Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The analysis of les miserables
Insight of les miserables
Insight of les miserables
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The analysis of les miserables
Les Misérables is an epic tale of hope, empathy, sympathy, redemption and hate set in post-revolutionary France. Written by acclaimed author Victor Hugo, Les Misérables follows the transformation of its two main characters from criminal to honest man and from dedicated reactionary to compassionate fellow man. Written sometime between 1845 and 1862, Hugo provides a detailed look into nineteenth century France’s society and politics. BY combining his story of redemption with the wrongdoings of the French government, Hugo sharply criticized French political policies and hoped his work may encourage change for the future.
Hugo describes the setting of Les Misérables with great detail. Part of the motives of Hugo were to set a tone of miserable elements for the lead character Valjean, and for anyone who lived under the poverty line in France in the early nineteenth century. Poverty was rampant during these times and with the radical “science” of reactionaries, many people were condemned for life due to a mistake they may have made early in their life. The surroundings and details described are very accurate and play a very large role in the storyline. This description of the elements faced by the poor and underprivileged was an obvious stab at the government and greatly emphasizes the story’s plot of redemption.
The characters in Les Misérables, while not historically factual characters, are very easily believed and would fit perfectly into the time period. Jean Valjean, the protagonist, is an ex-convict who leaves behind a life of theft and deceit for a life as an honest man. He takes on a new persona and makes his fortune honestly and ultimately makes his goal in life redemption. Javert is the story’s antagonist and is a reactionary who believes in the law and will stop at nothing to enforce the harsh laws of France. With no pity, he believes that humans are either inherently good or bad. He sees Valjean’s fortunes as an injustice and chases him relentlessly. Cosette is the adoptive daughter of Valjean, who came to father her through a promise to her mother Fantine, whom Valjean knew only a short time, but fell in love with her quickly. Fantine had fallen in love with a wealthy student who abandoned her and had Cosette out of wedlock. She left Cosette in the car of the Thenadiers and paid for her u...
... middle of paper ...
...imself into the river. Marius is at first disgusted when he finds out about Valjean’s past, though when he discovers it was Valjean who saved his life, they reconcile on Valjean’s deathbed.
Les Misérables depicts the unjust class-based society of nineteenth century France. This system often turned good and honest people into beggars and thieves. Hugo obviously believed the social conditions of the time needed to be reformed, particularly in the areas of education, criminal justice and the treatment of women. The character of Fantine conveys all three of these. Undereducated, she works in a factory where she is fired for immorality and only then forced into prostitution so she could provide for her daughter.
This novel provides a detailed look into the early nineteenth century condition in France. It is considered an historical novel for this reason. The novel shows how new and radical thought processes, especially that in the justice and political realm such as the reactionary movement, came to be and were outgrown by the good of all people. Thos is a great historical novel based on any definition of historical fiction.
He walks the reader through the mess of political strife and bloodshed and he is very detailed in the inner workings of the Committee of Public Safety. He also writes as if the reader knows nothing about the French Revolution. This is a very helpful aspect of the book. Another strong point in this particular story is that there is a map of The First French Republic in the front of the book. There is also a key for the titles of the months according to the French Republican Calendar. This calendar is useful in the reading because depending on the time of year as well as the situation he is writing about, he uses month names such as Ventôse which, in current translation is around the twentieth of
To summarize the book into a few paragraphs doesn't due it the justice it deserves. The beginning details of the French and Ind...
Disney’s The Hunchback of Notre Damn is an animated film based upon Victor Hugo’s novel of the same name. The main characters Quasimodo, the hunchback who lives in the bell tower of Notre Damn, Esmeralda, the gypsie girl, Claude Frollo, the cruel Archdeacon of Notre Damn, and Captain Phoebus, the antagonist who defies Frollos’ orders, are all representative of the social classes and turmoil that occurred throughout the early 19th century in France. The original novel was written during the July 1830 Revolution, with strong influences from Hugo’s personal beliefs in social and political equality for all people as well as his opposition to the monarchy that begun after Napoleon Bonaparte’s defeat at Waterloo. This film is accurate in the sense that it shows the class struggle of the time in a way that both honors the novel and its historical context but is also appropriate for its younger
Any signs of innovation and improvements were saved for cities, while conditions in the villages drastically worsened. Villagers like Matryona would listen about new inventions and Earth satellites through radio as if they were some useless magic wonders, and then they would go on loading peat with forks and eat plain potatoes and barley kasha. Soviet ideology infiltrated Matryona’s life through a wall poster and a radio, but it was unable to change her peasant soul into sophisticated and progressive New Soviet Man. Villagers’ life was a struggle of surviving the winter and finding food to eat, leaving no place for abstract concerns about ideological
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
Hugo’s social commentary focuses on three main concepts that he believes must be reformed in the French society: criminal justice, education and the treatment of women. By showing the unreasonable punishments both Valjean and Fantine shows how the social structure has turned innocent and good people into criminals.
