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Essay on feminist perspective
Feminist during enlightenment
Essay on feminist perspective
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A Feminist Perspective: What’s That Smell in the Kitchen
Women burning bras in the 1960’s became a sign of the Women’s Liberation movement. However, this was not the beginning of the women’s movement. This began many years earlier in the late 1800’s. In Marge Piercy’s poem, “What’s That Smell in the Kitchen,” she gives a description of what the women in the 1980’s are doing to be a part of the women’s movement. According to Bell Hooks, "Feminism is a struggle against sexist oppression. Therefore, it is necessarily a struggle to eradicate the ideology of domination that permeates Western culture on various levels, as well as a commitment to reorganizing society so that the self-development of people can take precedence over imperialism, economic expansion and material desires" (26). Piercy argues that women do not have the single goal of being servants to their husbands whether they are in the kitchen or the bedroom.
In the first and sixth stanza of Piercy’s poem, the “women are burning dinners” (597). Piercy uses the imagery of the women burning their husband’s dinners ...
Until the last hundred years or so in the United States, married women had to rely on their husbands for money, shelter, and food because they were not allowed to work. Though there were probably many men who believed their wives could “stand up to the challenge”, some men would not let their wives be independent, believing them to be of the “inferior” sex, which made them too incompetent to work “un-feminine” jobs. In the late 19th century and early 20th century, feminist writers began to vent their frustration at men’s condescension and sexist beliefs. Susan Glaspell’s “A Jury of Her Peers” and Zora Neale Hurson’s “Sweat” both use dialogue to express how women are capable of and used to working hard, thinking originally, being independent
Society continually places restrictive standards on the female gender not only fifty years ago, but in today’s society as well. While many women have overcome many unfair prejudices and oppressions in the last fifty or so years, late nineteenth and early twentieth century women were forced to deal with a less understanding culture. In its various formulations, patriarchy posits men's traits and/or intentions as the cause of women's oppression. This way of thinking diverts attention from theorizing the social relations that place women in a disadvantageous position in every sphere of life and channels it towards men as the cause of women's oppression (Gimenez). Different people had many ways of voicing their opinions concerning gender inequalities amound women, including expressing their voices and opinions through their literature. By writing stories such as Daisy Miller and The Yellow Wallpaper, Charlotte Perkins Gilman and Henry James let readers understand and develop their own ideas on such a serious topic that took a major toll in American History. In this essay, I am going to compare Gilman’s “The Yellow Wallpaper” to James’ “Daisy Miller” as portraits of American women in peril and also the men that had a great influence.
This poem dramatizes the conflict between love and lust, particularly as this conflict relates to what the speaker seems to say about last night. In the poem “Last Night” by Sharon Olds, the narrator uses symbolism and sexual innuendo to reflect on her lust for her partner from the night before. The narrator refers to her night by stating, “Love? It was more like dragonflies in the sun, 100 degrees at noon.” (2, 3) She describes it as being not as great as she imagined it to be and not being love, but lust. Olds uses lust, sex and symbolism as the themes in the story about “Last night”.
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
...ken, but he will find me tough meat for his table. I do not want his so-called “love,” Pascuala. I had rather have a sizzling rasher of bacon for breakfast, with a slice of my own baked bread, and a sly glass of wine from mother’s jar.” (491) However her stand off attitude reveals the strength and invulnerability of the women in this society. Instead of going with any man’s request, Laurencia questions the men’s power and authority and looks at their personality instead of their familial lineage. This was important at the time because a woman still didn’t have as many rights or the same level of respect as men. From the Commander’s perspective, these women were nothing but things he could use and “throw away”. He didn’t have any compassion or respect for the women and instead he saw them, as well as the rest of the community of Fuenteovejuna, beneath him.
Marge Piercy is an American novelist, essayist, and poet best known for writing with a trademark feminist slant. In "What's That Smell in the Kitchen?" Marge Piercy explores the way women are sometimes held in low esteem by men through the eyes of a tired housewife who has had it with her monotonous day- to-day duties. In this poem, it is not stated that the speaker is a homemaker, but the reader is told about one woman in particular who is meant to express the feelings of women as a whole. The author conveys this central idea through imagery, figurative language, and devices of sound.
