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Gender in poetry
Poem the possession sharon olds analysis
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Both poems, “Last Night” by Sharon Olds and “Home-Baked Bread” by Sally Croft implicitly direct a theme of lust. Lust is a very strong sexual desire towards someone. The poets of these two poems demonstrate a common theme within the two by using certain strategies. In the poem “Last Night”, Olds uses figurative language, imagery and repetition to revel lust as a theme. Croft’s poem “Home-Baked Bread” uses figurative language, imagery and diction/word choice to display lust.
In “Last Night” the subject of the poem is love, with the theme addressing sex as a physical interaction that is empty without emotion and love, in other words lust. Olds carries out this theme with the use of figurative language, imagery and repetition. From the use of
these strategies the readers get a sense of what sex is like when not accompanied by love. Olds illustrates sex being “more like dragonflies in the sun, 100 degrees at noon” (lines 2-3). The encounter is full of desire, but lacks a genuine passion. Olds uses a simile to compare human sex to dragonflies. Being “like dragonflies” demonstrates the graphic, animalistic, and aggressive nature of the encounter rather than experiencing a sweet and innocent expression of love. In fact, there was “no tenderness- more like killing” (line 13). Killing is used as a metaphor to represent aggression, which isn’t killing her but rather unusual and hurtful but at the same time, pleasurable towards her. Throughout the poem, the repetition of words such as afraid and love suggest an uncertainty to the sexual encounter taking place. Olds gives the reader a complete mental image across her poem of this sexual encounter. The speaker of the poem felt a sense of security, “you secured me in your arms till I slept” (line 26). Clearly, the reader receives a clear image of a woman falling asleep on the man with his arms wrapped around her. BODY 2 Say what effect the poem had on you. Say what you think the poets intended and if you think they achieved their agendas. BODY 3 In “Home-Baked Bread”, Croft indirectly compares baking bread into a more intimate session. The title gives you a sense of a homey feeling but as the reader continues it sounds as if a woman is putting together a web of sensual pleasure. Using the words of “cunning triumph” and “insinuation” (line 3) and its imagery of “heat [rising]” (line 17) and the repositioning from the kitchen to the “upstirs room”, primarily indicates that the poem is not precisely about baking, but instead about a sexual desire, in other words lust. This poem is utterly an extended metaphor, Croft puts together a play on words that strikes the imagination with vision, touch and smell. The words say one thing but mean another. Her word choice of “I have prepared a cunning triumph” (lines 2) perceive as some sort of victory that the speaker of the poem has set out to achieve. The ultimate goal is to get what she desires by using an old recipe passed from her great aunt. “Spices and herbs sealed in a porcelain jar” (line 5-6) gives the reader an image of some sort of love spell that she intends to cast.
Gwendolyn Brooks and Sonia Sanchez, in their poems “We Real Cool” and “Summer Words of a Sistuh Addict”, are both alike in their idea of dealing with troubled youth. Brooks discusses in her poem “We Real Cool” rebellious pool-playing youth that “sing sin” (Line 5) and “thin gin.” (Line 6) The whole poem centers around disturbed youth. The narrator in Sonia Sanchez’s poem “Summer Words of a Sistuh Addict”, is also a disturbed young woman who is addicted to heroin, and seems to live a rather rebellious lifestyle. In addition, both of these poems use tone via word choice, sentence structure, and meter in order to vividly describe the scenarios in their poems, and to impact their reader. However, both poets use the literary elements mentioned above differently in their poems.
A quick read of Ana Castillo’s poetry will provide a reader with much knowledge of the style she uses. The style used in “Seduced by Natassja Kinski” and “El Chicle” is conveyed vividly. A key ingredient to Castillo’s style is imagery. Castillo uses imagery to portray the environment, object movements, emotions, and everything else that is of utmost importance. Also important to Castillo’s style is her choice of words. Castillo refers to all words in poems as gold. Every word must be picked and placed with all the care in the world. Along with her imagery and choice of words, metaphors, poetry form, and flow are essential to creating the two featured poems.
