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Essays comparing and analysing poetry
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Poetry comparative
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“The White Man’s Burden” is a poem written by the British writer and poet Rudyard Kipling. In 1899, the poem was published in the magazine called McClure’s. Rudyard Kipling composed the poem initially for Queen Victoria’s Diamond Jubilee but decided to change the poem to match the American colonisation of the Philippines. The poem deals with issues such as racial oppression and the white man’s racial primacy. Kipling’s poem is a lyrical depiction of the white man’s burden during the nineteenth and twentieth centuries. The poem is composed of seven stanzas each consisting of eight verses. The rhyme scheme is, “A – B – C – B – D – E – F – E”. In other words, the poem rhymes with every second and sixth verse. Thus, it has a traditional rhyme scheme. In each line, there are three iambs and the rhythm is, “u–u– u–“. Each verse consists of six syllables, which means that the same rhythm occurs throughout the whole poem. The rhythm is regular and it creates the sense of soldiers marching off to war. “The White Man’s Burden” is constructed of different poetic devices that give the poem a certain effect on the reader. For instance, Kipling makes use of stylistic devices such as the imperative form, alliteration, and imagery. Of these, the most significant is the usage of the imperative form. The imperative form marks the entire poem. For example, “Take up the White Man’s Burden” (p. 262, l. 1), “Go make them with your living” (p. 262, l. 34), and “And reap his old reward;” (p. 263, l. 2). The use of the imperative form provides the effect as if the speaker gives orders to the white man. Another poetic device is the usage of alliteration that makes the poem flow more smoothly. For instance, “The silent, sullen peoples” (p. 263, l. 16) ... ... middle of paper ... ... by focusing on the brown man’s burden. The sympathy lies with the brown man rather than the white man. Accordingly, the poem becomes a contrast/respond to Rudyard Kipling’s poem and an intertextual reference as well. In conclusion, Rudyard Kipling employs different poetic devices in “The White Man’s Burden” in terms of imagery, the imperative form, and other stylistic devices. The poetic devices connect to the content of the poem as the rhythm creates the effect of soldiers marching off. Through this poem, Kipling manages to express the white man’s burden to educate and to civilise other races. The poem can be interpreted as literal, sarcastic, and suitable for the occasion. Henry Labouchère’s poem “The Brown Man’s Burden” is an intertextual reference and a contrast to Kipling’s poem. Labouchère’s poem stresses the brown man’s burden as subject to the white man.
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
The theme throughout the two poems "A Black Man Talks of Reaping" and "From the Dark Tower" is the idea that African American live in an unjust
Yet, he remains very optimistic in not letting his misfortune please what is considered the “white-man” in the poem. Langston Hughes’s state of affairs. They send me to eat in the kitchen. When company comes.
Wheatley’s poem, “On Being Brought from Africa to America” is part of a set of works that Henry Louis Gates Jr. recognized as a historically significant literary contribution for black Americans and black women (Baym et al. 752). Addressed to the Christians who participated in the slave trade, the poem is meant to reveal the inconsistencies between their actions and the Christian Ideal. Whether perceived as a work of sincerity or a work of irony, the poem conveys the message that an individual’s behaviors are influenced by the examples of others and that all people are equal. Understanding Phillis Wheatley’s intent in her poem, “On Being Brought from Africa to America,” is gained by considering all of the aspects of her existence when analyzing her work and even though perception is based on individual perspective, analysis and explication will reveal the contrariety Phillis Wheatley observed between society and the Christian Ideal and evidence her desire for the dissolution of every inequality.
In conclusion, this poem shows the progression of desegregation throughout the south. When the poem is placed in context to the time in which it was written, it is easy to identify the injustices of African Americans. The most notable observation is when the beach is marked “colored” (Trethewey). Analyzing this poem via historical criticism allows the reader to fully understand the injustice and also experience the growth of society towards desegregation.
The poem also focuses on what life was like in the sixties. It tells of black freedom marches in the South how they effected one family. It told of how our peace officers reacted to marches with clubs, hoses, guns, and jail. They were fierce and wild and a black child would be no match for them. The mother refused to let her child march in the wild streets of Birmingham and sent her to the safest place that no harm would become of her daughter.
