, he began to write lyrics. They moved to New York and found fame as the ragtime songwriting team of Cole and Johnson Brothers.
The song is set around Chief keef being on the phone and talking to a woman, he refers to the woman on the song as a bitch, hoe, and thottie. The word thottie is derived from the word thot, which is an acronym for “that hoe over there”. The song states “You wanna Glo up, baby, Keef got you/You's a gold bottle, these hoes pink Moscato/Baby I'm the owner, you can be my castle”. This line right here compares the woman to other women by saying she is a better bottle of liquor than other women and calls her his property when he says you can be my castle. Then he goes on to say in the song “ Baby cause I like you/Only reason I text you and why I Skype you/I just wanna fuck on you, I don't wanna wife you/But you gotta brush your teeth and do what I say though/(Hello?)/Bitch can you hear me?/Keep your pussy in park, no 360... I don't wanna smell you/Cause I'ma cut/you off, quicker than I met you/I'ma swipe your name up off my schedule/And if smoke this blunt, girl, I'm gon' forget you”. The lyrics basically says the women is just there for his sexual pressure and he does not plan on making her more than that; he also tells the women that he has to be the one in control if she wants to continue this relationship; then he tells her, he will completely stop communicating/seeing her, if she does not do what he wants her to do and she can be
Raised as an only child, Dwayne Micheal Carter Jr or more commonly referred to as Lil Wayne, was born September 27th, 1982, in New Orleans, Louisiana. Carter’s mother was only 19 years old when he was first born. He was being raised by both his mother and father until his father abandoned them while Dwayne Jr. was only two years old. After being abandoned by his biological father, his mother was forced to take care of him on her own and survive in the crime infested community of Holly grove, New Orleans. Even though he divorced his mother and remarried, his father forced the two live with his own mother and came by to abuse Lil Wayne’s mother on a consistent basis.This situation went on for three years until Lil Wayne’s mother eventually remarried and relocated to a different part of town. Growing up he did very well in school. He was actually enrolled in his school’s gifted program at a point and received top grades. He got into music at a very young age and wrote his first rap song at the age of eight. Lil Wayne had the drive to be the best and successful at his craft since he first began. At the age of nine he was challenging others twice his age and older at rapping. He would consistently go to neighborhood parties or events to rap and most of the time he was better then whatever adult he was going against. As a testament to this, at the age of nine he start receiving attention from one of the two co-founders of his future label, Slim Williams. From Slim, he then received other co-founder, Bryan Williams, phone number and what he did with it after that was truly caught the Bryan’s attention. He continuously called the number over and over leaving rap songs on the voicemail of Williams until he agreed to meet him in person...
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
“Portraying African-American women as stereotypical mammies, matriarchs, welfare recipients, and hot mommas helps justify U.S. black women’s oppression” (Patricia Hill Collins, Feminist Thought Sister Citizen 51). In early American history, racial stereotypes played a significant role in shaping the attitude African Americans. Stereotypes such a mammy, jezebel, sapphire and Aunt Jemimah were used to characterize African American women. Mammy was a black masculine nursemaid who was in charge of the white children. The stereotype jezebel, is a woman who wants sex all the time. White Americans saw black women as loose, oversexed and immoral. This stereotype still lives today because men especially whites look for black women to be their prostitutes.
Cole’s musical idols, which greatly influenced his musical style. His style captures the attention from younger generations and the adolescent population, whom also came from an uneasy childhood and along the way lost motivation. “I 'm here to spread a message of hope. Follow your heart. Don 't follow what you 've been told you 're supposed to do.” (Music times, 2014) Through this message, J. Cole constantly portrays to be an ambition seeking activist. He hopes to project hope in those who are struggling by sharing his life challenges and voicing how he overcame
The culture was highly influenced but it also influenced the american culture as a whole. The United states and the African American community has had a plentiful of conflicts in the past as well as the present. Historical accounts of slavery and segregation have caused a riff between a race and a country. From the justice system to the education system, african americans have always been given the short end of the stick. In terms of justice, the united states is seen as a prison country. According to naacp.org “Today, the US is 5% of the World population and has 25% of world prisoners.” the united states is no stranger to prisons. Yet, the overwhelming amount of african american youths and people in general is eye opening. “African Americans now constitute nearly 1 million of the total 2.3 million incarcerated population”(naacp) and “Nationwide, African-Americans represent 26% of juvenile arrests, 44% of youth who are detained, 46% of the youth who are judicially waived to criminal court, and 58% of the youth admitted to state prisons (Center on Juvenile and Criminal Justice). Socially, times have improved for the african american community. Yet, statistics draw attention to a bigger picture. The black power movement and the symbol of the black fist serve a purpose. The purpose is to never forget where a people has come from and how far is left to go. The first is an engine that never stops, it fuels the fire of many americans who have felt the weight of oppression and who still feel it in the 21st
They 're either the "Mammy" older/non-sexual, with stereotypical black features the big breast, wide hips with protruding ass, big lips, wide noses, while also having the potential to be sexually deviant. Then there’s the Jezebel, created during slavery "to mask the sexual and economic exploitation of young black women."(Willis, 71), was used and attached to young black females during slavery to mark them as "primitive, seductive, and always eager for sex." (Willis, 71) Both caricatures are lasting nametags for black female sexuality. There is never an in between version of the mammy or the immoral jezebel/primitive ‘ho’. Black burlesque performers use their bodies/attitudes in a way to promulgate that yes, I am sexual, yes, I am flirtatious, yes, I enjoy the attention, the applause, the laughter, the audience support, and yes, I can woo a crowd by using my sexuality and body in a way that makes not only a personal statement but meaningful political statement that I have chosen to showcase to my body which is mainstreamed, copied, and remanufactured on more acceptable bodies. In bell hooks ' piece “Selling Hot Pussy: Representative of Black Female Sexuality in the Cultural Marketplace” which was about how black women are presented in popular culture, it 's noted that: "when Black women relate to their bodies, our sexuality, in ways that place erotic
The group I would like to be apart of is G.O.O.D Music. G.O.O.D is an acronym for “Getting out our dreams.” This group is a recording label founded by Kanye West, who is also a music artists signed under G.O.O.D Music. They do have other music artists in the group such as, John Legend, Big Sean and Pusha T. Kanye west is actually the main reason why I would like to join the label. Throughout this paper I 'm going to address who Kanye West is, what I can learn from being in the group, and why I think I fit well with G.O.O.D Music.
Whips and chains have played an important role in Black American’s oppressive history. In the days of slavery, chains were used to dehumanize us, restrain us and keep us from escaping our oppression, while whips were used to reinforce the oppression and our inferiority as a race. Today, literal whips and chains no longer represent the oppression of Black Americans; they have been replaced with the drive to obtain modern day “whips and chains”, or simply put, material possessions- a new, slightly self-imposed slavery. This is evident in the unifying factor of hip-hop music, which glorifies a lavish lifestyle sometimes at the cost of morals, values, and self worth.