The synopsis of the opera Carmen by Georges Bizet is about a woman named Carmen. She is introduced with a song about the natural of love Habanera. She is surrounded by men, which plead with her to choose a lover, but end up throwing a flower at José who shows no interest in her. José is engaged Micaela, whom his mothers approve of. She brought him a letter from his mother saying she wants him to hurry up and marry Micaela. First, José finally decides to heed to his mother request, then Carmen reveals her affection for him by throwing a flower to him. Carmen has committed a crime, she attacks women with a knife. Jose ties her hands, but later to release her because she sings a song that mesmerized him.
For this reason, José is arrested for disobeying orders and is
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Unknowing to him, she has already moved on to Escamillo. He begs her and pleaded with her. Carmen rejected him. Overwhelm by his emotion, and he stabs her. Additionally, he sings her name out loud in sorrow.
Similarly, Carmen resemble Nedda in I Pagliacci. Both operas are about love and passion that ended tragically.First, Nedda is a woman who was in an abusive relationship with her alcoholic husband who loves her passionately. Nedda was in a relationship out of fear because her husband says that if she ever tries to cheat on him. He will kill her. Nedda and Carmen has a sort of seductive way, and this seduction attracts unwanted and wanted attention.
Second, Nedda cheated on her husband and got caught, but try to hide the identity of the man she cheated with. Her husband ends up killing her then killing her partner in crime by stabbing them both. The difference is Nedda is an adulterer and Carmen is an assaulter. The reason why the committed such act places them in a difficult situation. When it comes to Nedda, the audience sympathizes with her than at a time do not. Not to mention, it’s hard to decide rather she is a hero or she is a bad
When it comes to analyzing the “banana massacre” scene in chapter 15, I found three narrative techniques the author used to describe this scene. Therefore, one can notice that this part of the book is the climax. As a result, one infers what the author is trying to say about Latin American history and politics.
Esperanza meets up with 3 elderly sisters at a wake. One of the older women affirms Esperanza’s secret wish to leave Mango Street, but makes her promise that she will come back one day. Esperanza tells Alicia that she feels like she doesn’t have a home but Alicia convinces her that like it or not that Mango Street is her home and no matter what she will have to come back to make Mango Street a better place because the mayor is
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was”
Throughout the film, even though she is supportive of Estelle and her business, she sees her as a failure because she did not get married. This is seen when Carmen tries to take down Estelle’s statue and says that she needs to focus on Ana now. To Carmen, Estelle is what Ana will become without her help. She takes it as a personal loss that Estelle didn’t succeed in accordance to her principals, as it can be assumed that Carmen spent just as much time and effort in trying to push Estelle as she currently is with
When noticing a person who wears a similar clothes everyday, one may wonder what their intentions behind their attire is. In Isabel Allende’s story “Simple Marie” featured in The Stories of Eva Luna, the clothes are taken in a figurative sense just as much as in a literal function. Just as clothes are made to cover up one's physical body, clothes can be interpreted as a covering of one’s soul and true identity. Although, not very evident on the surface of the story, one can discover the intentions of Maria, by correlating the situation to her attire. The symbolism that Allende creates within the clothing of Maria illustrates a deeper sense to her vulnerability and reasoning within the situations of her life.
In conclusion, the women in both stories experienced two very different situations but overall deal with the same things. Selfishness plays a role in their thoughts and actions and unfaithfulness plays a role in the overall happiness in their marriages. With both selfishness and unfaithfulness controlling their thoughts and emotions they become confused and lose all control of the situation. Basically it is shocking to see how lightly affairs are taken into consideration and how the loss of a loved one doesn't affect people, as it should.