The clash between racial reality and idea is what is artistically shown in “on being brought from Africa to America”. Wheatley is a subtle rebel. At the beginning of her poem she shows thanks for being enslaved because it brought happiness to her life in finding Christianity, but as time goes by we start to see the true tone of Wheatley, which clearly show in the last two lines of the poem, now Wheatley begins to take a big position of power as if she already has the attention of the reader. Wheatley continues by saying that Africans may not be perfect but the Christians who enslave human beings aren’t
For many years, African Americans were forced to live without a voice and many accepted the fact that they were seen as inferior to the white race. Although they were excluded from being a part of society, built up emotions constructed beautiful pieces of poetry that have become important aspects of today’s literature. Langston Hughes’, “ I Too, Sing America” and Claude Mckay’s, “The White House” will be looked at closely to determine how each poem portrays emotional discontent and conflicted emotional states.
On the surface the poem seems to be a meditation on past events and actions, a contemplative reflection about what has gone on before. Research into the poem informs us that the poem is written with a sense of irony
Furthermore, the opening “I stand” sets e assertive tone in the [poem. The speaker never falters in presenting the complexity of her situation, as a woman, a black [person], and a slave. The tone set at the beginning also aid the audience to recognize that the speaker in the “white man’s violent system” is divided by women, and black by whites. The slave employs metaphors, which Barrett use to dramatized imprisonment behind a dark skin in a world where God’s work of creating black people has been cast away. To further illustrate this she described the bird as “ little dark bird”, she also describes the frogs and streams as “ dark frogs” and “ dark stream ripple” Through the use of her diction she convey to readers that in the natural world unlike the human one, there is no dark with bad and light with good, and no discrimination between black and white people.
In the first two lines of the poem the speaker established his or her tone, and justifies why poet 's write in such gloomy manner. The first two lines of the poem asks, "Isn 't the moon dark too, most of the time?" (line 1-2). This question prepares the readers to expect an argument to come from
Gwendolyn Brook’s “Ballad of Pearl May Lee” came from her book called Street in Bronzeville. This book exemplifies Brook’s “dual place in American literature” (Smith, 2). It is associated with Modernist poetry, as well as the Harlem Renaissance. This book is known for its theme of victimizing the poor, black woman. “Ballad of Pearl May Lee” is a poem that uses tone to represent the complex mood of the ballad. While tone and mood are often used interchangeably, there are differences even though they often work together in a poem. A poem’s mood refers to the atmosphere or state of mind that the poem takes on. This is often conveyed through the tone, which is the style or manner of expression through writing. In this poem, Brooks uses tone to enhance the mood. This paper will shed light on the idea that the mood of the poem is affected by the tone in several ways in order to make the mood inconsistent. Some of the ways that tone does this is by several episodic shifts in the scene of the poem, the repetition of stanzas at the end of the poem, the use of diction, and the change in the speaker’s stance throughout the poem. These poetic techniques enhance the speaker’s current feeling of self-pity and revengeful satisfaction by her mixed emotions associated with this reflection.
Rudyard meant this poem to be a shocking and informative form of encouragement for the whites to take up the burden of saving the non-white civilizations that they have now signed up for responsibility over. In “The White Man’s Burden”, Rudyard claims that the whites are bound to help the non-whites out of religious duty and for the whites’ own good (Rudyard). In the last stanza, Rudyard also explains that the non-whites have been through a lot do to the whites’ imperialism (Rudyard). Although he explains the non-whites’ grievances, Rudyard does not really seem to be that sympathetic for the non-whites but instead, he seems to think very little of them and pretty much says they are incapable of taking care of themselves.
It's a pretty bleak picture he paints, cloaked in finery and delight but at the core full of stoic acceptance of misery, hardship and death. While there is a good deal of this that Kipling probably believed, even a casual examination of his own life suggests that this book is more of a bare-bones explication of the fundamental issues than a fully fleshed out portrait of how an artist ought to live.
Lyric poetry is based off song and establishes human condition, in this poem the condition of African Americans.