Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Reflection on paradise lost
An analysis of Paradise Lost
Features of Milton's Paradise Lost
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Reflection on paradise lost
Milton’s God’s design flaw in creating inequality and division between Adam and Eve set the stage for the Fall of Mankind to occur. Arguably, perhaps Satan was not even needed as mankind was intended to fall from the beginning. In John Milton’s Paradise Lost, the predicament of Adam and Eve was a Catch-22 from the get-go, as sin was present in the Garden before Adam and Eve even eat from the Tree; even before Satan planted his dream inside of Eve’s mind. In this paper, I will attempt to refute the gender argument that Adam was at greater fault for the events that transpired by reasoning that the Paradise that was lost was never there in the first place, by showing that Sin had already existed in Adam and Eve since both of their creations. To begin explaining why this theory is not the truth of the text, let us begin with said theory. Gender Studies and Feminist critics have rhetorically argued for the culpability of the disobedience to God belonging more so to Adam than Eve. Scholar Rachel Russo argues that because Adam and Eve are clearly not created as equals, and Adam distinctly treats Eve as his inferior prior to their transgression [...] it is apparent that …show more content…
In any case, both implications work in conjunction as it reveals Eve’s first inherent sin --adoration, or, realization of her “self”, rather than of her creator(s). God even explains it for her, that “What there thou seest Fair creature is thyself...”(4.468), while attempting to pair her to Adam. In response, she turns her back on her creators, a vain and defiant attempt to return to the water, as Adam seizes her hand. Eve admits, “How beauty is excelld by manly grace/ And wisdom, which alone is truly fair” (4.491), indicating that the previous usage of “faire,” describing Eve, is to some degree lesser than “truly fair,” which is ascribed to Adam’s
Although, this statement is accurate at times people sometimes do not realize that men and woman are treated as equals in certain situations. In the Genesis story by Phyllis Trible, She discusses how people often view the story of Adam and Eve as male supremacy and female subordination but she explains how that statement is false and that both Adam and Eve are treated as equals (Trible,141). Throughout, the article Trible provides the readers with examples and statement to how Adam and Eve share equal equality. An example of equality between the two sexes is when God creates Eve out of Adams' rib, “This, at last, is bone of bone and flesh of my flesh, She shall be called ‘ishshah because she was taken out of ‘ish” ( Trible,142). God created the woman out of the man's rib rather than his feet or head because she wanted them to be in equal carrell with each other. The rib symbolizes them being side by side in a partnership rather than one being more advantaged than the other. Also, but the man and woman owe both there lives solely to God, although, the female was made from a man the reasoning she was created in the first place was due to God (Trible,142). Therefore, both sexes were created equally out of raw materials there were no differences in how they were brought into the world (Trible,142). Another example used in the
Eve does exactly what God commanded her to not do. Now that I have explained the main things a bout both stories I will continue by discussing the main themes and symbols that are existent in both stories.
...to mankind in Paradise Lost - one of the fundamental concepts in Christianity and vital to Milton's objective to "justify the ways of God to men" (1, 26) - the gods in the Aeneid are continually reminding Aeneas that he cannot afford to be distractive by the temptresses that are women because the future of Rome lays in his hands. Milton's God, on the other hand, allows Eve to fall and her blatant transgression caused the loss of paradise and all of creation has to experience the consequences of original sin. In Paradise Lost Eve was expected to submit to her ultimate authority, Adam. Rather, it is Adam in Book IX who submits to Eve's unreasonable discourse on separation. Indeed, the implication of a man (as a superior being) succumbing to feminine wiles and passion is an intense concept which - for both Virgil and Milton - threatened the very basis of their society.