There are many similarities and differences between each of the characters. For example, in the film Kat (Katharina) used to be popular and kind, but ever since she slept with Joey because “He said everyone was doing it,” she decided she would “never do anything just because ‘everyone else’ was doing it.” In the play, however, she had been unkind, unpopular and smart-mouthed her entire life. Another similarity between the two versions of the character is her age. Bianca portrays a very similar character in both the film and the play. She is a smart, pretty, popular and kind girl who is frustrated with her older sister, constantly venting out that frustration by saying things like “I think you're a freak. I think you do this to torture me. And I think you suck,” to Kat. Another similarity between Kat and Bianca’s characters is their age. Kat was 17 in the play, and Bianca was 16, (in the era in which the play was written, girls got married at a young age). In the film, Cameron represents Lucentio. He is very similar to Lucentio, disguising himself as a tutor in order to gain access to Bianca. Joey, the other boy who likes Bianca, represents both Gremio and Hortensio. However there are a few differences between these characters, such as the fact that Joey is a popular high school student in the film, however in the play Gremio is an older man and Hortensio disguises himself as a musician to gain access to Bianca, and Joey
Although their stories are vastly different, Othello, Oedipus and Nora had different personal flaws that led to the downfalls in their lives. They all share the same flaws of dishonesty and pride, but Nora has also shown passivity. For these characters the monster of dishonesty was present in their lives and marriages, and resulted in pain, heartache, and regret. In Shakespeare’s play Othello the Moor of Venice, instead of communicating with his wife, Desdemona, Othello shared secrets with Iago, which caused his marriage to become infected with dishonesty. After Othello finds the truth. Similar to Othello, Oedipus whose story is told in the play Oedipus the King by Sophocles, is dishonest and prideful. Yet, his pride is not apparent at first, to the audience he is a caring King who wants what is best for his Kingdom, Thebes. However, his pride is revealed when he refuses to see what is in front of him. Oedipus believes that he is successfully avoiding his prophecy, yet instead of avoiding his prophecy he is vividly fulfilling it. The last character to compare to Othello and Oedipus is Nora Helmer, who is the main character of Doll’s House a play by Henrik Ibsen. Nora is a caring, free-spirited wife who takes out a loan without consulting her husband, Torvald. She is proud of her accomplishment until it begins to haunt her. Lies are meant to be between the people creating them, but usually are not. When lies are revealed it can be as a slap to the face, leaving behind a bruise that never fades.
Baftijari, Ymijan. “10 Frida Kahlo Quotes about Diego Rivera That Will Make You Believe in Love Again.” Vivala, CMI Marketing, 2017, www.vivala.com/love/frida-kahlo-quotes-about-diego/6966/they-were-bewitched-by-their-deep-admiration-for-each-other/6.
...om the other character as she behaved badly with her family including her mother, who kicked her out because she thought that she had gone to the devil. She feels depressed that she leaves home peacefully and finds Pete to go out with him to the theater. On the other hand, Juana displays bravery that she warns Kino that the pearl turns evil. So as she trying to throw it away, Kino fights Juana because he thinks it worth a lot of money. Unlike Maggie, who took on her situation quietly, Juana takes action to attempt to save the world. Both characters face problems in their lives. However, Maggie reacts quietly while Juana speaks up which truly embodies the quotation that people react differently to the world. Between these two characters, I like Juana’s behavior better because she’s trying to save the world. As a result, Maggie’s wickedness behavior can upset people.
She does not spew out all the reasons why she loves Othello or say that she is unavoidably attracted to him as she could have. Instead, she picks a practical reason –
Throughout the story, the main character Antonio is pulled in two directions as far as which family he will be more like. His future career paths are also discussed but it is mostly emphasized that the men will be the main influences in helping his decision while the women play more of a supporting role. Ultima, the main female character, is of great importance to Antonio but the author also emphasizes the importance of the time Antonio spends with his uncles and the huge influence his older brother’s actions have on him. Antonio’s father comes from people on el llano, a rough people. The book opens with discussions of how the lifestyle of the vaquero is a way of life that goes back in to ancient times, which perpetuates this idea that is a rite of passage a becoming of a man is to take on this vaquero way of life. This basically serves to remind Antonio that to choose his mother’s dream would be choosing something feminine. Antonio’s father had greatly hoped his three sons would move with him to California to begin a new life. This also serves to further the idea that men should fall in to their traditional roles as sons and take up the way of their father. Antonio’s brothers encourage their father’s idea but don’t believe in it because they want freedom. Antonio’s father is also used as almost a weight on Antonio in
The characters Oscar and Lola are similar, but because of their gender and physical traits, they were treated differently and was able to use that and form their own separate life. Oscar grow up in a different school environment than his sister, which made him want to stay home and write novels. Lola had a different home life than Oscar, which made her want to run away from her family and seek freedom out. Oscar would look for love and tell that person how he felt, but Lola did not have to look for love the men came to her and she used sex to show her freedom and how she feels about the person she was dating. They both looked for destructive relationship, Oscar went for taken women and Lola went for men that was abusive or disrespectful to her. At the end they were able to find happiness in their own way.
The story is about two couples: Claudio and Hero and Benedick and Beatrice. Claudio and Benedick, deputies of Don Pedro, an Italian prince, return from a successful battle to Messina. Leonato, governor of Messina, welcome them and invite them to stay for a month. Hero is Leonato’s only daughter and Beatrice is her cousin. Claudio and Hero love each other and want to get married. Benedick and Beatrice love each other but do not realize it. Don John, 'The Bastard', Don Pedro's illegitimate brother, comes along with Don Pedro to Leonato’s house and wants revenge from Don Pedro. On Claudio and Hero’s wedding day, Beatrice and Benedick tell each other that they love each other.