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The impacts of globalization on culture
The impacts of globalization on culture
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The Fuel of Cultural Variation “French fries” are typically classified as an American food, even though the name itself clearly has some sort of underlying cultural convergence. That being said, one of our world’s most interesting phenomenon are not the similarities that bring people together, but rather the meshing of cultural differences that ignite cultural change, also referred to as cultural globalization. Cultural globalization is all around us, and literally occurring every second around the world. People are being introduced to new ideas, new languages, and cultural aspects every single day. Although, cultural globalization receives reactions of all sorts, not always black and white, but rather a sort of ambiguity. According to, “Globalization …show more content…
Nazneen’s children were born in England, and therefore they want to be like the other English children. The children’s assimilation with the uniform Western culture of England is completely natural because every child just wants to feel normal. This sense of normality comes from the adoption of Western values such as speaking English and wearing skirts and other American clothes. The children are also conforming to the homogenized western culture when they start experimenting with drugs and alcohol. For example, “Bur now our children are copying what they see here, going to the pub, to nightclubs. Or drinking at home in their bedrooms, where their parents think they are perfectly safe,” (Ali 18). In this instance, Dr. Azad is explaining how the children are adopting the drinking culture of society. The children of Bangladeshi descent are being raised in a Western society and they are conforming to the norms of English culture, at the expense of completely disregarding their roots and Bangladeshi values, which relates to cultural convergence. Another example of this standardization is when Chanu states, “It’s part of the culture here. It’s so ingrained in the fabric of society. Back home, if you drink you risk being an outcast. In London, if you don’t drink you risk the same thing,” (Ali 85-86). In this quote he is explaining how the kids are pressured by the societal norms to homogenize themselves with Western cultural practices, whether they are beneficial, or in this case,
Nothing good ever comes out of violence.Two wrongs never make it right, but cause harm. Contemporary society has not responded enough legacies of historical globalization. This essay will cover the following arguments such as residential schools, slavery and the Sierra Leone civil war.
The novel tells the story of, Amir. Amir is portrayed as the protagonist; the novel revolves around his recollection of past events 26 years ago as a young boy in Afghanistan. Amir is adventures and brave. Hassan is Amir’s closets friend and servant to his house and is portrayed as a subservient male, often supporting and accepting blame for Amir’s actions. Assef, Wali and Kamal are the “ bad guys” within the novel; Wali and Kamal hold down Hassan and Assef rapes him purely for ethnicity differences, as Hassan is a Hazara. Afghanistan boys are supposed to be athletic and true to Islam .The leaving of Soraya Hassan mother with another man gives the notion that women lack morality leaving behind there children .The Taliban laws are followed closely within Afghanistan and women are treated without any rights, beatings, stoning and execution become the reality for women who violate the laws. Culturally Afghanistan women are portrayed to be subservient to there husband only live and breath to provide children, cook food and clean their
James Watson’s McDonald’s in Hong Kong is a textbook example of globalization. According to Webster’s dictionary, globalization is defined as “worldwide integration and development”. In McDonald’s in Hong Kong, Watson discusses a well-known and successful American fast food chain migrating over seas and embedding itself in the Hong Kong culture. Although Hong Kong was already recognized as an extremely transnational civilization, there were worries that the country would lose cultural identity. The fears were that Hong Kong would become more Americanized and lessen their ties to the Cantonese ways.
Traditions control how one talks and interacts with others in one’s environment. In Bengali society, a strict code of conduct is upheld, with dishonor and isolation as a penalty for straying. Family honor is a central part to Bengali culture, and can determine both the financial and social standing of a family. Usha’s family poses no different, each member wearing the traditional dress of their home country, and Usha’s parents diligently imposing those values on their daughter. Those traditions, the very thing her [Usha] life revolved around, were holding her back from her new life as an American. Her mother in particular held those traditions above her. For example, when Aparna makes Usha wear the traditional attire called “shalwar kameez” to Pranab Kaku and Deborah’s Thanksgiving event. Usha feels isolated from Deborah’s family [Americans] due to this saying, “I was furious with my mother for making a scene before we left the house and forcing me to wear a shalwar kameez. I knew they [Deborah’s siblings] assumed, from my clothing, that I had more in common with the other Bengalis than with them” (Lahiri ...
