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Art essay on public art
Essays on public art
Art essay on public art
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Bill Pechet’s artwork titled Emptyful depicts the essence of life in Winnipeg; the complexion of nature and its relationship with the quality of life perceived by the locals. The public art was completed in August 15th, 2012. It is located in the Millennium Library Park in Winnipeg, Manitoba. Pechet who is also an architect designed and constructed Emptyful as part of the project by the Winnipeg Cultural Capital of Canada and the Winnipeg Arts Council’s Public Art Program. The piece is over 10 meters high and could be viewed in all angles (Winnipegarts.ca). Moreover, the context and design of the back and front sides of the artwork is identical to one another. Its medium is stainless steel, water, lights, fog and the weather. This public art …show more content…
is striking in a way that certain elements caught my attention; to further understand the message Pechet implies in Emptyful. Most importantly, to interpret the deeper purpose of the artwork; to reveal the essence of life perceived by the city; the relationship of the people and the environment. As the title suggests, the piece Emptyful is stimulated by the notion that Winnipeg and the prairies is full of emptiness.
This abstraction was observed by Pechet at a young age as his father first settled in the city. Pechet states “When I saw the place for myself, I could sense, through space and people, an old soul of a city, where even, within its apparent areas of vacancy, a fully robust culture was humming away…a place where people are thinking deeply about their city, through art and culture” (Winnipegarts.ca). The intent of Emptyful is to capture such quality of life in Winnipeg; the motion of the people and the environment. The artist states “This gave birth to the idea that perhaps a piece of art could express this notion of a simultaneous empty and full environment where event comes and goes…. with as much force as weather itself” (Winnipegarts.ca). Pechet used the idea of space to resonate the emptiness of the city. Solid outlines support the structure of the city, but it also suggests the significance of who creates such structure. In addition, contrasting textures dominate the entirety of the artwork to identify the elements that create the integrity of the …show more content…
Winnipeg. The concept of space; bare and hollow dominates the artwork to resonate the emptiness of the city.
As I walked closer to the artwork, the entirety of the artwork’s shape disappeared; leaving me with nothing but uncertainty of the space. Such space resonates with the vast land of the city in which wind flows through at ease, similar to the transparent ease of the artwork. Though, the emptiness is soon filled with the environment; everything on the other side; the woman walking her dog and the police walking on the sidewalk. Such events occur in the city in a daily basis that follows a cycle in which it comes and goes. The hollow space of the artwork resonates the emptiness of the city; defined by the simplicity of life in Winnipeg. Though, the transparency of the space; being hollow, reminds us the occurrences that comes and goes throughout the city; that the empty is and had always been
full. Furthermore, Pechet creates the shape of a scientific flask as the outline of his artwork. The shape; curved and simple is presented with strength and boldness. The outline is the boundary of the city that contains the empty space; the vast land of the city. However, the thickness of the outline; full of power and firmness, resonates the importance of the people in the city; the locals who has the capability to create the shape and the structure of the city. Moreover, the horizontal line connected to and expands to the curvilinear of the flask is immense and firm. The simplicity of the horizontal line is exaggerated by its heavy outline. I feel that such intense outline implied the way the locals of Winnipeg perceives their role in the city; in which the people are distinguished to be peaceful but the power the communities have; the impact of the people in profound. Such intensity found in the outlines of the artwork captivates the power the people have in creating the structure; the “outline” of Winnipeg. In the other hand, textures within the artwork were successful through the use of different materials as mediums. Pechet used stainless steel, water and fog to create various textures within his work. The stainless steel is continuous and polished; effortless on its own. Such texture translates to the flatness of the city and of the prairies. In addition, the artist uses water to create visual texture that contrasts with the polished steel. The water sprinkles with pauses in between each drop; creating a visual texture of rigidness. Though, the harsh, uncompromising texture of the sprinkling of water is soon balanced with the visual texture of the fog; soft and velvety. The serene motion of the fog is smooth and tranquil. Such textures resonate with the physical and environmental diversity of the city; the textures of the environment; the smooth land of the prairies, the rigid visual texture of a blizzard and the fog on a Sunday morning. Though, the textures embodied in Empyful also epitomize the diversity in life maturity within the city; from the smooth, to the harsh and unforgiving circumstances people experience. The textures within the artwork resonate the components that establish the virtue of the city. In conclusion, the artwork Emptyful depicts the essence of Winnipeg as a city; the pure reality of the city. The hollow space creates the idea of emptiness that resonates throughout the vast land of the parries. Though, the emptiness is reciprocated with the daily occurrences of life; the fullness Pechet perceive through the idea of Winnipeg as the city of things that “comes and goes”. To add, the intensity of the outlines identifies the power the people have in impacting the city; the intense outline in which is able to shape the structure. The various textures within the artwork embodied the diversity of land and life recognized in Winnipeg. Such elements imposed by Bill Pechet created a purpose; an intention to represent the truth of the city through his artwork; to reveal the quality of life perceived by the people and the environment of Winnipeg.