In the debate titled Of the Equal or Unequal Sin of Adam and Eve, two authors; Isotta Nogarola and Ludovico Foscarini, argue about the original sin committed by Adam and Eve. Nogarola first states that Eve lacked a sense and constancy and that she therefore sinned less than Adam did. In her case the serpent thought of Adam as invulnerable due to his constancy. God created Adam to have unchanged opinions and state of mind, in order to avoid falling into the serpent’s persuasion, however Eve’s vulnerability led her to a severe sin. God found Adam guilty for the sin because he esteemed man more highly than woman and led his command towards Adam to not eat the fruit from the tree. Weak and inclined to indulge on the fruit, Nogarola claims, Eve
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Throughout modern society nothing symbolizes the fall of humankind more than a woman with feminine flowing hair and luscious lips biting into a large apple. While the biblical account evoking such imagery remains the primary authority, John Milton in Paradise Lost enlightens beyond the allegorical, offering a complexity of character and purpose. In this epic, readers are guided along humanity’s fall from grace, contrasting the ideal union of man and wife alongside harsh consequences that emerge from dangerous engendered perspectives.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
The term loss of innocence is an ambiguous term. Most commonly, loss of innocence is associated with virginity. Additionally, lost of innocence can be associated with adulthood. A person is no longer a child, and therefore may view the world differently than they did when they were a kid. As a child they may have been naive, unaware; not yet knowing the bad or evil that exists in the world. The idea of loss of innocence may even be traced back to the Book of Genesis and story of Adam and Eve. In this biblical narrative Adam and Eve experience a loss of innocence.
In the poem we get the picture that Adam is lamenting for the mistake they have done and specially blames and insults Eve's female nature and wonders why do god ever created her. She begs his forgiveness, and pleads with him not to leave her. She reminds him that the snake tricked her, but she fully accepts the blame for sinning against both God and him. She argues that unity and love c...
The last two lines of this speech are very dramatic. Eve has such a great love for Adam that she could endure anything as long as he would be by her side, but she would be nothing without him. However, this creates a paradox. One may ask, if Eve loves Adam as much as she professes to, then why put his life in jeopardy just to make her own suffering more bearable? The answer, of course, goes back to the selfishness that has pervaded her entire speech. These lines stand out because of the spondees at the end of both of them.
The serpent even states to Eve that “For God knows that when you eat from it your eyes will be opened, and you will be like God, knowing good and evil” (NIV, Gen 3:5). The next few lines are completely different from what is shown by Milton. It says that when Eve saw that the fruit was good and she began to desire wisdom she took some and ate it. Then she game some to Adam who was with her. This is a very large contrast from Milton’s work because this shows that Adam was present the whole time of the serpent and Eve’s discussion. In the poem “Verses for Madonna of humility with the temptation of Eve” Lynn Powell takes a very graphic and almost nostalgic look at the story of Adam and Eve. Her poem states “Eve 's lying at eye level, propped up on an elbow./And never has abyss been so good to pink,/ the void a perfect foil for her foreground flesh./She fits into the black like a woman/ ready to be skewered in a vaudeville act./ You can tell the painter loves her, the way/ You can tell the painter loves her/ he 's touched her every place he can with paint./ And he 's noticed what she 's thinking:/ holding the pear, as Hamlet did the skull,/ while gazing up at someone who 's got everything to lose./ Eve 's about to make the choice Mary has to live with./
In Book IV, Eve recalls awakening to consciousness but she is uncertain of her identity and of her place in the Garden of Eden. Eve's first thoughts are of “where and what [she] was, whence thither brought, and how” (Paradise Lost, IV.451-52), and it is this curiosity about her identity that leads Eve to disobey God eventually. From the moment of her conception, Eve is already distant from God because she awakens in the shade and not in God’s light. Throughout Paradise Lost, Eve is identified with reflections, shadows, and dreams. Representing the “otherness” of Eden, Eve is an outcast and she seeks to find meaning in her life. At the moment of her awakening, Eve is engrossed by her reflection in the water, which she thinks is another being. This watery, wavering image of Eve extends throughout Milton’s poem, and this further puts Eve in a weak position, for Eve is merely a ref...
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.