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Recommended: History of the guitar
Ana Vidovic
Coming from a very talented family, Ana has been known through her music since the age of 5 with her father and brother being guitarist themselves. She later explained that her brother influenced her on playing the guitar. She was born in a small town in Croatia, November 8th 1980. She was so popular, at the age of the thirteen she became the youngest attendee of a very high-status musical institute. By her early twenties, Vidovic had already received numerous prizes. Her well-kept status resulted in Peabody Conservatory of Music in Baltimore offering the opportunity to study in the U.S.A. I listened to the famous Asturias composed by Isaac Albeniz. The Spanish composer is known for his work on the piano. Isaac Albeniz was born on May 29th 1860 and lived only 48 years on this earth dying a week before turning 49 on May 18th 1909. He was diagnose with Bright’s disease which is an old term form kidney disease. Albeniz was a child prodigy who started playing the piano since the age of 4. Isaac married Rosina Jordana and later had three children. He composed and wrote pepita Jiménez, merlin, Iberia, suite Española being his more famous compositions. The Asturias was a piece created in 1892 for piano as a prelude to a three movement set named chants d’Espagne. It was created during the modernism period which was a time change in every aspect of music. a dated of diverse responses in exciting and reinterpreting older types of music, novelties that lead to new ways of forming harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time.
Berta Rojas
Berta rojas is guitarist who was born ...
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...at the age of sixteen. Nicolas also played the flute and the violin which later his wife, played the piano, and him will give Frederick lessons. In 1935 Frederick took a trip to Paris and never will he returned to Poland. In Paris, he received to the chance to showcase his talent and earning money while doing it. He gave piano lessons to wealthy student all over Europe. His first concert was held at la sale pleyel and became an elite composer in the eyes of many. He composed his most famous and best work during the 1830s before having health issues. On October 17th 1849 Frederick Chopin died with tuberculosis. La grande valse brillante was composed in 1934 during the romantic era in music. It has melodic aspect to it. It was originally composed for piano. Chopin also gave the title Grand valse brillante to the next three waltzes in the Op. 34 set, published in 1838.
Canciones de arargue, or songs of bitterness – was the original name for the creolized form Bachata. Many closely associate Bachata with the other Caribbean styles of the African diaspora such as merengue and son. In Intro to Music Cultures of the World we were tasked with attending a world music concert. I chose to attend a Bachata concert because I already had an interest in Caribbean music. The concert was not as I had expected, but was rather intriguing and thoroughly enjoyable. In this report I hope to analyze Bachata’s roots, report on its concert style, and compare it to another piece in the genre.
Music comes in many shapes and forms, and has been a magical element of inspiration and encouragement throughout time. The art of music derives from many different things, such as culture and traditions. One such type of music is mariachi music, deriving from Mexican culture and traditions. Mariachi music is often an upbeat rhythm, consisting of a band of up to six to eight violins, two trumpets and a guitar. Unlike modern music and other music bands alike, mariachi bands lack in numbers when it comes to band size. Though they are small, their music brings great significance and life to the places they perform and the people that they touch with their joyous music. In this paper, I will be comparing the culture and style of mariachi music to twentieth century modern music.
Chopin was a piano instructor and composer of the Romantic Period. His body of work consists primarily of piano music. Born and classically trained in Poland, he left his homeland due to declining political conditions and moved to Paris, where he moved through the ranks and gained the respect of many other composers of the day. He had a famous relationship with the novelist George Sand, although the exact nature of the relationship is a bit unclear. He suffered from Tuberculosis and died at the young age of 39, not unlike so many other composers of this period.
For almost half a century, the musical world was defined by order and esteemed the form of music more highly than the emotion that lay behind it. However, at the turn of the 19th century, romantic music began to rise in popularity. Lasting nearly a century, romantic music rejected the ideas of the classical era and instead encouraged composers to embrace the idea of emotionally driven music. Music was centered around extreme emotions and fantastical stories that rejected the idea of reason. This was the world that Clara Wieck (who would later marry the famous composer, Robert Schumann) was born into. Most well known for being a famous concert pianist, and secondly for being a romantic composer, Clara intimately knew the workings of romantic music which would not only influence Clara but would later become influenced by her progressive compositions and performances, as asserted by Bertita Harding, author of Concerto: The Glowing Story of Clara Schumann (Harding, 14). Clara’s musical career is an excellent example of how romantic music changed from virtuosic pieces composed to inspire awe at a performer’s talent, to more serious and nuanced pieces of music that valued the emotion of the listener above all else.
The son of Jewish immigrants and the youngest of five children, Aaron, grew up above his parent’s successful Brooklyn, New York department store. He credited his business abilities to his experience helping to run his parents store. His sister, Laurine, introduced young Aaron to ragtime, opera and was his first piano teacher. At the age of seven, he was making up tunes at the piano and was notating short pieces at twelve years old. Aaron’s first formal piano lessons were under the instruction of Leopold Wolfsohn (1913-17) and later he studied under Victor Wittgenstein (1917-19) and Clarence Adler (1919-21) (Pollack, 1:Life). However, lessons in composition and music theory were under the tutelage of Rubin Goldmark, “an old-fashioned teacher...against whom Copland rebelled” (naxos.com). During this time, Aaron was enamored with Scriabin, Debussy and Ives (which Goldmark called “dangerous”) and he scoured New York’s public libraries for the latest American and European scores. Finally, Aaron’s dream of studying in Paris came to fruition (1921-4) taking piano instruction from Ricardo Vines and studying composi...