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
“A vast silence reigned over the land. The land itself was a desolation, lifeless, without
Ted Kooser’s “Abandoned Farmhouse” is a tragic piece about a woman fleeing with her child, the husband ditched in isolation. The mood of the poem is dark and lonesome, by imagining the painting the writer was describing I felt grim because of what the family went through. As reported in the text, ”Money was scarce, say the jars of plum preserves and canned tomatoes sealed in the cellar hole.” This demonstrates the understanding of why they deserted the farmhouse. The author also composes, “And the winters cold, say the rags in the window frames.” This proves that the residence was unaccompanied. When placing the final touches, the reader begins feeling dark and lonesome, asking about the families disappearance.
In James Baldwin's second novel published, we meet a young American called David. He has left his home country to live in Paris. In the first meeting with this man, he stares out a window and thinks about his life. Even this early in the book we get an impression of everything not being in its right place. This is where emptiness lives.
...r supper...He shouted, pounded on the door, tried to force it with his shoulder, and then, looking in the windows, saw the place was empty.”(257) Needy’s journey ended at a dark, lonely place; it was then he realized that he had no one left. Needy’s empty house was symbolic of the emptiness he now had in his heart.
The excerpt begins with a time and a place lending to the mental image the author is attempting to establish. The wind is personified as rattling trash cans and driving people off of the streets, the attention to detail further building the scene in the minds of the audience. It seems cold and barren, the actions of the wind reckless, depicted as something undesirable. The use of language such as “violent” furthers this through avoidance and fear, evoking the feeling of bowing to excessive strength. The street in the mind’s eye is empty and cold, where no one wants to be stuck. This continues to be built in the next section as well.
(75) The Intended’s street is compared to an alley of a cemetery, and the grand piano in the drawing room to a sarcophagus, extending the “ominous, dark qualities of the wilderness” to her home
Just look at the quote I gave you earlier: “Brooklyn, New York, as the undefined, hard-to–remember the shape of a stain.” He sees it as nothing but a stain on the map. He goes on to talk about “…the sludge at the bottom of the canal causes it to bubble.” Giving us something we can see, something we can hear because you can just imagine being near the canal and hearing the sludge bubble make their popping noises as the gas is released. He “The train sounds different – lighter, quieter—in the open air,” when it comes from underground and the sight he sees on the rooftops. Although some are negative, such as the sagging of roofs and graffiti, his tone towards the moment seems to be admiration. In the second section, he talks about the smells of Brooklyn and the taste of food. He’d talk about how his daughter compares the tastes of pizzas with her “…stern judgments of pizza. Low end… New Hampshire pizza. … In the middle… zoo pizza. …very top… two blocks from our house,” and different it was where he’d grown up. He talks about the immense amount of “smells in Brooklyn: Coffee, fingernail polish, eucalyptus…” and how other might hate it, but he enjoys it. In the same section, he describes how he enjoys the Brooklyn accent and the noise and smells that other people make on the streets and at the park across from his house. “Charcoal smoke drifts into the
The story begins as the boy describes his neighborhood. Immediately feelings of isolation and hopelessness begin to set in. The street that the boy lives on is a dead end, right from the beginning he is trapped. In addition, he feels ignored by the houses on his street. Their brown imperturbable faces make him feel excluded from the decent lives within them. The street becomes a representation of the boy’s self, uninhabited and detached, with the houses personified, and arguably more alive than the residents (Gray). Every detail of his neighborhood seems designed to inflict him with the feeling of isolation. The boy's house, like the street he lives on, is filled with decay. It is suffocating and “musty from being long enclosed.” It is difficult for him to establish any sort of connection to it. Even the history of the house feels unkind. The house's previous tenant, a priest, had died while living there. He “left all his money to institutions and the furniture of the house to his sister (Norton Anthology 2236).” It was as if he was trying to insure the boy's boredom and solitude. The only thing of interest that the boy can find is a bicycle pump, which is rusty and rendered unfit to play with. Even the “wild” garden is gloomy and desolate, containing but a lone apple tree and a few straggling bushes. It is hardly the sort of yard that a young boy would want. Like most boys, he has no voice in choosing where he lives, yet his surroundings have a powerful effect on him.
