Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sociological criticism in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Dawn by Octavia Butler is a feminist take on an origin story. Due to its feminist foundations Dawn interrogates how gender, individuals, and social constructions shape people 's as well as society 's creation. The story follows the "rebirth" of Lilith Iyapo in an alien world after they 'saved ' her from the nuclear apocalypse on earth. Lilith 's journey is both mental and physical. She becomes more than human physically due to Okanali enhancements and mentally beyond the constraints of human beliefs, such as that of gender and time, due to her acceptance of the Ooloi and the Oankali way of life. Throughout the novel Lilith struggles with the idea that her children, and all future human children will no longer be completely biologically …show more content…
Butler effectively places the Oankali biology, culture, and way of life as the norm, through Lilith 's need, as well as the other 's, to accept them in order to survive, in turn constructing the humans as the marginal demographic. Butler 's decision to make humans abnormal helps the reader call into question what we deem as human characteristics and human nature, because we begin to see how we both align and separate ourselves from each other based upon biology and …show more content…
Linking back to the theory that women are innately more connected to nature, that we discussed previously. However, I believe that Dawn reframes this narrative to state that women are not more connected but rather more willing to connect. At the risk of making sweeping, and possibly unfounded generalizations, I believe it is true in the narrative that Butler created. The Oankali decide on a woman parent figure over a male, but more importantly a woman with a strong desire to live. Lilith 's desire to live forces her to adapt her thinking based upon her reality and environment. This necessity to adapt for survival is a shared feminine experience, at least one I share with other women in my life. We constantly adjust our behavior, dress, words, and desires to survive in a male dominated world; and while this is not generally based on the natural environment of a setting, the social environment is a main factor. Women who accept that men cannot control their sexual urges and therefore should not be tempted, regulate their behavior to survive. People, who believe that capitalistic endeavors gouge natural resources, modify their spending patterns to lessen the environmental burden. However, neither of these actions challenges the root issue, neither action forces the
“The Fire,” chapter two of the novel “Kindred” by Octavia E. Butler is about how Dana survives in the past after she is conscious of where and when she is. The story starts with Dana frightened of being transported again, which she did. After saving the boy, Rufus, from burning his house, she discovered that she has gone to the past, 1815, and that Rufus was her ancestor. Since it was the age where slavery was present, she escaped Rufus’ house in fear of being slaved to search for Alice, another one of her ancestor, hoping to get shelter. She found it at the time Alice’s family was raided by the whites, and Alice’s father was captured. She helped Alice’s family, but soon after she was discovered by a white man. Dana knocked him unconscious, then returned home. Afterwards, Kevin and her prepared Dana in an event where she get transported again.
Ann Rinaldi has written many books for young teenagers, she is an Award winning author who writes stories of American history and makes them become real to the readers. She has written many other books such as A Break with Charity, A Ride into Morning, and Cast two Shadows, etc. She was born in New York City on August 27, 1934. In 1979, at the age of 45, she finished her first book.
In the short story, “Until Gwen” by Dennis Lehane, it starts off with the main character named Bobby who is getting picked up by his father from prison with a stolen Dodge Neon. His father wasn’t alone, he brought himself a company and it was a hooker named Mandy. We got a sense of who his father was, a “professional thief, a consummate con man” (647). We don’t know why he was in prison until the rest of the story slowly reveals the flashbacks he has with his girlfriend Gwen and the incident prior of going to jail. Bobby has no sense of who he is or where he is from because there no proof of record of him such as a birth certificate. After meeting Gwen, his life has changed and felt the sense of belonging into the world he is living in. Bobby’s
How far would someone go to survive? All through life people go through various challenges, but when someone is facing death, how far would someone will they go to save oneself? Survival can mean many different things; such as making it through highschool without getting into trouble, fighting off a predator, or standing up for what is right to help others. In Kindred, Octavia Butler uses many different situations to show what survival means to her. For example, Dana, the main character, travels through time to save her ancestor Rufus thus experiencing times of near death predicaments. In Kindred, Octavia Butler uses the conflicts Dana experiences in her time travels to suggest the idea that people do things they wouldn’t normally
Out of the three wonderful narratives given, the best one is “Stepping Into the Light” by Tanya Savory. While “Shame” by Dick Gregory is an interesting read, it is the weakest out of the bunch. The story had no clear setting, to many extra details, and a lengthy exposition. “I Became Her Target” by Roger Wilkins was a better executed story, even though it still had some flaws. This piece lacks any figurative language, but it was to the point and had clear organization. Thus, Tanya Savory’s piece was the best. It was easy to follow, used a constant symbol, and used some stories from others to make her point. So using narrative styles and elements in the best way, Tanya Savory wrote the better story.
Are we really humans? What is the definition of a Human being? What makes us Humans? Society is so complicated that anything can be true these days. In Judith Butler’s essay, “Besides Oneself: On the Limits of Sexual Autonomy”, she talks about how humans are vulnerable to life around us socially and physically, and humans are dependable on others. She also uses examples such as grief to define who we are because when humans go through the grief process it reveals who that person really is and it can change that person forever in. Some people go through the grief process differently because it affects everyone. Losing someone close to you can change your prospective about life and how you look at things. We live in a country where everyone is going to be judged and looked at differently no matter what gender a person is.
