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American literature part 2
American literature and society
Introduction to American literature
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James Wright was a poet that dealt with many hardships in his life, but he found a way to turn those negative moments into beautiful works of poetry. As a child, he lived in poverty with his family and later on suffered with depression and alcoholism. Growing up in Ohio, Wright learned how to work hard which is reflected in his poetic achievements. Wright turned his struggles into poems and for him to be able to achieve success through his pain is what makes his work American. Frank McShane wrote “The Search for Light” in Peter Stit and Frank Graziano’s James Wright: A Profile, and in the book McShane includes: “James Wright knew how restricted most American lives were” (131). For Wright to be able to live the “restricted” life McShane is discussing, …show more content…
In order for Wright to get away from the situation he was living in, which was a very industrial area, he created poetry about nature. Wright used imagery to describe these scenes of nature and then occasionally used personification to enhance the image in the reader’s mind. The James Wright’s poem “Lying in a Hammock…” depicts the calm scenery that surrounds him as he is lying in a hammock at his friend 's farm. He notices little details like “I see the bronze butterfly, / Asleep on the black trunk,” (1-2). The poet also sees “as the evening darkens and comes on. / A chicken hawk floats over, looking for a home.” (11-12). For Wright to be able to notice and describes these details show how relaxed he is. Wright found himself in a place where he had no thoughts on his mind and nothing to worry about other than to focus on the world around him. This poem allows readers to daydream along with Wright and to be momentarily taken away from the situation they are currently in. Authors, Jeffrey Gray, Mary Balkun, and …show more content…
For example, Wright 's “Lying in a Hammock” ends with the sudden realization of “I have wasted my life.” (13). This endstop in the poem is hugely out of place since the rest of the poem consisted of a positive tone. Wright added all the imagery in the beginning to emphasize the final line even more. Geoffrey H. Hartman plainly discusses the effect of why Wright added the endpoint at the end of the poem in “From Beyond the Middle Style” in Peter Stit and Frank Granziano’s James Wright: The Heart of the Light; he states “The last line is a challenge, not a moralism. It is meant to be one impression among others: we have images and we have thoughts; here is a thought.”(141). The last line was just a “thought” and allows readers access to Wright’s mind. Wright was just relaxing on a hammock and could not even last the whole day without a negative thought popping into his mind. A lot of people with a mental illness, like depression or anxiety, can relate to this idea, and Wright used the endpoint effectively to show how quick a person’s day can just turn around. The enjambment used in Wright 's “Fear Is What Quickens Me” shows the poet slowly deteriorating into this wild animal. In the second stanza Wright states, “ I can hear rabbits and mourning doves whispering together / In the dark grass, there / Under the trees.” (12-14). This particular enjambment carries on
The book All The Light We Cannot See by Anthony Doer, was not your traditional love and war story. It’s about a young blind girl named Marie growing up in the war, who had a connection with a young boy named Werner who is a part of the Hitler youth. There are a few other characters who are all in different parts of the world, and yet they eventually all meet up together and find out they all have some type of connection between each other. All of the characters in the book were affected by the war, and caused them to change into the characters that they ended up to be.
Emily Dickinson, a transcendentalist author, demonstrates how settings away from society and technology are representations for virtue and individuality. In her poem Some Keep the Sabbath Going to Church she writes about how she stays home on Sundays saying, “I keep it, staying at Home/–With a Bobolink for a Chorister/–And an Orchard, for a Dome” (Some Keep the Sabbath going to Church). Dickinson uses objects of nature such as birds and flowers to convey that she loves nature so much she stays away from society. She basks in her natural haven far from a massive stone cathedral and an orthodox way of life. She is at peace in nature but more importantly she follows her own beliefs and ideas, exhibiting her independence. In Ken Kesey’s writing, one such example of a character who prospers greatly in nature is Billy Bibbit, the stuttering patient from Nurse Ratched’s ward. Throughout the first half of One Flew Over the Cuckoo’s Nest, Bibbit fails to show any genuine feelings other than fear due to the immense control the nurse has over his life. However, he finds courage on the expansive open ocean. When on the boat trip there is “a fuss as to who'd be the three that braved that [storm] without [life]jackets... Everybody was kind of surprised [when] Billy...volunteered...and helped the girl right into [his]” (252). Bibbit acts like a hero on the stormy seas, a far different
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
Wright grew up during the Great Depression, which was mentioned in many of his poems. Many of his real life experiences have been influenced his writing including the poem his wrote after his father died
Kinnamon, Keneth. The Emergence of RIchard Wright: A Study in Literature and Society. 1973. Reprint, Urbana: University of Illinois Press, 1972.
