Alfred Hitchcock has always been one of my favorite directors ever since I was little. My dad got me into his films at a young age and part of our bonding time revolved around watching his movies, famous or not. Psycho is a film that has always been a classic to me and one of all-time favorite Hitchcock movies. Hitchcock films present a vast of information and can be dissected and written about all based on his remarkable techniques such as his character development and his ability to create suspense and keep the viewer’s guessing. Hitchcock would use underlying messages throughout his films that completely turned the normal to twisted by his plot development. Psycho does this through having the audience suspecting a particular characters …show more content…
intention and leaves the audience in a shocked state when the character does something malevolent such as locking their dead mother in the basement and dressing up like them to kill women in the shower.
To me, Psycho is one hundred percent a horror film. Up until the release films such as Frankenstein and The Tingler, most people thought of a horror film that was centered around a monster with overdone make up and the spawn of evil because that’s what movies made them out to be. However, when it comes to Hitchcock’s Psycho, he put a spin on the ideal monster and turned it into a psychological perspective. Norman Bates seems as normal as they come, giving the audience a sense of relief when he’s presented on the screen. However, Hitchcock turned the normal into a terrifying truth. It was through Norman that after seeing Psycho, people were no longer afraid of storybook monsters; rather they became scared of everyday people that they’d cross paths with. In the beginning of the movie, you feel a sense of sympathy towards Norman as a man that’s completely isolated from the world, owning a motel that hardly ever gets any business. He lives in a house completely alone and doesn’t have any friends and only has his hobby of being a taxidermist. When Marion wonders across the motel, it’s through the way Norman treats and looks at her you get the sense that he just wants some company. Being a psychology major I particular love watching
Psycho from the psychology perspective and taking into account the body language and actions of Norman. For example, I completely think that through Norman Bates mental illness and the beatings of his mother, he suffered from what is called the Oedipus Complex. This illness deals with the idea of male children having a fascination with their mothers and desiring sexual relations with them. It’s through the killings of women Norman deals with this illness and provides a sense of relief for himself. Norman watches Marion undress through a peephole in her hotel room, something that he may have done to his mother has he watched her undress. The killing of his mother overwhelmed Norman causing him to go into a state of multiple personalities to keep her alive in his mind. Psycho brings the imaginary to life through Norman creating a sense of unease for the audience as the time progresses. Through it, Hitchcock redefined horror as a genre for me.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
Development of Suspense by Hitchcock in Psycho 'Psycho,' the somewhat infamous film by Alfred Hitchcock was produced in 1961, a time when the American censors, The Hays Office, still dominated the film industry with their strict rules and principles. It earned its notoriety by defying the traditional cinematic convections of that time and pushing the boundaries of what could be shown in mainstream cinema. The rules implemented by The Hays Office were far stricter than they are today, and Hitchcock uses all available means to reach and go slightly beyond the set limit. Using clever and different camera angles, he implies things that are not shown. He proves that innuendoes can portray the same image and retract the same audience responses as blatant actions and pictures.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
bank. Marion went home there was a close up shot on the money then on
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Psycho is successful in sustaining that eerie, creepy feeling throughout the film. Although it does not start off scary at all really, the fact that
object as she slowly takes a sip. In a later scene, Mrs. Sebastian pours the
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
PSYCHO is a unique film because it is a black and white film in the
...and changed the horror genre forever. Alfred Hitchcock's use of actor, lighting, sound, scripting and mise-en-scène kept the audience on the edge of their seats and second guessing themselves. Hitchcock's idea of Norman cconnected with the audience and, even today, his character continues to deceive many. From Norman's nervous ticks to his murderous side 'Mother', it was planned flawlessly. Norman Bates was a combination of an author, director and actor, perfectly adapted to screen and perfectly portrayed.
In the article, “Psycho at Fifty: Pure Cinema or Invitation to an Orgy?” by John A. Bertolini, he describes how the images and scenes throughout the whole movie and its more arguable parts are what made the film stick with the imagination of Hitchcock’s audience. He goes on to give an explanation of how Hitchcock is as well one of few directors who is able to mix a little humor to go along with his vicious plot. Bertolini speculates that the audience was thrown off by savagery depicted in this film and more concerned with the emotions that were created by Hitchcock’s movie. He also outlines how much controversy the film created Psycho by stating how it, “reflected the changes at work in the larger society, especially the increasing insiste...
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.