People can eat American fast food in China, India, and Thailand and so on. The most popular of American fast food is McDonald’s. In China, McDonald’s dishes integrate Chinese and Western cuisine, especially in diet structures. To be more specific, the beverage size of McDonald’s is different between the United States and China. A medium sized drink in the U.S is equal the large size in China (Margot Peppers). Then, the McDonald’s of China serves rice and soup as lunch. McDonald’s does not have this diet structure in the United States. The reason why Chinese McDonald’s has this style of food because American fast food has to adapt foreign atmosphere. It has to change the diet structure in order to the requirement of the local ethic group. That is a similar situation when Chinese immigrants open restaurants in the United
After the death of his two brothers and his father, as well as the abduction of his sister, Fawad’s struggles did not come to an end. In Afghanistan, women and men are not allowed to shake hands and cannot make eye contact. Fawad realizes that true friendship disregards culture, religion and beliefs, it only binds people with love. His battle to separate the right from wrong, using culture to filter his thoughts, gave him the opportunity to develop his character and reach true maturity.
The definition of race is people who share real or perceived physical straits that society deems socially significant such as skin color (Seccombe, 2012). Ethnicity is the shared cultural characteristics such as language, place of origin, dress, food, religion, and other values (Seccombe, 2012). Race and ethnicity play a very big role in the book, especially when talking about the cultures of each of the families in it. In the book, Clara’s race is black and her ethnicity is Jamaican. She would be considered part of a minority group. Samad and his wife Alsana’s ethnicity is Bangladeshi. Their twin sons, Millat and Migid, are also Bangladeshi. In the book, their father wants to send them both back to India. He is becoming immoral himself with seeing another woman and masturbation, so he wants his sons to be more traditional Indian. Tradition and culture was very important to Samad. He says that tradition was culture, and culture led to roots, and these were good, these were untainted principles. He didn’t want his sons to be assimilated into English culture, he wants to save them from being immoral like he has become. He realizes that he only has enough money to send one son, and he chooses Migid to send away. Migid does not like his ethnicity, and he wants his family to be more English. Despite Samad sending him to Bangladesh, Migid ends up becoming more like an Englishman rather than
Food is traditionally considered as a simple means of subsistence but has developed to become filled with cultural, psychological, religious, and emotional significance. Consequently, food is currently used as a means of defining shared identities and symbolizes religious and group customs. In the early 17th and 18th centuries, this mere means of subsistence was considered as a class maker but developed to become a symbol of national identity in the 19th centuries. In the United States, food has been influenced by various cultures such as Native American, Latin America, and Asian cultures. Consequently, Americans have constantly Americanized the foods of different cultures to become American foods. The process on how Americans have Americanized different cultures’ foods and reasons for the Americanization is an important topic of discussion.
Class, love and marriage are three of the themes that are portrayed in Naguib Mahfouz’s Midaq Alley. The era in which the story takes place is an era where societal norms began shifting towards modernity due to the impact of western colonization. Midaq Alley was written to portray a society within a larger society, which allows for analysis and comparison of the two. Cultural norms are constantly challenged throughout the novel and what is and what isn’t socially accepted is a theme that is recurrent throughout the text. “Midaq Alley deals with themes which transcend the Cairene setting, and are of relevance to Egypt if not the Middle East as a whole” (Deeb 121-130.)
It shows that the lives of the characters of two opposing social circles are destined to obey the existing socially imposed roles. In this case the role of the master, played by Amir, and the role of the servant, played by Hassan lead to severe childhood, personality, and lifespan inequalities, which altogether shaped the overall course of their lives. Hosseini does an outstanding job in reflecting the strength of the social tags given to people at their birth. Notwithstanding the fact that they can be actually related by blood, similar to Amir and Hassan. The story of betrayal and redemption shared by Hosseini and told within the concept of social inequality provides a ground-base for further in-depth analysis of the influences that have shaped the lives of the main character Amir and his brother
Hybrid can be defined as "mixed ancestry" As a word; "hybrid" carries denotations of the physical as well as the metaphysical. In Down second Avenue, Mphahlele examines both a hybrid society, that being South Africa 1930- 50 as well as its composite sub-societies, extensively hybrid within themselves. Mphahlele's awareness of having a mixed ancestry is rooted in more than one dichotomy. His rural identity is opposed to his urban identity, his vocation as a teacher/academic is opposed to his employment as a messenger boy, his introspective nature opposed to his being member of a gang. His acute understanding of South African society is ironic in his feeling liberated in departing from it. It is in hybridity that Mphahlele's identity resides.