“The Hollow Men,” a poem written by T.S. Eliot shows the narrators disgust and his faithless attitude toward all mankind. He refers to the human race as being “hollow,” (1) and having a “headpiece filled with straw,” (4) which creates the feeling and theme of emptiness. Eliot also uses allusions, symbols, and repetition as powerful, and depressing poetic devices to make mankind seem hollow.
Jansson’s detailed setting descriptions help show Anna and Mat’s life and Jansson uses them as a metaphor for the struggle that they go through. The dark environment and minimal sun can represent her losing her mom. Additionally, our spaces generally define us in everyday life; they show how we live and what that
“The Snow Man,” by Wallace Stevens, dramatizes a metaphorical “mind of winter”, and introduces the idea that one must have a certain mindset in order to correctly perceive reality. The poet, or rather the Snow Man, is an interpreter of simple and ordinary things; “A cold wind, without interpretation, has no misery” (Poetry Genius). Through the use of imageries and metaphors relating to both wintery landscapes and the Snow Man itself, Stevens illustrates different ideas of human objectivity and the abstract concept of true nothingness. Looking through the eyes of the Snow Man, the readers are given an opportunity to perceive a reality that is free from objectivity; The Snow Man makes it clear that winter can possess qualities of beauty and also emptiness: both “natural wonder, and human misery”. He implies that winter can also be nothing at all: “just a bunch of solid water, dormant plants, and moving air.” (The Wondering Minstrels). “One must
We all remember these grey gloomy days filled with a feeling of despair that saddens the heart from top to bottom. Even though, there may be joy in one’s heart, the atmosphere turns the soul cold and inert. Autumn is the nest of this particular type of days despite its hidden beauty. The sun seems foreign, and the nights are darker than usual enveloped by a thrill that generates chills to travel through the spine leaving you with a feeling of insecurity. Nevertheless, the thinnest of light will always shine through the deepest darkness; in fact, darkness amplifies the beauty and intensity of a sparkle. There I found myself trapped within the four walls of my house, all alone, surrounded by the viscosity of this type of day. I could hear some horrifying voices going through my mind led by unappealing suicidal thought. Boredom had me encaged, completely at its mercy. I needed to go far away, and escape from this morbid house which was wearing me down to the grave. Hope was purely what I was seeking in the middle of the city. Outside, the air was heavy. No beautifully rounded clouds, nor sunrays where available to be admired through the thick grey coat formed by the mist embedded in the streets. Though, I felt quite relieved to notice that I was not alone to feel that emptiness inside myself as I was trying to engage merchant who shown similar “symptoms” of my condition. The atmosphere definitely had a contagious effect spreading through the hearts of every pedestrian that day. Very quickly, what seemed to be comforting me at first, turned out to be deepening me in solitude. In the city park, walking ahead of me, I saw a little boy who had long hair attached with a black bandana.
The empty house was neglected and not cared for, and there is a damp atmosphere inside the house, with rubbish all over it. Joyce only makes negative comments about Dublin and implies that the city has no culture or love of literature. When the boy makes it to "Araby," the bazaar is already over, and he enters a stall to see if he can find a suitable present for Mangan's sister. At the stall, there is a woman and two men, and they are talking in a very flirtatious manner.
The street is quiet, and seems like it is dead. The sounds I can hear are the leaves rustling in the breeze, and the pitter-patter sounds of raindrops falling on the ground. Together, they compose a brilliant song of nature. No din from the high-school students, no irritating noise from the car. No one, not even a soul dares to make a sound to disturb this moment. Everything is silent, as if it isn’t even alive, just like a ghost street that only emerges in the mid-night and will vanish when the first sunlight strikes down from the sky. Wet dirt mixes with the smells of perfumes that left behind by people suffuse the air. Making me think of the mixture of sodas and expired apple juices.