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Women's place and power essay
Women's place and power essay
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The passage I have chosen to write about is “A Woman’s Place?” an article published by the New York Magazine that focuses on interviews from seven esteemed female chefs about their views on how they are treated in the culinary industry. These are not the main stream female chefs you see on television like Rachel Ray, but chefs that are actually in the kitchen day in and day out. In the interviews they are asked questions about working in the kitchen and how it is different being a female their among a male dominated industry. The reporter also asks them to recount several memories in order to generate emotions from both the readers as well as the others being interviewed. As the interviewer questions these highly accredited guests, multiple strategies are employed like the use of pathos, logos, and some ethos to create a strong argument that woman are …show more content…
When Alex Guarnaschelli was in a restaurant in Paris, one male co-worker even said to her,” You suck, you’re a girl, I hate you.” (pg 431, para 2). This could have been a perfectly reasonable opinion, had it not been for the sole fact that she was a woman. All she wanted to do was cook bass, which she inevitably burned, but the co-worker wanted nothing to do with her in the kitchen. This view is furthered when Rebecca Charles tells of how even though she is the chef of the kitchen, delivery men will ignore her and ask her male sous chef for a signature when making a delivery. Some people go as far as to completely ignore the fact that women are great cooks, even ignoring them in their own kitchens. If a female chef happens to be over-enthusiastic she is seen as an immature school girl. The reporter makes sure to structure the questions in order to get the women to tell of the worst situations they had been forced to endure due to their
Andi Anderson (Kate Hudson) is a beautiful, young, and successful writer who maintains a “How-To” section in “Composure” magazine. Her dream is to “write about things that matter, like politics and the environment, and foreign affairs- things I’m interested in.” (How To Lose A Guy In 10 Days, time stamp 02:00). She knows that the only way she will eventually be able to write about subjects she’s passionate about is to be successful in writing her superficial “How-To” section in the magazine.
Women respond very well to tone and word choice, which Tannen uses to her advantage. She uses personal experience to relate with her more female audience. For example, in the criticism section she uses a scenario that occurred between a male and female editors. Tannen “appreciated her tentativeness” that she gave Tannen when wanting to cut out part of her story(301). In contrast to that her male editor gave her a much different response, saying “call me when you have something new to say”(301). By stating a scenario with two very different outcomes, she falls more bias to women. This is effective to her more female audience because it paints women in a positive light and paints the men in a very negative light. The obvious bias towards women can arguably hurt her more than it could help her. Tannen automatically outs her male audience at a very awkward side, and makes it impossible for them to feel sympathy towards her. This hurts Tannen’s opportunity for having a broad audience, but for what she wrote it for she is very effective. If we are simply talking about how effective it was for women then Tannen hit home with them. Tannen’s choice of using what men say is also very smart, and helps with her effectiveness. She heard a man say, that after working for two women he realized neither of them have a sense of humor(304). By using examples like these
In Christine Stansell’s City of Women, the main issue discussed is “the misfortunes laboring women suffered and the problems they caused” (xi). Throughout the book, Stansell delves into the different aspects that affected these female New Yorkers’ lives, such as inadequate wages, societal stigmas about women laborers, and the hierarchal class system, within antebellum America. She argues that since the nation’s founding, in 1789, the bedrock of these tribulations working women would be mercilessly exposed to was gender inequality. Women’s opportunities and livelihoods were strongly dependent on the dominant male figure in their life, due to the fact that in that period there was very few available and accepted forms of employment for women. Stansell claims, “Paid work was sparse and unstable. Laboring women were confined within a patriarchal economy predicated on direct dependence on men” (18). As the work continues, she illustrates these women’s desires to break away from their reliance on men, as well as the avenues they took to achieve this desired independence. To help solidify her
In the article, “I won, I’m Sorry”, Mariah Burton Nelson uses an anecdote in order to begin her article. Sylvia Plath’s attitude is one that is concentrated on conforming to men in order to make them feel comfortable and as the stronger sex. Burton Nelson then shifts to talk about women in sports and how these female athletes behave in order to fit into the gender roles people have become accustomed to. The anecdote is used in order to describe the way women will underscore themselves in order to fit into society’s definition of how a woman should behave.In order to frame her article, Mariah Burton Nelson uses the anecdote about the poet, Sylvia Plath, in order to demonstrate how women conform as a means to fit into gender expectations. This
For over centuries, society had established the societal standard of the women. This societal standard pictured the ideal American woman running the household and taking care of the children while her husband provided for the family. However, between 1770 and 1860, this societal standard began to tear at the seams. Throughout this time period, women began to search for a new ideal of American womanhood by questioning and breaking the barriers society had placed upon them.
