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William Shakespeare's representation of women
Women in Shakespeare
Women in Shakespeare
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Fear, rage, and revenge, these are the steps of FuenteOvejuna’s freedom from its corrupted tyrant. FunteOvejuna by Lope De Vega is a play that illustrates the power of a flock of sheep; alone, a single sheep is an easy victim, although, together as a flock they can stand tall and proud defending each other. FunteOvejuna is a tragicomedy, combining both funny, joyous rhymes, and Commander Guzman’s reign of terror, claiming one female sheep at a time. The University of Houston production of FunteOvejuna is an excellent play, displaying wonderful examples of great usage of a thrust stage, beautiful music, usage of medieval clothing, wonderful theme, strategic lighting, and conflicting motives.
All of the actors did a splendid job taking advantage
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I agree with the play’s message, because throughout the whole production of this play, the women FuenteOvejuna were picked off as if they were a sheep that lost her herd by the antagonist. As the people of FuenteOvejuna banded together to fight back against the predator, Command Guzman, he was rendered powerless due to the sheer number of enraged citizens. Not only the theme was brought up repeatedly as Commander Guzman attacked several women, but the University of Houston product kept addressing who was the protagonist and antagonist by using different shades of …show more content…
The protagonist’s motives were simple, live a peaceful life together without any predators; although, the antagonist’s, Commander Guzman, motives were the complete opposite. The Commander wanted to have a sexual relationship with every woman in town, as all the woman did not agree, he took matters into his own hands. As the village learned about his motives he was marked as a sexual predator, and everyone tried their best to hide the females of FuenteOvejuna. Both motives made sense for what the title of this play, FuenteOvejuna; roughly translated, this means a “source of sheep”, which can be interpreted as a flock of sheep. The protagonist would play the role of a flock of sheep, and Commander Guzman would be the predator. Just like a real predator against sheep, Commander Guzman waits for one woman to become separated from the herd, to attack her as he did with Laurencia in the
...ition to costume, language and dialogue is what fixes the atmosphere and the action. In a manner very similar to Shakespeare, Calderón weaves description of the scene and of what is occurring into the main thrust of the play. In this sense, he is more than a poet, he is a dramatic craftsman who predominantly through his verse alone, creates a drama in its own right. All the clues to the plot and its themes lie in the text; the use of staging, costume, music and props can be used to enhance what lies in the script. What they give to the play is a fuller and more entertaining dramatic production. Thus, if used sensitively and intelligently by a director, these factors can increase the dramatic power of the work. The primary focus, however, remains the language, which relies on a high standard of acting in order to do justice to the subtleties of the play.
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Azuela shows these impacts by the progression of Camila, from a sweet innocent woman, to joining the rebel forces, and lastly to being killed. Symbolically, Azuela kills off Camila almost immediately upon her rise to power and drops her from the novel’s plot. This shows the how insignificant of an impact that women had on the battles, and how easily they were forgotten after death. Women still struggle today with gaining equal rights and treatment within the Mexican culture. It has taken nearly 70 years for women to gain equality with men in the workforce, gaining rights such as voting, and having a shared family responsibility with the male figure (Global). Unfortunately, many women within the working-class household still suffer from the traditional norms and values regarding the roles of men and women. In addition, these women were often subjected to control, domination, and violence by men” (Global). This validates Azuela’s stance on how women should stay within their traditional roles because fighting for equality has been ineffective even still
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romances are like the ones she has seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed it would be. Cisneros wants to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Cisneros uses Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wants to make a point that when men feel that they have power over their wives, women begin to feel a sense of low self-worth.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
...vie, the actresses that played them actually fit the role. Women usually do not have impacts on things, but in this novel, major things happened as a result of these women. These things include dishonest marriages, love affairs, wealth, power, and jealousy. This goes to show that women are not always the innocent ones in novels, or any other type of literature.
...athustra is described as ‘abichado’, with ‘la cara de tocina rancio’ and ‘la bufanda de verde serpiente’ and she is mostly importantly, alluded to a ‘fantoche’. Moreover, Max Estrella shrinks throughout the play and becomes a puppet figure, which is shown in his directionless and aimless wandering throughout the streets of Madrid, emphasizing the absurdity of his life and of the Spanish society. This puppetry of the characters in the play is a source of farce, thus provoking laughter as the audience’s sudden realization of the absurdity of the string of events incites their amusement, showing the dark humour of Valle’s play. Therefore, this way of presenting his characters as helpless puppets and grotesques is Valle’s way of telling his audience that this is what the society has made humanity into, living with the lack of purpose and full of absurdity and futility.
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romance is like the ones she had seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed of. Cisneros wanted to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Therefore, Cisneros used Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wanted to make a point that when men feel that they have power over their wives, the woman begins to feel a sense of low self-worth.
Each play represents the issues faced by each gender during the time period in which it was written. However, many of the issues are similar in each time period, as well as throughout most of history. These issues will likely continue to affect both women and men for a long time in the future.
To sum it up both of these plays share the same broad message conveyed throughout the entire play. Which includes, women have the capabilities to do more than they show and are allowed to do. As well as the relationship men and women share is not constant, or the same, there are many different views on the relationship they share and many different variations that change as time progresses. Furthermore the rights of women also change with much time, and hard work by many women who have worked hard for their rights and future rights of all women. Some of this can lead to these two plays, giving new, bold ideas that were frightening for many during their times but helped for the push for a better tomorrow.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
This fact plays a crucial role in the mood of the play. If the reader understands history, they also understand that women did not really amount to any importance, they were perceived more as property.
Equivocation, deception and fear play very important roles in the characters of the women to influence many of the other characters of the play. The topic used was about female protagonists exerting power over the other characters and all three points do talk about the ways and means used to influence the other main characters in both the plays.