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Essay on les miserables
Essay about the novel les miserables
Les Miserables by Victor Hugo reflection
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“Look down and see the beggars at your feet. Look down and show some mercy if you can. Look down and see the sweepings of the street. Look down, look down upon your fellow man” (Schönberg 38). In these short, desperate lines, viewers of the musical Les Misérables are shown the world of the beggars of Paris in 1832. The musical adaptation of Victor Hugo’s novel Les Misérables has made an lasting impact on its followers since it’s opening nearly 30 years ago (Les Misérables: Creation of the Musical). By introducing music to an already remarkable story, Alain Boublil and Claude-Michel Schönberg reveal the social injustice of nineteenth century France to the modern world. In doing this, viewers are welcomed into the world created within the pages of Les Misérables. Bringing this story into the twenty-first century allows for comparison between today’s social injustices and those of 200 years ago. The characters created by Hugo provide a bridge between modern day and a time filled with pain and inequity, particularly for the poor. This is especially evident in the section of the novel centered on the young revolutionaries. Contrary to popular belief, Les Misérables does not chronicle the French Revolution of 1789, but rather the events leading up to the June Rebellion of 1832 (Gossard). Nineteenth century France was a period marked by “political and social unrest” (Les Misérables Historical Context). Laced throughout the novel is Hugo’s commentary on the actions and events of this period, although he is not blatant about his ideas. Through the use of archetypal symbols and characters as well as an emphasis on class conflict, Hugo develops themes of injustice and redemption in his novel Les Misérables. The archetypal symbolism of lig... ... middle of paper ... ...741). Works Cited Cerisola, Anne-Sophie. “Les Misérables.” Novels for Students. Sheryl Ciccarelli, Marie Rose Naiperkowski. Detroit: Gale Research, 1999. 245-248. Print. Gossard, Julia. “Les Misérables: A Historian’s Review.” The Alcade RSS. N.p, 16 Jan. 2013. Web. 07 Apr. 2014. Hugo, Victor. Les Misérables. New York, NY: Penguin Books, 2012. Print. Hostetler, Clif. “Clif Hostetler’s Reviews of Les Misérables.” Good Reads. N.p., 01 Aug. 2008. 04 Apr. 2014. “Les Misérables Historical Context.” Novels for Students. Sheryl Ciccarelli, Marie Rose Naipierkowski. Detroit: Gale Research, 1999. 242-244. Print. “Les Misérables: The Creation of the Musical- Walnut Street Theatre.” Les Misérables: Creation of the Musical. N.p., n.d, Web. 07 Apr. 2014. Schönberg, Claude-Michel. “The Beggars.” Les Misérables. MTI: Musical Theatre International. New York, NY: 2011. 38. Print.
Moliere, Jean-Baptiste Poquelin. "Tartuffe." The Norton Anthology Western Literature. 8th ed. Eds. Sarah Lawall et al. Vol 2. New York, NY: W.W. Norton & Company, Inc., 2006. 19-67. Print.
The author, Melina Marchetta applies a variety of familiar and stereotypical events in the book. From cases such as the different characters, their characteristics and their reaction upon certain events that occur in the book. One great example of a stereotypical event in this book is the relationship between Josephine Alibrandi and Jacob Coote who is the school captain of a public school called Cook High. “He cracked two eggs on my glasses once” (32).
It is my intention to compare the book, Dangerous Liaisons by Choderlos de Laclos, to its modern movie version, Cruel Intentions starring Sarah Michelle Gellar. I intend to examine how the original French text was modified in reference to plot, character, morals/values, and themes. I also plan to discuss how these transformations change the meaning of the story and reflect different cultural/historical contexts. There are some major differences between these two works, if only because of when they were written.
This was the time period when Hollywood jumped on classic books and fantastic new ones entering the literary scene in order to ensure public attendance. Remarque’s novel was so great that it, in all truth, did not need to be lucky.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
2. Keefe, Terry: Simone de Beauvoir - A Study of Her Writing, Harrap Limited, 1983.
Disney’s The Hunchback of Notre Damn is an animated film based upon Victor Hugo’s novel of the same name. The main characters Quasimodo, the hunchback who lives in the bell tower of Notre Damn, Esmeralda, the gypsie girl, Claude Frollo, the cruel Archdeacon of Notre Damn, and Captain Phoebus, the antagonist who defies Frollos’ orders, are all representative of the social classes and turmoil that occurred throughout the early 19th century in France. The original novel was written during the July 1830 Revolution, with strong influences from Hugo’s personal beliefs in social and political equality for all people as well as his opposition to the monarchy that begun after Napoleon Bonaparte’s defeat at Waterloo. This film is accurate in the sense that it shows the class struggle of the time in a way that both honors the novel and its historical context but is also appropriate for its younger
Maupassant, Guy De. “An Adventure in Paris”. The Norton Anthology of Short Fiction. Cassill, RV. New York: Norton & Company, Inc. 2000. 511-516 Print.
Vichy France is a period of French history that has only fairly recently begun to be examined for what it truly is: a period in which many of the French turned against their own state and collaborated with the German forces to betray their own country. Until the eighties, the Vichy Regime was regarded as “an aberration in the evolution of the French Republic” (Munholland, 1994) , repressed by the French in an attempt to regain their national pride. ‘Lacombe Lucien’ (1974), directed by Louis Malle is a film which aims to capture the ambiguity of the era through the documentation of fictional collaborateur, Lucien.
2nd ed. of the book. New York: St. James Press, 1995. Literature Resource Center -. Web.
de France, Marie. The Lais of Marie de France. Second edition. New York: Penguin Classics, 1999.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
The Critical Tradition (1998): n. pag. Web. 7 May 2014. <http://www.clas.ufl.edu/users/burt/FrenchConnections/Lit.pdf>. 12.
The relationship shared by Pierre and Helene is best described as a lustful charade. It is no coincidence that Pierre, one of the most introspective characters in the novel, first marries a shallow, inwardly-ugly adulterer. His first recorded attitude towards Helene is one of admira...
Miller, D. A. Place for Us: Essay on the Broadway Musical. Cambridge, MA: Harvard UP, 1998. Print.