Augustine 's Emergence from the Cave
Augustine’s Confessions is the story of his search for ultimate truth. Out of the Greek and Roman scholars that influence Augustine, Plato 's iconic imagery of the Cave is one of the most influential works apparent in Confessions. Much like the man emerging from the cave and adjusting to the sunlight, Augustine has to emerge from his life of sin to acquaint himself with the truth, the light of the Gospel message. According to Plato, people are chained up inside a dark cave. This cave represents a single-minded view of life. The people spend their lives believing that the shadows cast on the wall by the light are reality, because they are unable to see anything else. If one person is freed from his chains
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In Carthage, he is met with sexual temptations that he had not previously faced, and he gives himself over to living a life bent on self-pleasure. Reflecting on his former life, Augustine said, “My sin consisted of this, that I sought pleasure, sublimity and truth not in God but in his creatures, in myself and other created beings” (Augustine 22). This is reminiscent of Epicurus, who believed that “pleasure is our first and kindred good. It is the starting-point of every choice and aversion” (Epicurus 82). Augustine 's search for the satiation of his desires is, as it is in the case of Epicurus, ultimately a life devoted to the self. Yet even Epicurus is not as insistent in his pursuit of pleasure as Augustine. Epicurus goes on to say in the same passage, “When we say that pleasure is the end and aim... It is not an unbroken succession of drinking-bouts and of merrymaking, not sexual love” (Epicurus 83). In the Epicurian view, pleasure is simply a way of living life devoid of problems, not a life of wild lust. Augustine not only seeks the life free of pain and problems, he is also looking for exactly what Epicurus condemned. This hedonist lifestyle is part of Augustine 's search for meaning in life. But he finds no meaning or truth in pleasure. He is beginning to see, like the man emerging from the cave and adjusting to the sunlight, that a life devoted …show more content…
Ambrose receives Augustine warmly and influences him towards the Christian faith because of his knowledge and rhetorical skill. After listening to many of Ambrose 's arguments and sermons, Augustine decides to leave the Manichee sect and tentatively study Catholicism. He is not yet convinced of the truth of the Catholic faith, but he resolves to learn until he finds “some clear light...by which [he] could direct [his] course” (Augustine 89). Breaking away from the Manichees is the next part of Augustine’s journey towards God. He is inclined to believe in Christianity, at least until it is proven false, yet is greatly distressed by Ambrose 's practice of celibacy. Augustine is not yet willing to fully give up his sexual desire for the sake of Christ. He is engaged in several liaisons, and also engaged to be married. Augustine 's hesitation in regard to the evil of sexual desire, along with his general search for truth, leads him to question the nature of good and evil in the world. Augustine seeks answers among Neoplatonist
Plato’s cave had chained prisoners and that was the only life they ever knew. They couldn’t move their heads, and the only objects they could see from the outside world were the casted shadows created by the fire. They saw the truth from the shadows, but they were distorted. What they were seeing was only one side of the truth, not the whole thing. When one of the prisoners was free to go, he was forced to be dragged out of the cave. It
Plato's Allegory of a Cave is a story about prisoners that are chained underground, who can not see anything except for shadows caste on a wall by a fire. The only thing that these prisoners can see is the shadows of people. Eventually, one of the prisoners breaks free of the chain and ventures out into the real world. In the real world the freed prisoner discovers that the shadows in the cave are created from light diverge off people. He recognizes there is a whole new world filled with light. The freed prisoner is very confused and blinded by the light so he decides to return to the cave. When the prisoner returns to the cave, he shares what he saw in the real world with the other prisoners. The remaining prisoners treat the freed prisoner like he is crazy and they tell the freed prisoner that the real world does not exist. The prisoners in the cave do not believe in the real world because the cave is all that they know exists.
When reading ancient texts, they are often told through an omniscient point of view, such as The Odyssey or Gilgamesh, or they are written through another person’s perspective, such as The Republic. Confessions differs in that it is told from a first-person point of view, which makes it uniquely fascinating because we get to learn firsthand how Augustine’s actions, thoughts, and beliefs affected him. In comparison with the other, often mythical, texts, Augustine is a humanized perspective into the world—neither divine nor idolized; his story resembles that of many others as a man who grew to seek both conviction and resolution in his choices. The Confessions of Saint Augustine is, at its core, the journey of an everyman through his life—a concept not far removed from contemporary media. It is the culmination of his trials, tribulations, and efforts as a young man whose development influenced by the immense possibilities of the spiritual world that surrounded him.
In addition to the chained people, there are other people in the cave. Plato refers to them as the puppet-handlers and they are the ones holding those in the cave captive. (It is important to realize that the prisoners do not realize this--in fact, the prisoners do not even realize that they are being held captive since this existence is all they have ever known.) Walking behind the prisoners, the puppet-handlers hold up various objects found in the real world. Due to a fire that is burning the mouth of the cave, the prisoners are able to see the objects and each other only as distorted, flickering shadows on the cavern wall in front of them.