it shows the initial shock and the very quick denial of the situation that comes after the initial “deed”. he screamed it and he could not be sure if the scream awakened him or the pain in his stomach. Brian stood at the end of the long part of the lake and watched the water, smelled the water, listened to the water, was the water.” The first part of the quote shows how even in sleep you will have a desperation for someone to love and care about you and this book shows this feeling almost perfectly. The second part tells us that in depression you may resolve into isolation and emotional dullness.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
Anne Stevenson created a tragically beautiful scene by comparing a home to a relationship. Her use of metaphors and tone is striking to the sense of emotion, however that emotion fades easily when the poem is picked apart for what it really is. The reader is
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
The purpose of this essay is to analyze and compare and contrast the two paired poems “My Last Duchess” by Robert Browning and “My Ex-Husband” by Gabriel Spera to find the similarities presented within the pairs. Despite the monumental time difference between “My Last Duchess” and “My Ex-Husband”, throughout both poems you will see that somebody is wronged by someone they thought was a respectable person and this all comes about by viewing a painting on the wall or picture on a shelf.
Robert Browning’s “My Last Duchess” is a haunting poem that tells the story of a seemingly perfect wife who dies, and then is immortalized in a picture by her kind and loving husband. This seems to be the perfect family that a tragic accident has destroyed. Upon further investigation and dissection of the poem, we discover the imperfections and this perfect “dream family” is shown for what it really was, a relationship without trust.
The story of this poem tells about a young boy that is lured in by the sensuousness of the moon, and then dies because of his own desire for her. The symbolic meaning is much more hidden and disguised by the literary elements of the poem. The storyline and aspects of the literal story add meaning when searching for the figurative meaning. The warning learned from this poem is that infatuation with anything can lead to a downfall. The moon seemed to offer a comfort that attracted him, but it was only a disguise to lead him to death. The passion the young boy felt for the moon can easily be modified to describe the passion a person can feel for anything. The young boy saw safeness in the moon that brought him closer to her. Any obsession will seem to offer the same comforts that the young boy also saw, but this poem warns that death can always disguise itself.
In “Sex without Love”, from the beginning the reader can see that Olds is not very fond sex without love, but looking closer into the poem the reader can see that it intrigues her. She even seems to tip her hat to those who can have sex without love. Though she shows fascination in those who have sex without love, she still makes it clear that she just would not be able to do it and does not usually like when others are involved in this act. In a short poem, Olds finds a way to use metaphors, similes, and much more to show how she
In the first and sixth stanza of Piercy’s poem, the “women are burning dinners” (597). Piercy uses the imagery of the women burning their husband’s dinners ...
The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton. Her style of writing, her works, the image that she created, and the crazy life that she led are all prime examples of this. Known as one of the most “confessional” poets of her time, Anne Sexton was also one of the most criticized. She was known to use images of incest, adultery, and madness to reveal the depths of her deeply troubled life, which often brought on much controversy. Despite this, Anne went on to win many awards and go down as one of the best poets of all time.
Reading on this topic intertextually allows the concept to be explored in greater depth, reinforcing the concept to readers, whilst appealing to different audiences through the different forms of poetry. Rosemary Dobson’s poems,
In “12 O’Clock News,” Elizabeth Bishop accentuates the difficulty involved in perceiving the “truth.” She utilizes a technique of constructing an exotic world out of objects that can be found in a newsroom. By defamiliarizing a newsroom, she questions our trust in what we perceive. Is it truly a journey to another world or just another perspective on something we are already familiar with? The intent of this transformation is to create a substitute for reality, analogous to the substitute reality which the media presents to us each day as its product, the “news.” The news media are capable of creating a world beyond what we see everyday, presenting us with what appears to be the truth about cultures we will never encounter firsthand. Bishop’s manipulation of a newsroom parallels the way the media distorts our perception of the world, and by doing so questions our ability to find our way out of this fog which is “reality.”
The first half of the poem creates a sense of place. The narrator invites us to go “through certain half-deserted streets” on an evening he has just compared to an unconscious patient (4). To think of an evening as a corpselike event is disturbing, but effective in that the daytime is the time of the living, and the night time is the time of the dead. He is anxious and apprehensive, and evokes a sense of debauchery and shadows. Lines 15-22 compare the night’s fog to the actions of a typical cat, making the reader sense the mystery of a dark, foggy night in a familiar, tangible way. One might suppose that “In the room the women come and go/ Talking of Michelangelo” refers to a room in a brothel, where the seedy women for hire talk about elevated art between Johns (13). The narrator creates a tension in the image of dark deserted streets and shady activities in the dark.