First off, is the element of forgiveness. In a book of mistrust, poverty, and hate…forgiveness thrives in the world of Les Miserables. The first example of this was at the very beginning, when Jean Valjean stayed with the bishop. Valjean stole his silver…and ran off. He ends up being caught by police, but when the police questioned the bishop, he claimed to have given the silver to Valjean. Jean was confused…and the bishop claimed that with the silver, he had purchased the convicts soul, and had given it to God, and from that day forward, Valjean must be a good man. Another example of forgiveness goes two ways. Javert, in his relentless pursuit of Valjean, is captured by revolutionaries. In reward for saving the lives of a few of these revolutionaries, Valjean asks for, and gets, permission to take Javert outside, and kill him. Once outside, a small monologue occurs…and Valjean releases Javert, and lets him go free. Valjean just wanted to be left alone in peace, and hoped this act of kindness would change Javert, and make him realize that Valjean was no longer the man he was. The second way…is that in the end, after Javert finally captures Valjean, he lets him go. Since Javert had broken the law… that he loved so dearly, he kills himself shortly thereafter, by jumping into a river.
The relationship shared by Pierre and Helene is best described as a lustful charade. It is no coincidence that Pierre, one of the most introspective characters in the novel, first marries a shallow, inwardly-ugly adulterer. His first recorded attitude towards Helene is one of admira...
Prior to the liberating events of the French Revolution, the French nobility were a dreaded source of grief and mourning, striking wrath upon whomever they pleased with "lettres de cachet" and the imprisonment of their enemies within the Bastille. Charles Dickens's A Tale of Two Cities explores the lives of characters in various states of physical as well as mental incarceration who undertake journeys with the potential to "recall" them to life. The plight of
Victor Hugo made it so that the characters in Les Miserables progressed throughout the novel. The theme “progress” can be seen and used widely. Three main characters, Jean Valjean, Cossette, and Javert expressed positive and negative forms of growth.
“To get the full value of joy must have someone to divide it with.”- Mark Twain. Companionship is a commodity every individual needs in their lives in order to function well. Everyone knows how it feels to be lonely, it’s terrible being isolated, it can harm someone mentally and physically. In Naples Florida, there are 55 plus retirement communities overflowing with lonely elderly people locked up inside. It is not a healthy environment, it has a death row like vibe to it. Adults above the age of 55 are about 40% of the population of Naples according to the 2015 census. According to an article about 7 Americans, 65 and over suffer from depression due to isolation. Grey Matters is an outreach program built to lend a helping hand to those who are deserted, while also providing the volunteer caregivers with knowledge and volunteer hours. Nobody should be left out in the dark, we need to end this plague with the elderly by providing companionship in retirement homes and in households with single elderly people living alone. Creating Grey Matters will terminate the loneliness among the elderly and provide an opportunity for those who help the elderly as well.
The authors' relations to us on the characters' places in society help us to relate to and comprehend their actions. If Meursault hadn't been so detached from society, Noboru so discontented with society, and Medea so vengeful toward society, we wouldn't have half of the justification needed to understand the murders that took place in the works. Given the presented material about conformity, I conclude that the stories' plots indeed grow around the unique attributes of the non-conformers, and as result, spark the reader's imagination to the fullest.
At the start of the revolution, in 1789, France’s class system changed dramatically (Giddens, 2014). Aristocrats lost wealth and status, while those who were at the bottom of the social ladder, rose in positions. The rise of sociology involved the unorthodox views regarding society and man which were once relevant during the Enlightenment (Nisbet, 2014). Medievalism in France during the eighteenth century was still prevalent in its “legal structures, powerful guilds, in its communes, in the Church, in universities, and in the patriarchal family” (Nisbet, 2014). Philosophers of that time’s had an objective to attempt to eliminate the natural law theory of society (Nisbet, 2014). The preferred outcome was a coherent order in which the mobility of individuals would be unrestricted by the autonomous state (French Revolution). According to Karl Marx, economic status is extremely important for social change. The peasants felt the excess decadence of the ancient regime was at the expense of their basic standards of living, thus fuelling Marx’s idea of class based revolutions and the transition of society (Katz, 2014). This can be observed, for example, in novels such as Les Liaisons Dangereuses, a novel that had a role for mobilizing the attitudes of the