As previously said Butler describes a domain in which the social norms of gender, sex and desire all take part. This was constructed by formal and informal means which try to ‘normalise’ people who don’t conform to the social norm. In an interview Butler states that one of these institutionalised methods is psychiatric normalization, initially going against the social norm in term of sex and gender was considered and illness which led psychiatrists to try to ‘normalise’ their patients, this procedure has now been terminated but other informal methods such as bullying still exist. From this Butler aspires to a new idea of gender one which becomes a reality and one which is less violent and one which breaks the conventions and stereotypes put in place by social norms. This idea of a less violent idea of gender relates back to Butlers notion that in order for progression in feminist theory, the feminine gender has to transform. Digression, not violence, within feminism can still be identified, in 1997 Feminist Sheila Jeffrey’s branded transgenderism “deeply problematic from a feminist perspective and that transsexualism should be seen as a violation of human rights.” Although this remark isn’t violent, it definitely disrespects gendered women and men who haven’t conformed to the social norm much like Jeffrey’s hasn’t, yet her criticism still ridicules another sexual minority. Jeffrey’s is
The movie “Awakenings” is a touching movie with a touching plot line and characterization. The movie tries to show how one doctor will do anything to help people who have not experienced life in any regards. “Awakenings” helps us understand why we must be willing to challenge conventional wisdom to help those in need. This movie is an inspiring story about a doctor willing to push the limits, it is best examined through the plot line, the characterization, and some of the drawbacks of the movie Awakenings.
In a world where survival is the most important aspect of everyday life, it becomes common knowledge that your family alone will not be enough to save you from the death and destruction. By looking at the parallels within people’s relationships in Octavia Butler’s Parable of Talents, you can see that the chosen communities and families are stronger than the blood ones; this is important because the worlds depicted in dystopian novels are closer than generally thought so it is necessary to prepare oneself to create these chosen bonds. The three strongest relationships that parallel this claim are: Olamina and Larkin verses Olamina and Earthseed, Olamina and Marc verses Marc and Christian America, and finally, Larkin and Marc verses Larkin and
nurture in The Gate to Women’s Country, it is evident that nurture and upbringing dominates these characters and their decisions in life. Sherri S. Tepper 's statement that it is possible to breed out the bad qualities in humans through science is incorrect, because nurture and tradition are the factors that play the important role in molding a person into who he or she is are and how they choose to live his or her life. By the women of Women’s Country attempting to altar society and change their nature, they will not succeed unless the women start changing their methods of upbringing. The warriors will always be taught to be violent and protect their honor, the women of Women’s Country will continue producing children to send to the garrison, and the Holylanders will always be a corrupt, misogynistic society. As Dave Belden from The Gate to Women’s Country blog comments: “Do most men in our culture not cry easily because we are taught not to?…or is it in part because testosterone inhibits crying?” (feministsf.net). It is unrealistic to believe that one can change another’s genetic makeup simply by breeding out these traits. Instead, it is the way in which the men were taught that makes one believe that they may never cry. Nurture’s force will always take precedence over naturalistic
She says elsewhere, “Personally, I find utopias ridiculous. We’re not going to have a perfect human society until we have a few perfect humans, and that seems unlikely” (qtd. in Belk, 369). Yet, paradoxically, she makes the point that a true human utopia is impossible while also presenting a scenario where one might actually be possible. The catch? Humanity has to become something else entirely; our very nature has to change. For example, Lilith is informed, matter of factly, “your people will change. Your young will be more like us and ours more like you. Your hierarchical tendencies will be modified and if we learn to regenerate limbs and reshape our bodies, we’ll share those abilities with you” (Butler, Part 1, ch. 5). The point? Humanity has to be willing to embrace change at small levels, to “grow up” as Butler put it (qtd. in Belk, 386). The way she sees it, humanity’s unwillingness to accept change, to become different, is what holds us back and prevents us from having a true utopia (Belk,
Lilith, a young and inexperienced angel, was sent on her first mission of acquiring a passing human 's soul. Little did she know, a demon was also on his way to bring darkness upon the spirit of the human. Draven, a powerful demon, had stolen many souls throughout his existence. Lilith was no match for him. However, the moment he laid his eyes upon her, he was instantly mesmerized by her beauty. He knew it was wrong to feel such emotions toward an
Stereotypes have become a socially accepted phenomena in today’s society. So socially acceptable, in fact, they have made it onto advertising billboards and into our daily language. We do not think twice as they pass our tongues, and we do tilt our heads in concern or questioning as they pass into our ears. In Judith Butler’s essay “Besides Oneself: On the Limits of Sexual Autonomy”, stereotypes are exposed and explored. Especially stereotypes pertaining to sexual orientation. Butler explains how stereotypes are unacceptable. She does this in a way which allows her to concurrently explore what it means to be human, and also what humans do or need to make Earth a livable place for ourselves. When examining Butler’s essay, one could say, and
The Vampire Academy by Richelle Mead is about two girls Rose Hathaway and Lissa Dragomir. Rose Hathaway is not a normal girl not even close. She is a bodyguard to the vampire princess Lissa Dragomir. After two years of freedom Lissa and Rose were caught, and dragged back to the one place they vowed to never go back to St. Vladimir’s Academy. Now they have to watch every move they make, because someone at the academy is out to get them, but who and why?
Jonathan Safran Foer’s novel Everything is Illuminated explores the way in which people deal with their own personal reality through three different narratives. Through these narratives the characterization and intentions of these characters are revealed. Within Everything is Illuminated coping mechanisms aid in developing how each of the characters interact as well as how the plot evolves. Yankel, Grandfather, and Alex all have a different conception of reality and cope with each differently.