John Warrack, author of 6 Great Composers, stated, “Any study of a composer, however brief, must have as its only purpose encouragement of the reader to greater enjoyment of the music” (Warrack, p.2). The composers and musicians of the Renaissance period need to be discussed and studied so that listeners, performers, and readers can appreciate and understand the beginnings of music theory and form. The reader can also understand the driving force of the composer, whether sacred or secular, popularity or religious growth. To begin understanding music composition one must begin at the birth, or rebirth of music and the composers who created the great change.
...iews kept her works in a shroud. It was not until recently that she began getting the recognition she deserves as one of the most influential composers of the Nineteenth Century, as musicians began performing her works in concerts. It was while rehearsing for one of these events that she died of a stroke in 1847 while rehearsing one of her brother, Felix’s oratorios. Filled with grief, Felix passed away of the same aliment just a short six months later. Even with all of the adversity she faced in her life it is believed she died a happy woman. For on her Piano at home was the newly finished work ‘Bergeslust’ in which she depicts a happy tone and bright outlook for her future.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
The world music phenomenon has been shaped and has evolved overtime. Its distribution has affected much of today’s music. Nueva Canción is one genre that has a deep historical story, of which gives us understanding of how the people and events of history influenced the way music is today by globalisation, migration and commodification and their political and social struggles of which they endured and found hope through their music. Many people worked together to get through this upheaval, and even when some were persecuted for what they stood for, they persevered. The music that came from this revolution is a testimony for their memorable work, making this genre of world music significant and worthy of recognition and respect.
Sonya Kovalevsky was born on January 15, 1850 in Moscow, Russia. She grew up in a very intellectual family. Her father was a military officer and a landholder; her mother was the granddaughter of a famous Russian astronomer and an accomplished musician. She grew up living a lavish life, and was first educated by her uncle, who read her fairy tales, taught her chess, and talked about mathematics. She even bumped into the subject of trigonometry while studying elementary physics. She achieved all of this by the age of thirteen.
Fernando Sor was born on February 13, 1778 in Barcelona, Spain and was baptized on February 14, 1778 `José Fernando Macarurio Sors. He was also a native Catalonia. He was a Spanish Musician composer. He wrote various kinds of music like opera, ballet, he also performed on other kind of instruments in his career. He also wrote a number of boleros and seguidillas in voices and guitar. Also, he made up his own system of music notation. In this time we are in his type of Spanish music he used to play does not fall anymore on the Spanish music instead it falls under the category of classical music.His family had already planned that he was going to be in the military career but they eventually knew that that’s not what their son wanted. Sor’s father was the one who introduced him to the guitar and Italian opera. At the age of 8 years old he was already a guitarist and musician. In 1796 or 1797 he found in the library of a Barcelona theater administrator an unused libretto for an opera on an ancient Greek theme and decided to set it to music when he was 17 or 18, Sor assumed a post as a lieutenant in the Spanish army. However he also had time to compose music during that time.At age 18 Sor’s father died and her mother could no longer
“Goyescas”, composed by Spanish composer Enrique Granados in 1911, is a set of piano suite containing seven pieces: “Los requiebros”, “Coloquio en la reja”, “El fandango de candil”, “Quejas, o la maja y el ruisenor”, “El Amor Y la Muerte”, “Epilogo: Serenata del espectro”, and the “El pelele”. Among them, El pelele was not included when the suite was first published. It is broadly acknowledged that the inspiration of this suite comes from Francisco Goya’s paintings. Unlike some other composers who composed same title pieces for paintings like Mussorgsky’ “Picture at an Exhibition”, every single piano piece of this suite is not a map onto the specific painting . The first piece of this suite titled Los Requiebros, is one of my favorite piano pieces, and is the one of the hardest pieces I have played. Its beautiful, lyrical, and multilayered melodic line and flowing rhythmic desig...
The Latin American music scene is an amazingly diverse, engaging and entertaining music culture. Thomas (2011) explains, “…Latin American music has engaged in ongoing dialogue and cultural exchange that has profoundly affected music making in Europe and the United States and, more recently, in Africa and Asia as well”. This paper will be describing different aspects of the music culture from its musical features, to the historical aspect of this interesting music culture. Also, I will discuss a personal experience with Latin American music. After researching the music culture, I attended a concert performed by Boogat, an Emmy award nominated Latin American musician from Quebec who has toured all over North America.
Frederic Chopin is a Polish Composer and a Virtuoso Pianist and he was born on March 1,1810. Chopin had died on October 17,1884 in Paris France. His parents are Justyna Krzyzanowska and Nicolas Chopin and he was there second and only son.When Chopin was young he studied piano with Wojciech Zywny and he all studied harmony and counterpoint with Jozef Elsner. When Chopin was seven years old he had Chopin had begun giving concerts for everyone to hear him and also he created two polonaises in G minor and B-flat major. In 1817 the Saxon Palace was used for the Russian government for military use..The next work that he had did was polonaise in A-flat major of 1821, it was dedicated to his teacher Wojciech Żywny. From September 1823 to 1826 Chopin attended the Warsaw Lyceum where he had received organ lessons from the Czech musician Wilhelm Wurfel during his first year there.In the autumn of 1826 he had began a three-year course under the Silesian composer Jozef Elsner at the Warsaw Conservatory, studying the music theory.
Not only is Sasha Uskov a criminal from his actions, his thoughts and behavior confirm that this is his true personality. To begin with, Sasha doesn’t accept the blame for himself. The story states, “He was not blame; it was the fault of the circumstances,” By saying this, he is trying to move the blame off of himself in an attempt to justify his actions. Sasha also thinks the whole issue isn’t a big deal because everyone does it and it’s normal to forge a person's name. This is not the case and Sasha is only attempting to convince himself that his criminal acts are perfectly ordinary. Secondly, Sasha’s nonchalant thoughts only prove his criminal nature. A moral person would care, if they feel they are truly innocent of charges, about whether