Analysis Of All The Light We Cannot See By Anthony Doerr

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In All the Light We Cannot See, Anthony Doerr incorporates thoughtful ideas and concepts to create an emotionally gripping story of a German orphan and blind French girl in World War 2. Throughout the novel Doerr focuses on the themes of the choices people make in adversity, the possession of power and the blindness and awareness within people, which are developed through juxtaposing ideas, the utilization of vivid imagery and the characterisation of the two main protagonists.
Doerr incorporates a web of juxtaposing ideas in his novel to clarify the choices and actions people make in the face of adversity. At various points throughout the plot, the characters face difficult situations in which they either rebel or conform to those around them. …show more content…

In contrast, Frederick refuses to throw icy water on a dying prisoner, boldly responding to his order by saying, ‘I will not’. Similarly, Madame Manec, Etienne and Marie-Laure refuse to submit to German authority, instead forming a resistance group. In spite of the consequences of rebellion, these characters refuse to conform to the majority, revealing their strong spirits. Doerr also presents contrasting qualities of love and selfishness within the characters. Werner’s love for Marie-Laure drives him to act selflessly, risking his own safety by choosing to kill Von Rumpel in order to save her. Etienne shows a similar resolve, putting aside his fears to search for Marie-Laure when she does not return home. Unlike these characters, who acted selflessly out of love, Von Rumpel acts out of …show more content…

Marie-Laure is first characterised as being highly dependent and unsure of herself; however, she soon learns to become aware of her surroundings, and her adventurous and inquisitive side is revealed. Despite her blindness, ‘everything has colour’; the world bursts with ‘magenta and aquamarine and gold’. Marie-Laure also visualizes her father’s personality and soul in colour; he ‘radiates . . . opal, strawberry red, deep russet, wild green’. Surrounded by war, Marie-Laure is forced to realise her powerlessness in this situation, yet she continually demonstrates her courage through her actions, such as aiding the ‘resistance club'. In contrast, Doerr’s characterisation of Werner reveals his many flaws. Like Marie-Laure, he is intelligent and curious, envisioning himself in a ‘white coat, striding past machines’; however, his strong ambition and fear of the coal mines blinds him to reality. It is only when Werner witness the horrific acts of the Nazi’s first-hand that he begins to understand what the future really holds for him. His time trapped under the Hotel of Bees, surrounded by blackness, is a call for self-reflection; he lets go of his past ambitions, realising that ‘it was enough when [he] was a child’. Werner emerges from the darkness a new person; his eyes finally open to see what he did not before, realising ‘what light shines at night’. In his decision to go after

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