In Salman Rushdie’s Midnight’s Children, women possess power within the sphere of their home and family, otherwise known as the domestic sphere (the private realm of domestic life, child-rearing, house-keeping, and religious education). Throughout the course of their lives, the possession of power changes as women’s role shift from childhood and adolescence to being a wife and mother. This possession of power manifests as their ability to control their decisions in life and the lives of those around them once they enter this domestic sphere. The process of change that turns Naseem Ghani into the Reverend Mother and Mumtaz into Amina demonstrate how women gain or lose power in the Indian society that Rushdie depicts. Before her marriage to Aadam Aziz, Naseem Ghani was a young woman who is owned by her father and has little or no power in her childhood home due to being viewed as object to be traded as a wife in exchange for a dowry. Naseem is seen one part at a time through a hole in a sheet held by three female bodyguards. This objectification of Naseem by Aadam Aziz reveals that she is viewed by the sum of her parts instead of as a complete person. Aziz’s perception of Naseem is “a badly-fitting collage of her severally-inspected parts" which he glues together with his "imagination" (Rushdie 22). By introducing her under the patriarchal male gaze, Rushdie reveals how little power she has as an unwed woman in her father’s household.
Saleem links his hybrid history to ‘chutney’ which illustrates the sign of a mixed identity. “Green chutney on chilli-pakoras” , this imagery of chutney runs throughout the novel and assist Saleem’s story. He later, uses this image to sum up his hybridise culture, which parallels “the chutnification of history” and “pickling of time”. Rushdie comments on the colonised mimicking the coloniser. Two histories have emerged together, which is filled with contamination as mimicry becomes a problem as it disrupts the power. This reflects, what Rushdie calls like ‘chutney’, a mixture of history, and nationalism that become so dense and enmeshed that they transform to create a new culture. Rushdie effectively tackles issues of post-colonial studies of history, nationalism and hybridity, and Midnight’s Children illustrates and challenges these concepts.
As the world has evolved through technological advancements, immigration, and international affairs, globalization has become a significant and inevitable part of life in the 21st century. According to Manfred Steger, globalization is “a set of social processes that are thought to transform our present social condition into one of globality...[it 's] about shifting forms of human contact”(Steger 8). Perhaps the most influential aspect of this globalization is the spreading and sharing of foods; which is something I’ve been able to see and experience firsthand. From the time of my upbringing in the West Indies during the late 90s to early 2000s and migration to the United States in 2004 to now, globalization
In this short story the protagonist is a newly married Indian woman who is attending a party with her husband’s western friends. Throughout the short story the reader senses her anxiety of being introduced to people who are not as conservative as her. “She longed for the sanctuary of the walled home from which marriage had promised an adventurous escape. Each restricting rule became a guiding stone marking a safe path through unknown dangers” ("The First Party"). In this quote, the narrator explains how the Indian woman did not feel comfortable or at ease with this new world she had been introduced too. She fiend to be back home but because of her tie that she made to this man through marriage she is in her mind, stuck with him. In addition to her anxiety of being with non-conservative woman, who drank, smoked, dressed provocatively, and had painted nails, the protagonist grew angry in her own head. “She had been so sure of herself in her contempt and her anger, confident of the righteousness of her beliefs, deep-based on generations-old foundations” ("The First Party"). Is this the way that the Indian people reacted to British colonialism? The things that western people found normal, was this disrespectful to the Indian people. The protagonist surely thought it was and was certain that her anger was not misplaced. She felt as her anger was a sign of her strong faith. She came to the realization that her husband was someone who would challenge her beliefs but above all she knew that her beliefs state that her life must be one with his (“The First Party”). This realization must be heartbreaking, to realize that one 's comfort is not found in their life partner. The protagonist was raised to believe that her life must be one with her husband, that she is