Analyse Bronte’s Account of Female Experience in Jane Eyre

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Charlotte Bronte’s, ‘Jane Eyre’, is often described as a novel of female protest. Female experience in the novel is shown in a variety of different ways. The spaces in which Jane occupies, both narratively and literally, as well as the polarisation of women are key in showcasing the female role in Bronte’s contemporary society. The parallels presented between Jane and Bertha Mason are also important in showing the expectations and failures of women through society and the concealment behind the publication of ‘Jane Eyre’ also presents the limitations faced by women in attempting to experience and express themselves. Space plays a key role in female experience and women’s role in nineteenth century society. Right from the beginning of the novel, Jane is very much in a female occupied environment with her cousin John being the only male in the house. However even though Gateshead is female dominated, it is not a female space as John is very much considered to be in charge, no matter how immoral his actions towards others, especially Jane, may be as she observes that the “servants did not like to offend their young master by taking my part against him and Mrs Reed was blind and deaf on the subject: she never saw him strike or abuse me; though he did both now and then in her very presence” (Smith 2008, 10). This portrays the patriarchal society in which Jane lives and the oppression subjected upon her by a male character whom is therefore excluded from punishment. This prevents Jane from expressing herself and being comfortable in her surrounding environment to experience new things, instead being confined by both society and her immediate domestic environment. Unfortunately for Jane, this environment does not change ... ... middle of paper ... ...any events and places and ends up in a gender balanced marriage where both the man and the woman are dependent upon each other equally. Works Cited Bronte, Charlotte, Jane Eyre, (Oxford Worlds Classics, 2008) Diamond, Arlyn and Edwards, Lee R, The Authority of Experience: Essays in Feminist Criticism, (University of Massachusetts Press, 1988), Pg. 140 Gilbert, Sandra M and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, (Yale University Press, 11 Jul 2000), Pg. 198 and 348 Lydon, Susan, ‘Bronte Studies’, Abandoning and Re-inhabiting Domestic Space in Jane Eyre, Villette and Wide Sargasso Sea, Volume 35 Issue 1 (01 March 2010), pp. 23-29 Rhys, Jean, Wide Sargasso Sea, (Norton, 1966) Showalter, Elaine, A Literature Of Their Own: British Women Novelists from Bronte to Lessing, (Virago 7 May 2009) Pg. 98

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