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Feminism in hip hop
Stereotypes within the black community
Essay on women and gender in hip hop
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DeAndreah Hollowell WGS 343 Weekley Hip Hop Feminism: For Whom Do we Wreck It? Joan Morgan’s “Fly Girls, Bitches, and Hoes” begins with an excerpt from a Vibe Magazine essay detailing the narrator’s first hand experience in the hip hop community as a woman, who came to love the music of its emcees, while battling with the sexism present both in rap lyrics and the men who wrote them. The conclusion is rather bittersweet, with the narrator resolving to continue being a part of the community, despite the ways its most prominent voices may degrade her and women like her, out of a familial kind to love. Because Joan Morgan considers herself a member of that same community she feels similarly compelled to recognize the ways Black men have inflicted pain and trauma onto Black women, using her own account of a family friend’s death as a result of the aforementioned phenomena. Morgan notes that Black men aren’t simply …show more content…
Glazing over these ‘gold digging’ tendencies as well as video girls’ willingness to objectify themselves in favor of viewing Black women as the perpetual victim of Black men reinforces the idea that Black women lack agency, and are incapable of participating in oppressive behavior. Morgan asserts that Black women can and should recognize their lack of self confidence and willingness to be objectified, the ways they treat each other poorly, the ways Black men hurt, and the ways they hurt us, at the same time. Rather than a fighting match to determine who’s correct in their contributions and consumption of hip hop and who’s wrong, Morgan concludes that these engagements should be a loving dialogue to
In his most recent album, Kanye West raps, “Now if I fuck this model/ And she just bleached her asshole/ And I get bleach on my T-shirt/ I 'mma feel like an asshole.” He suggests that it is the girl’s fault for getting bleach on his tee shirt, which she only did to make herself more sexually appealing. This misogyny in hip-hop culture is recognized to bring about problems. For instance, the women around these rappers believe they can only do well in life if they submit themselves to the men and allow themselves to be cared for in exchange for physical pleasure. In her essay, “From Fly-Girls to Bitches and Hoes”, Joan Morgan argues that the same rap music that dehumanizes women can be a powerful platform for gender equality if implemented correctly.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
The article discusses the fact that hip hop “provides a lens [through which white students and faculty at institutions] interpret Black culture” and that because of this not only is the Black female’s view of herself being manipulated, but black males expect what is being promoted by hip hop culture from them, and so does every other person (Henry, West, & Jackson 238). A professor at North Carolina Central University spoke about how he dislikes how hip-hop has influenced the way his students dress, he said “ They look like hoochie mamas, not like they’re coming to class” (as cited in Evelyn
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
One of Williams main topics of concerns is the wrong messages that “public airwaves” are sending to their listeners and followers. Williams claims rap and other medias are representing and sending the wrong message about African American communities. She mentions that rap music once held a positive message but now rap music is bombarding the public with the use of profanity, violence, and obscenity throughout their lyrics and music
The African American male community and colorism aren’t as affected by the judgement and abused as that of a women. Our community of African Americans are supposed to live in harmony because of everything that we have been through, For example, slavery, voting, etc... The African American male community to judge women on their skin shade, their looks, and their personality has my interiors aching. It has always been the male's job to raise a family by supplying the money to put food on the table not whether they're being mistreated by a shade of color. A woman is the one that is being put down by their shade of color and judged by how black they are compared to the rest of the world. It’s supposed to be the male's job to help the women out, but they’re the ones that judge and ridicule them the most.
The healthy relationships portrayed in the media are few and far between, which leaves Black women to make choices based on the options they have and perceive. For that reason, it is not complicated to understand why Black women are the least likely to marry in the environment of the over-sexed woman and a pimp. The portrayal of Black women as lascivious by nature is an enduring stereotype. To understand more fully the media’s role in shaping the culture of African-American experience, one must first examine the stereotypes projected by TV stations like, BET, MTV, and VH1. The songs and music videos created by such hip-hop artists as 50 Cent, Dr. Dre, and Snoop Dogg have built ...
Cox’s work is exactly the type of discussion that is needed to move the discourse on black women’s bodies from being regarded as part of a stereotype to being regarded as individuals with beautiful differences. This is not a ‘re-mirroring’ of the ‘un-mirrored,’ but rather a creation of a new image, void of previous misconceptions but filled with individuality. The stereotypes concerning black women’s bodies needs to be abolished, not reinvented like Hobson suggests in “Venus in the Dark: Blackness and Beauty in Popular Culture.”
Oswald, Janelle. “Is Rap Turning Girls into Ho’s?” The Black Book: A Custom Publication. 3rd ed. Ed. Sam Pierstorff. Modesto: Quercus Review Press, 2012. 171-175.
Taylor Swift’s Shake it off video contains elements of cultural appropriation that exhibit stereotypical tropes which have been used to define African American women and, in particular, their sexuality for years. The video perpetuates the negative stereotypes that have placed Black women on the opposite side of respect for centuries. The video involves White women twerking in a way that conforms to the male gaze, for profitable success. Twerking involves thrusting hip movements, low squatting stance, and shaking of the derriere. White women are able to perform the twerk without being socialized as hyper-sexual, whereas Black women are. Hence, the different conceptions of White and Black womanhood. The inability for Black women to escape their skin color is the one of the many reasons they are ridiculed. Their skin color assigned them to the category that defines them as unholy, dirty, and promiscuous White women have the ability to hide behind their skin color, which classifies them as pure, and innocent in society eyes. The cultural appropriation of twerking is an exercise of White women’s privilege. Black women are judged harshly for
...nd attractive. It creates a double consciousness that is difficult to reconcile. Carla Williams argues that “given the legacy of images created of black women… it is an especially complex task for contemporary black women to define their own image, one that necessarily both incorporates and subverts the stereotypes, myths, facts and fantasies that have preceded them. (Wallace-Sanders et.al, 196) The root of the problem lies within our society. While very culpable, mainstream music and advertisements are not the only promoters of female objectification; the key is unwinding the inner tensions between these two groups. There is a need for the promotion of female solidarity, regardless of their skin color. We need to rid society of the evil of racism—only then will conceptions surrounding African Americans parallel and be as positive as those surrounding white women.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
It is no secret that gender inequality is still prevalent in modern society. With women earning about 79 percent of men’s wages in the United States due to a number of factors, it is obvious that our historically patriarchal society has yet to completely evolve (Hill, 2016). It is no wonder that so many people of the dominant class feel threatened by empowering women such as Oprah or Beyoncé, who have made substantial earnings for themselves. Not only does gender inequality persist as a social problem in America today, but it is also reflected in and influenced by hip-hop culture.
1. Charisse Jones and Kumea Shorter-Gooden convey the fact that Black women in the United States still experience racism and sexism today. African American women have stereotypes and negative connotations attached to them causing them to experience oppression. In response to this, they undergo the “shifting” phenomenon where they alter themselves to fit into what society expects and wants from them. Black women undergo behavioral changes and emotional ups and downs in the face of bias. They feel stress trying to compromise their true selves. “Shifting” gives an insight of what it is like to jeopardize one’s true self in order to survive in society.