St. Augustine’s Confessions is written through the Christian perspective of religion. Christianity is founded on the idea that there is one God who oversees all actions. Though all actions are observed by a higher power, God instills in us a free will. As Christians we are free to make our own decisions whether right or wrong. In his Biography St Augustine expresses that he feels like a sinner. He struggles with the fact that he is a thrill seeker. He loves to watch blood sports. He watches gladiators fight to the death and commit murder. Not only does he watch, but he enjoys observing these acts. He is also expressing his sins in his biography when he writes about stealing, which is another sin. He steals pears for fun. St Augustine doesn’t even eat the pears he steals, but throws them to the pigs to eat. Through the story St Augustine struggles interna...
Augustine remarks that he sees man as seeking what gives him glory rather than what brings glory to God. When talking about self Augustine shares that he enjoyed studying Latin in school simply because it came easy to him, not because it brought glory to God. As he grew, he was, in the eyes of his society, an upstanding citizen, he did nothing inherently wrong. However, Augustine believes he did considerable wrong; rather than living for and seeking after the Lord, he was living for and seeking after his own desires. These claims exemplify mankind’s tendency to turn its back on its beliefs and the One in whom they
7-12- Again Augustines thoughts on God reflect that of the religious teachings of his day, namely those of the Neoplatonists. For example he refuses to speculate on how the soul joins the body to become an infant and even follows Plato when he suggests that this life could possibly be some kind of “living death”. He then goes into an examination of his infancy, which he depicts as a quite pitiful state. He described himself as a sinful and thoughtless creature who made demands on everyone, wept unceasingly, and gave everyone a hard time that took care of him. Though very brutal in his self examination, he later states that he does not hold himself accountable for any of these sinful acts because he simply can’t remember them.
Augustine. “Confessions”. The Norton Anthology of Western Literature. 8th ed. Vol. 1. New York: W.W. Norton, 2006. 1113-41. Print.
The second circle of hell, a realm for those who fell victim of their carnal desires, is another level at which to place Augustine’s soul for he was consumed by lust in his pre-conversion days. He was encouraged by his family to learn the art of persuasion and making of fine speech when he was only sixteen. He used these skills, which he developed very well, along with his good looks to seduce as many women as possible. It was “in that sixteenth year of my life in this world, when the madness of lust. . . took complete control of me, and I surrendered to it” (Confessions, 987). He was in love with being in love. Yet, he was unable to discern between love and lust.
As people, we tend to believe everything we see. Do we ever take the time to stop and think about what is around us? Is it reality, or are we being deceived? Reality is not necessarily what is in front of us, or what is presented to us. The environment that we are placed or brought up has a great impact on what we perceive to be the truth or perceive to be reality. Plato’s Allegory of the Cave is one of the most significant attempts to explain the nature of reality. The cave represents the prisoners, also known as the people. They are trapped inside of a cave. They are presented with shadows of figures, and they perceive that to be reality. The cave can be used as a
In his Confessions, Saint Augustine warns against the many pleasures of life. "Day after day," he observes, "without ceasing these temptations put us to the test" (245).[1] He argues that a man can become happy only by resisting worldly pleasures. But according to Aristotle, virtue and happiness depend on achieving the "moral mean" in all facets of life. If we accept Aristotle's ideal of a balanced life, we are forced to view Saint Augustine's denial of temptations from a different perspective. His avoidance of worldly pleasures is an excess of self-restraint that keeps him from the moral mean between pleasure and self-restraint. In this view, he is sacrificing balance for excess, and is no different from a drunkard who cannot moderate his desire for alcohol.
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
St. Augustine's sordid lifestyle as a young man, revealed in Confessions, serves as a logical explanation for his limited view of the purpose of sexuality in marriage. His life from adolescence to age thirty-one was so united to passionate desire and sensual pleasure, that he later avoided approval of such emotions even within the sanctity of holy union. From the age of sixteen until he was freed of promiscuity fifteen years later, Augustine's life was woven with a growing desire for illicit acts, until that desire finally became necessity and controlled his will. His lust for sex began in the bath houses of Tagaste, where he was idle without schooling and "was tossed about…and boiling over in…fornications" (2.2). Also during that time, young Augustine displayed his preoccupation with sexual experience by fabricating vulgarities simply to impress his peers. In descript...
...same time transferring the focus of his text to the glory and wonder of God, causing his readers to shift their focus as well. We don’t finish the Confessions and marvel at the depravity of the young St. Augustine, or even at the incredible mercy of God for taking in such a self-proclaimed sinner. The impression the text leaves us with is that of the immense benefits the Lord can bestow on man, and the great extent to which St. Augustine was able to profit from this. Therefore, what St. Augustine had sought in God, he has found. The inner void is filled, he has a loyal nonjudgmental companion and protector for this life and the next, and he has found a potential scapegoat for all of his possible future mistakes and flaws—as well as someone to pray to and unconditionally praise.
The circumstances that are described by Plato have a metaphorical meaning to them. The allegory attacks individuals who rely solely upon; or in other words are slaves to their senses. The shackles and chains that bind the prisoners are in fact their senses .In Plato’s theory, the cave itself represents the individuals whom believe that knowledge derives from what we can hear and see in the world around us; in other words, empirical knowledge. The cave attempts to show that believers of empirical knowledge are essentially ...