An Analysis of Shakespeare's The Tempest
There are many ways of interpreting Shakespeare's The Tempest. A Post-Colonialist critic, such as Stephen Greenblatt, will look at the influence of historical and political implications of colonialism on the text. Along these lines, a Reader Response critic, such as Paul Yachnin, will look specifically at Shakespeare's audience and their concerns at the time in which the play was written. Very different from these approaches, a Psychological critic, such as Bernard Paris, will completely ignore what was in the author's and audience's minds, and look at the psyche of the main character in the play. Regardless of which critical approach is used to analyze the play, all interpretations should be considered objectively for they all provide a great deal of insight for studying the text. However, I believe that it is imperative to keep in mind that the story offered in The Tempest is told from the point of view of the main character, Prospero. This has a definite impact on the interpretations and their validity.
According to Stephen Greenblatt the preoccupation with political power was not unfamiliar to Shakespeare and his audience. In his essay, "The Best Way to Kill Our Literary Inheritance Is to Turn It Into a Decorous Celebration of the New World Order," Greenblatt argues that recognizing the presence of issues such as colonialism and slavery in The Tempest will deepen the pleasure of the ordinary reader. He explains that it is very difficult to look at The Tempest without thinking about imperialism. The play, which is set on a mysterious island inhabited by natives and taken over by a European prince, is filled with allusions to the process of colonization. For example, one can f...
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With the semester coming to an end, many students are excited. This especially includes those who will be graduating soon. However, graduation can be seen as a bittersweet moment. On one hand, the graduates enter into a new chapter in their lives. On the other hand, they may lose communication with some of their friends. Unfortunately, this is a natural aspect of each person’s life. Everyone will experience some kind of loss in their life, whether it is person or an object. In The Tempest, Shakespeare discusses the topic of loss. While this theme is not talked about much compared to other themes in the play, it is very important since it is a theme that is included in the 1956 movie adaptation Forbidden Planet. While both works illustrate the ways people deals a loss, the later work demonstrates how the advancement in the world have affected the way modern society
The Tempest, is a timeless play about Prospero getting justice by having his throne back. William Shakespeare uses various dramatic elements to help readers deepen their understanding of the text in the play. The archetype critical theory can be used when reading Act 1, Scene 2 of The Tempest, for enhancing the reader’s understanding of the play. The archetype critical theory is patterns that are universal and have been applied to literature. These archetypes are present in the symbols, imagery, allusions, and dramatic irony of the scene.
The first difference between the play and the movie “The Tempest” is; the protagonist Prospero, the Duke of Milan, is played by a female character named Prospera in the movie filmed in 2010, directed by Julie Taymor. He is a complex character in the play however the personality that Shakespeare created was slightly changed in the movie. The key point of this gender difference is to highlight the role of women’s empowerment over the last two hundred years. Taymor’s movie is making a statement on how Prospera’s power is limited for the island, she is still able to empower throughout the text sexually,...
Have you ever asked the question, how we know if a pedophile or sex offender can ever be cured or rehabilitated. Would I be comfortable with them living in my neighborhood? If you have you are just like the rest of the world. Pedophilia is a true illness, and not just in my opinion it also in the DSMIV 302.2. We may never truly be comfortable with the thought that researchers say Pedophiles can not be cured, but they can be rehabilitated in time with and they have test to prove it,
Sexual abuse cannot be clearly defined with ease. In fact, sexual abuse is an umbrella term for any sort of situation, whether or not it involves physical contact, in which a sexually immature child is exposed to anything sexual in nature. Because no child is psychologically mature enough for sexual stimulation, the complex feelings associated with it are mentally and emotionally disfiguring. Children who have been sexually abused experience an array of negative emotions such as shame, guilt and anger, and may display oddly withdrawn or distrustful behaviors. They cannot help but feel that they somehow brought the abuse unto themselves (Saisan, et al). One major contributing factor to these severe psychological consequences is the concept of trust. Sexual abuse is, in most cases, committed by a parent or other trusted adult figure. While children are naïve on such adult topics, they can still get an overwhelming feeling that the attention is wrong, yet they are unsure of how to cope with it. If the child has an emotional atta...
In the 1600s, married women were expected to do anything for their husbands. Husbands were urged to be good heads of their families and to treat their wives with kindness and consideration. The woman were considered to be the 'weaker vessel ' and thought to be spiritually weaker than men and in need of masculine guidance. During this time, women were treated as inferior being who were meant to look after the house and were to children . Women were treated with little dignity. In “The Tempest,” William Shakespeare was able to show the oppression of women throughout the play. Scenes with Prospero and Miranda have shown significant hidden evidence to prove that the colonial era was a time of female oppression. Shakespeare uses Prospero as an
Tempest is Shakespeare’s last play written in 1610. Prospero is The Tempest main protagonist. He is exile to an isolated island after his brother (Antonio) conspires to kill him for the desire of taking his position as a duke of Milan. Prospero manages to escape with his three-year-old daughter to the island. The play starts after 12 years of Prospero’s living in the Isle. The play is more like a test for Prospero to discover his wickedness and find a typical way to adjust them. In the beginning, Prospero has two servants: Ariel, who has a godlike power and serves him in fulfilling his magical plan, and Caliban, half human half beast, supports him in fetching wood and water. Later on in the play,
Seto, Michael C. Pedophilia and Sexual Offending against Children: Theory, Assessment, and Intervention. Washington, DC: American Psychological Association, 2008. Print.
Rand, M. (2009, September 1). "Criminal Victimization, 2008". Retrieved April 25, 2011, from Washington, D.C: Bureau of Justice Statistics, 2009: http://bjs.ojp.usdoj.gov/content/pub/pdf/cv08.pdf
The Tempest is a play that serves as a window into what it was like during the Age of Exploration as well as what encounters between the old and new world were like. Through Shakespeare’s characters it is evident what interactions between Europeans and natives were like during this time, as well as what society thought of such experiences.
In conclusion, the Tempest and specifically the relationship between Prospero and Caliban is a careful exploration of the theme of Colonialism on Shakespeare's behalf that can only now, in a post-colonial era, be truly be appreciated, as public consensus on the subject has caught up with Shakespeare's advanced thinking.
Is Shakespeare’s play, The Tempest, a drama of lost illusions, bitter wisdom and fragile hope? Before this question can be considered, one first has to interpret these terms. Perhaps "bitter wisdom" and "fragile hope" are fairly simple concepts to understand, "lost illusions" is somewhat less clear, particularly in the case of The Tempest.
The basic concept of communication is interaction between two or more people that results in the passing of information. However, for this process to happen effectively one must understand the different methods and standards required to achieve the process because without this knowledge one may miscommunicate information. Therefore, to assure that the receiver receives the information correctly one must understand the effects of interruptions and when backup your information for clarity (Wallace & Roberson, 2009).
William Shakespeare’s play The Tempest tells a story involving unjust acts, and Caliban trying to take over Prospero’s power of authority, Prospero’s mission to was to build righteousness and honesty by returning himself to rule. The idea of justice and injustice that the play works toward seems extremely independent meanwhile the impression of the play shows the view of one character who controls the purpose and fate of others.
The Tempest was written in 1611 as Shakespeare’s last romantic comedy. This play is focused mainly on the theme of power. Shakespeare portrays an aging magician who has been living in exile with his young daughter on a remote island for the past 12 years. Shakespeare presents forms of power in different ways, but mainly through the characters of Prospero. In The Tempest Shakespeare shows 3 different types of power, which are through love, power over his slave Caliban, and power of magic.