Kristeva, Julia. "A Question of Subjectivity--an Interview." Modern Literary Theory: A Reader. Ed. Philip Rice and Patricia Waugh. New York: Routledge, Chapman, and Hall, 1989.
As a female university student, I feel deeply related to Marjorie since her personality is quietly similar to mine. Analogously, I could feel Bernice’s “vague pain” (Fitzgerald, 3) and realize her sensitivity as the things have happened to me when I was younger. In order to comprehend author’s main idea, I did numerous researches about the jazz age. Thus it can be seen, reader’s background is also crucial when responding to this literary texts. The writer’s main target audiences are women, who have different desires and needs than men. The meaning of the text often competes when we have a better understanding of our self-identities. We interpret the text based on our own psyches, experiences, and judgments. Literature, are like music, without interaction with its audiences, no profound meaning would be
However, well beneath the surface of the plotline, the viewer can also find himself or herself looking at a struggle for survival that is greatly affected by the roles of genders. Collins asks many questions regarding this; such as “If young girls do not see themselves reflected in media, will this diminish their sense of importance and self-esteem? Will boys conclude that women and girls are unimportant, as well? Will girls lack role models? Will adult women feel disenfranchised? Does the under-representation of women constrict societal perspectives and information in important ways?” (Collins). If Becky had not followed the standard gender role that the frame of time presented itself, she may have seen herself surviving the endeavor, despite almost no chance of her doing so. It is one of those things that today’s society may be glad to have moved past, because there is no reason for anyone to lose their life because they rely so heavily on the opposite
Characterization plays an important role when conveying how one’s personality can disintegrate by living in a restrictive society. Although Kat is slowly loosing her mind, in the story, she is portrayed as a confident woman who tries to strive for excellence. This can be seen when she wants to name the magazine “All the Rage”. She claims that “it’s a forties sounds” and that “forties is back” (311). However the board of directors, who were all men, did not approve. They actually “though it was too feminist, of all things” (311). This passage not only shows how gender opportunities is apparent in the society Kat lives in, but also shows the readers why Kat starts to loose her mind.
Throughout the texts we have read in English thus far have been feminist issues. Such issues range from how the author published the book to direct, open statements concerning feminist matters. The different ways to present feminist issues is even directly spoken of in one of the essays we read and discussed. The less obvious of these feminist critiques is found buried within the texts, however, and must be read carefully to understand their full meaning- or to even see them.
...women’s roles in society and in the household are. It is quite interesting on how many biased readers and writers we have in this world. There are so many people so quick to label women and men based on very simplistic roles in society. Men believe women have something to prove or justify, but only in the household. Overall, I really enjoyed interpreting this short story and literary reviews by Ann Oakley and Karen Ford.
female subjects are not to be underestimated. . . the narrative communicates a “type” that tells
The young girl in the story is struggling with finding her own gender identity. She would much rather work alongside her father, who was “tirelessly inventive” (Munro 328), than stay and work with her mother in the kitchen, depicted through, “As soon as I was done I ran out of the house, trying to get out of earshot before my mother thought of what to do next” (329). The girl is torn between what her duties are suppose to be as a woman, and what she would rather be doing, which is work with her father. She sees her father’s work as important and worthwhile, while she sees her mother’s work as tedious and not meaningful. Although she knows her duties as a woman and what her mother expects of her, she would like to break the mould and become more like her father. It is evident that she likes to please her father in the work she does for him when her father says to the feed salesman, “Like to have you meet my new hired man.” I turned away and raked furiously, red in the face with pleasure (328-329). Even though the young girl is fixed on what she wants, she has influences from both genders i...
This piece shows the relationship a woman would have through televised cooking shows. Rosler describes it as “ An anti- Julia Child replaces the domesticated 'meaning ' of tools with a lexicon of rage and frustration.”Rolser take the role of host and goes through an index of kitchen utensils in alphabetical order, showing their use with pantomime like actions. Rosler, along with many other feminist artists in the 1970 's wished to stop and change preconceived notions about women roles within the household, and how they we 're conceived in the Media. She showed this by going through signs of food production before turning it into rage, anger and
The film is about a cheerful parking attendant named who gives his customers REAL validation -dispensing both free parking and free compliments about people’s appearances and the inner qualities behind them. Soon, the parking attendant becomes so popular that people line up for validation. He meets his biggest challenge in a girl who won’t smile. No matter how much he showers her with affection, she won’t