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
Rider, the protagonist of “Pantaloon in Black” and a classic renaissance picture of manhood thinking from his waist down, demonstrates his capacity to love through violent grief over the death of his wife. Rider, previously a man about town, turns from his drunken ways upon meeting Mannie, his future wife of just six months. As a true pantaloon should, Rider naturally expresses his grief through the strength and intensity of vigorous activity and violent anger. He is first seen shoveling dirt so fast that “the mound seemed to be rising of its own volition, not built up from above but thrusting visibly upward out of the earth itself” ...
The late nineteenth century was a critical time in reshaping the rights of women. Commonly this era is considered to be the beginning of what is know to western feminists as “first-wave feminism.” First-wave feminism predominately fought for legal rights such as suffrage, and property rights. A major hallmark of first-wave feminism is the concept of the “New Woman.” The phrase New Woman described educated, independent, career oriented women who stood in response to the idea of the “Cult of Domesticity,” that is the idea that women are meant to be domestic and submissive (Stevens 27). Though the concept of the New Woman was empowering to many, some women did not want to give up their roles as housewives. These women felt there was a great dignity in the lifestyle of the housewife, and that raising children was not a job to scoff at. Mary Freeman's short story “The Revolt of 'Mother',” tells the story of such a domestic woman, Sarah, who has no interest in leaving her position as mother, but still wishes to have her voice heard in the private sphere of her home. Freeman's “Revolt of Mother,” illustrates an alternative means of resistance for women who rejected the oppression of patriarchy without a withdrawal from the domestic lifestyle.
Throughout history, men are taught that they are the head of the household. This idea is implicated in everyday society. At some point in history women were expected to submit to a men commands. One poem in particular that gives us an inside idea of what it was like growing up during the 1950s is called Sixth Grade written by Marie Howe. This poem speaks about sexual harassment that can be interpreted as six grade version of rape, innocence, and gender role. Howe uses limited use symbolism but crucial to connect her to her audience and to make a statement about where the origin of male violence originated.
Hooks begins by stating that Feminism in the United States did not emerge as a result of victimized, underprivileged women who faced sexist oppression so much so they have internalized it , but in fact by bourgeois upper-class white women whose idea's of equality were far different. She begins this criticism with Betty Friedan, a leading figure in the women's movement and the author of the classic The Feminine Mystique claiming that the book ignored the difficulty and even the existence of non-white, poor women with the assumption that her concerns were harmonious wi...
To find out whether or not Harriet Beecher Stowe’s book, Uncle Tom’s Cabin is an example of feminist rhetoric or not, one must simply define what is meant by the term feminist. This is difficult to do when one puts into consideration that this book was written over one hundred and forty years ago, and that feminism has gone through many different stages since that time. In order to do this correctly, one must first define feminism within the historical context of the 1850's, when Uncle Tom's Cabin was published instead of the definition of feminism in today’s times.
The bleak tone of this story takes a particularly sad and disturbing tinge when the wife illustrates a scene from early on in her marriage where she tries to get her husband to satisfy her desire and provide her with mutual satisfaction, only to have him rebuke and reprimand her. In fact, the husband responds in such a particularly brusque and hysterical manner that the reader can see how traumatized the wife would have been at ...
Throughout history, women have remained subordinate to men. Subjected to the patriarchal system that favored male perspectives, women struggled against having considerably less freedom, rights, and having the burdens society placed on them that had been so ingrained the culture. This is the standpoint the feminists took, and for almost 160 years they have been challenging the “unjust distribution of power in all human relations” starting with the struggle for equality between men and women, and linking that to “struggles for social, racial, political, environmental, and economic justice”(Besel 530 and 531). Feminism, as a complex movement with many different branches, has and will continue to be incredibly influential in changing lives.