Wright utilizes personification to provide the narrator with an amplified empathy through the personal reflection required in order to experience the sympathetic suffering accounted for by the physical remnants of a lynching. In the beginning of the poem, the speaker describes the scene as “guarded by scaly oaks and elms” (ln. 2) thereby stating nature guards and preserves memories of the atrocities of society, despite certain distortions associated with time. By presenting the woods with this lively quality, Wright emphasizes the eerie qualities of the world in preserving the scars of inhumane acts dealt through society’s hand. Once recognizing nature’s preservation of the memories, Wright implies that the speaker remains capable to unearth the scene in which they are to experience sympathy and empathy. The speaker then discovers “white bones slumbering” (ln.4) which presents the bones with the human ability of sleeping. This in return suggests an ironic twist crucial to the development of the poem. By suggesting the bones are in mere rest, this also renders bones capable of awaking from their rest. As the speaker continues, the bones as well as the other elements described suddenly “awake” and reform thereby creating a shift in the visual experience of the...
His strengths to reason with the reader are ethos and pathos constantly through the text. However, his weakness is logos because there were not too many facts or evidence to support his claim. I was able to connect with him emotionally, placing myself in his shoes. Feeling as though no matter how wealthy I could be and/or successful as another ethic group. I would never receive the same rights I desire and deserve even if I worked harder than they did. I believe what Wright was saying because he dealt with this feeing almost his whole life. He was knowledgeable comparing life in America to France. Instead of reading a novel and looking up life in France, he took me through his thoughts of his perception of French people. As well as the different living
Poems are expression of the human soul, and even though, is not everyone’s cup of tea when the individual finds that special poem it moves their soul one with the poet. There are many poets in the world, but the one that grab my attention the most was no other than Langston Hughes. It would be impossible for me to cover all the poems he wrote, but the one that grab my attention the most is called “Let America Be America Again.” It first appeared in “1938 pamphlet by Hughes entitled A New Song. Which was published by a socialist organization named the International Worker Order” (MLM) and later change back to its original name. I have never felt such an energy coming out of a poem like this one which is the reason that I instantly felt in love with it.
Reading both Mary Oliver’s poem, “Morning in New a Land,” and James Wright’s poem, “A Blessing,” I noticed a protruding thematic similarity between the two poems and what the authors were trying to say. Though "Morning in New a Land” focuses on the rising dawn upon the new beginning day and “A Blessing” takes a more opportune outlook on the experience that the author had, both poems employ a feeling of peace, contentment, and a newfound inward enlightenment that both these authors felt.
My book, “All The Light We Cannot See” by Anthony Doerr, talks about a blind girl who falls for a German soldier. The most exciting thing about this book is the setting and the characters. They are unique and creative. You should be interested in reading this book because it shows the importance that looks do not matter in love. If your love is so powerful and strong it can overcome through the hardest and difficult obstacles.
During the years of 1914-1945, Americans experienced suffering and sadness. The poem explains how the people suffered and lived with sadness but it made them stronger and taught them lessons. For example, Americans experienced The Great Depression which led to the stock market crash. ("Disillusion, Defiance, and Discontent..." 689-701). An important person living during this era was Amelia Earhart because she was the first women to fly across the Atlantic. Furthermore, an event that had a major impact at the time on Americans was Pearl Harbor. It was the attack
John Muir and William Wordsworth are both very lonely writers. They both also love nature. This can be seen through their writings. They were depressed but nature brought them happiness. They both find nature very peaceful and beautiful. Wordsworth and Muir express their connection and compassion for nature using similes and hyperboles as if nature was a real person making it easier for the reader to connect with the story.
Steven Birkerts analysis of James Wright’s poem “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota” is very nicely written. Birkerts starts out analyzing the title, he asks a very good question, “Why didn’t Wright just call his poem “Hammock,” or “Lying in a Hammock”? Does it matter to us that the hammock was hung at William Duffy’s farm, or that the farm was in Pine Island, Minnesota? No.” (par 1). This is a very good question, what is the significance of William Duffy? Pine Island, Minnesota? I agree that this place must have been important to the author, otherwise why even put these things in the title.
Wordsworth and Hopkins both present the reader with a poem conveying the theme of nature. Nature in its variety be it from something as simple as streaked or multicolored skies, long fields and valleys, to things more complex like animals, are all gifts we take for granted. Some never realize the truth of what they are missing by keeping themselves indoors fixating on the loneliness and vacancy of their lives and not on what beauty currently surrounds them. Others tend to relate themselves more to the fact that these lovely gifts are from God and should be praised because of the way his gifts have uplifted our human spirit. Each writer gives us their own ideals as how to find and appreciate nature’s true gifts.
The American ‘can-do-spirit’ is a well-known term, and many texts, poems, books and movies revolve around this outstanding ‘can-do-spirit’, which appears to be significant for the average American’s self-image. Two poems focused on this spirit are Dedication for a Plot of Ground by William Carlos Williams and Nobody Loses All the Time by E. E. Cummings, both by American writers, written 16 years apart. Even though both poems contemplate the American ‘can-do-spirit’, they seem to have two different ideas regarding what this so called spirit is all about. One praises it, and one mugs it.