Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Robert Frost poems analysis
An analysis of Robert Frost's poems
An analysis of Robert Frost's poems
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Robert Frost poems analysis
In this essay I will touch on Robert Frost’s ability to write poems that are obviously poems, but also have a speech-like sound. Which means even though the reader can tell the work is a poem it also sounds like something someone would say in everyday speech. Specifically this essay will look at what I think is his most appealing poem, “Stopping by Woods on a Snowy Evening”. I compare a paraphrased version of the poem to the verbatim poem and identify different aspects that have been lost in the translation. By analyzing different aspects of the poem I will show how Frost creates the “obvious” poem that sounds like everyday speech. First, I will summarize the poem to get a better understanding of what the poem really entails. The poem is …show more content…
The similarity to a short story causes the reader to become intrigued and possibly read the poem differently and notice things they would not have if they read it like a poem. There are many lines that make the poem seem eerie: “Whose woods these are I think I know, His house is in the village though; He will not see me stopping here to watch his woods fill up with snow.” ( lines 1-4) and “The woods are lovely, dark and deep, But I have promises to keep, and miles to go before I sleep, and miles to go before I sleep.” (lines 13-16) These few lines arouse many questions in the reader like, “Who’s the man that owns these woods and why is our main character trespassing in his property?” and “What are his promises he has to keep and why does he repeat that he has miles to go before he can sleep?” These questions are constantly being asked when reading this poem and with the help of the speech-like sound it helps the reader not focus on the words themselves but the eerie feel they collectively give. It also is worth mentioning that the author’s last name, Frost, goes hand in hand with the scenery which adds to the strange feeling of the
Selected Poems by Robert Frost, New York: Barnes and Noble, 2001 3.Graham, Judith, ed. Current Biography Yearbook Vol. 1962, New York: The H.W Wilson Company, 1993 4.Kesey, Ken. One Flew Over the Cuckoo's Nest, New York: Penguin Group, 1962 5.Weir, Peter. Dead Poets Society, 1989
Epictetus once wrote, "First say what you would be; and then do what you have to do." This aphorism of self-discovery and obligation clearly describes Robert Frost's poem, "Stopping by Woods on a Snowy Evening." In the course of the poem, Frost's speaker is confronted with two choices: he can either forget his problems or he can follow through with his responsibilities and make the most of life. It is through Frost's remarkable presentation of the speaker's thoughts that the reader may see how difficult this decision can be. Through powerful elements, such as alliteration, rhythm, and imagery, Frost stresses the importance of perseverence and facing one's fears and obligations.
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Print. Frost, Robert. “Stopping by the Woods on a Snowy Evening”, Literature: Reading Fiction, Poetry and Drama, Robert DiYanni, Sixth ed. New York: McGraw Hill, 2007. 767.
“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. His poems are not what they seem to be at first glance. These deeper layers of complexity can be clearly seen in his poems “The Road Not Taken”, “Fire and Ice”, and “Birches”.
Robert Frost uses metaphor and symbolism extensively in ‘Stopping by Woods on a Snowy Evening’, developing deeper and more complex meanings from a superficially simple poem. Frost’s own analysis contributes greatly to our appreciation of the importance of metaphor, claiming that “metaphor [is] the whole of thinking,” inviting the reader to interpret the beautiful scene in a more profound way. However, the multitude of possible interpretations sees it being read as either carefully crafted lyric, a “suicide poem, [or] as recording a single autobiographical incident” . Judith Oster argues, therefore, that the social conditions individual to each reader tangibly alter our understanding of metaphor. Despite the simplicity of language, Frost uses conventional metaphors to explore complex ideas about life, death and nature. The uncertainty, even in the concluding stanza, that encompasses the poem only adds to the depth of possible readings.
par. 1). With clever poetic purpose, Frost‘s poems meld the ebb and flow of nature to convey
"Stopping by Woods" The visible sign of the poet's preoccupation is the recurrent image of dark woods and trees. The world of the woods, a world offering perfect quiet and solitude, exists side by side with the realization that there is also another world, a world of people and social obligations. Both worlds have claims on the poet. He stops by woods on this "darkest evening of the year" to watch them "fill up with snow," and lingers so long that his "little horse" shakes his harness bells "to ask if there is some mistake." The poet is put in mind of the "promises" he has to keep, of the miles he still must travel. We are not told, however, that the call of social responsibility proves stronger than the attraction of the woods, which are "lovely" as well as "dark and deep"; the poet and his horse have not moved on at the poem's end. The dichotomy of the poet's obligations both to the woods and to a world of "promises"--the latter filtering like a barely heard echo through the almost hypnotic state induced by the woods and falling snow-is what gives this poem its singular interest.... The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. But at the same time they are his, the poet's woods, too, by virtue of what they mean to him in terms of emotion and private signification.
The reader could interpret the second stanza as a continuation of the guilt that the speaker feels about enjoying the natural beauty of snow. The speaker even thinks that his horse thinks he has something wrong with him when he says, "My little horse must think it queer. " His horse must wonder why they are stopping on "the darkest evening of the year" when it is cold and snowing outside. After all, they stopped in the middle of the woods, with nothing else around them to look at but the snow. The speaker reveals more of his "unusual" tendencies in the third stanza.
Robert Frost's “Birches” is written in blank verse and in mostly consistent iambic pentameter. The dependable rhythm of this poem can be likened to the reliability and purity of a child. This poem is not broken into stanzas, rather it is compact with his message and vivid images. This may be due to the fact that—in addition to Frost's desire for this poem to be read conversationally—the compact nature of this poem is attempting to explain the speaker's thoughts and observations in as little space as possible. “The Road Not Taken” is a poetic quintain consisting of four stanzas with five lines in each stanza. Each quintain's rhyme is a dependable ABAAB scheme. The rhyme scheme is comparable to the petrarchan sonnet and the rhyming couplets appear to provoke a sense of focused reflection. The rhythm of this poem is slightly more challenging. It is written in an iambic tetrame...
The setting takes place in the daylight of the woods. I felt that Frost set the poem in the woods because it helps reader imagine trees, leaves, and bushes. Therefore readers know that the speaker is alone without any road signs or knowledge of any direction on which road to take. The “yellow wood”(1) means that its somewhere in the fall when the leaves are changing colors. The “yellow” brings out a beautiful image of the autumn to readers. The “yellow wood” means there is a continuous decision one makes in li...
By both elaborating on the ideas of earlier writers and adding ideas of his own, Robert Frost creates a place for himself in history. The themes of his poems remain true regardless of the time period. Modern readers understand the importance of love and imagination that Frost describes. His messages about death and relationships have guided readers for decades. While technology becomes an ever more important part of the modern world, the continued love of Frost’s poetry shows that people still feel a connection to nature.
The speaker knows he can not stay in this "paradise".(14) The speaker does not want to leave this spot, but he has made other promises that he has to keep. (14) I believe Frost uses repetition of the last two lines of this poem (and miles to go before I sleep) to emphasize the importance of this promise he has made, and to support the speakers reasons for having to leave. (15-16)I am not a big fan of poetry, but this poem caught my eye because I am a fan of nature. Frost and I would have had a lot in common, his poetry reflects many of my own personal views of nature.
Richardson, Mark. The Ordeal of Robert Frost: The Poet and His Poetics. Urbana: University of Illinois, 1997. Print.
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground in his subject matter, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression. Works Cited and Consulted Frost and Nature, www.frostfriends.org.