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Literature as a means of studying culture
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Amin Maalouf unlike many writers of his era portrayed an adventure of a unique protagonist striving to find a significant meaning within his life. Maaloufs Book 1 clearly conveys the child hood of Hasan, in other words, Leo Africanus and how he perceived the events that took place which, as one could determine, shaped his life. Maalouf conveys this in such a unique manner, with literary devices which exalt the principle of cultural patriotism. This is done in such a way that further intentions can be extricated such as the defiance of typical stereotypes. From years upon years, their have been numerous accounts on which the Muslim culture has been accused of violating human rights, abusing ethical principles and even Terrorism through a religious "Jihad." For this blatant reason, one is able to praise such a book which successfully attempts to convey the hardships of Western influence in terms of war and religion. Maalouf utilizes Language and Religion in order to shed light and give an insight in to the Muslim culture whilst indirectly defying stereo types of the west. In order to strengthen the effect of this message upon the reader, Maalouf presents several literary devices such as the use of an unfamiliar language to authenticate his book, a clear chronological structure and the manipulation of frame stories that give the reader to an extent, limited omniscience.
Writers such as Maalouf himself, recognize the importance of literary techniques such as the manipulation of structure. Structure in itself provides a basis for character development and this is essential to convey the writer's intention. The Novel, is divided in to four books, that contain several chapters which each contribute to a significant part of Africanus's...
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...ies of God and His Prophet."(73) From this and the mass exile following this quote, one is able to see the great devotion to "Allah"
From this novel one can argue that despite its brilliance linguistically, the novel has one certain quality that excludes it from your average travel writing and that is, the immense detail of the Islamic culture. From this detail one can argue that, this book indirectly defies stereotypes in that, in itself it conveys the qualities amongst the mediocrities of Islam and how it is not the cause for malevolence. This book draws a significant and an important line between Religion and Social Behavior. In a sense one can further argue that the book provides a safe haven for the religion whilst still giving a non-judgmental aspect towards it. In its entirety, Book 1 provides an excellent opening to the novel and is extremely well written.
This is my personal reflection about this book. First and foremost, I would like to say that this book is very thick and long to read. There are about nineteen chapters and 278 pages altogether. As a slow reader, it is a quite hard for me to finish reading it within time. It took me weeks to finish reading it as a whole. Furthermore, it is written in English version. My English is just in average so sometimes I need to refer to dictionary for certain words. Sometimes I use google translate and ask my friends to explain the meaning of certain terms.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
This novel and film commentary analysis or interpretation will be first summarised and then critiqued. The summary will be divided into twenty- four episodes. While summarising it is well to remember that the film was made out of the book.
Underneath the tale of Segu is the hushed and disloyal question few people tend to voice: how did they lose the rights to use the land and resources of an entire continent? This novel explains that it was not just Europe’s greed and Christianity pretense that led to the fall of Africa. It shows that Islam was a major force that endangered Segu as well. However, aside from the tragedy’s that were outlined, there lies a captivating story about culture, spirituality, and diversity.
He presents the themes and elements of the pre-Islamic society, including its tribal culture, economic culture, religious background, prominence of poetry (how the Qur’an situates itself in relation to the poetry of the “Jahileen”), and discusses gender issues (particularly infanticide of daughters). Moreover, he introduces the connection between Abraham and Muhammad which is identified as the “cornerstone to the Islamic tradition” (84), situating it relative to other monotheistic religions. Through these elements Safi notes that pre-Islamic Arabia shaped the ways in which “Islamic discourses and practices expressed themselves” (53) thus providing the “the context of Islamic practices”
“Culture belongs to the imagination; to judge it rationally is to misunderstand its function” (Wilson 79). In “The Butterfly Mosque” by G. Willow Wilson, she acknowledges culture and explains why cultures can differ so greatly. She emphasizes why its highly inconclusive to try to find a meaning behind ones culture. As a young American Muslim women she is faced with cross cultural ironies as she tries to find her identity and where she fits in. Her conversion to Islam brings into light her internalized prejudice and the different perspectives of Westerners towards the Middle East and vice versa. In her memoir, she depicts both positive and negative aspects of both cultures and, her struggle to find a common ground between the two.
Since this paper is my reflection, I will be honest by stating that I am nineteen years old, white, a male, and have been raised in a Catholic family just outside of Louisville, Kentucky. Now why is this important? This is important because the only viewpoint of the crusades that I have studied, prior to my experience with Maalouf, has been from the Christian point of view. Until now, I have yet to place myself in the shoes of those on the opposite end of the sword, shields, and Jihad. History is a touchy subject for me because I have come to learn there is always another side of the story to learn from. This fact leads to the first main thesis of Maalouf’s adventure.
James Joyce's use of religious imagery and religious symbols in "Araby" is compelling. That the story is concerned somehow with religion is obvious, but the particulars are vague, and its message becomes all the more interesting when Joyce begins to mingle romantic attraction with divine love. "Araby" is a story about both wordly love and religious devotion, and its weird mix of symbols and images details the relationship--sometimes peaceful, sometimes tumultuos--between the two. In this essay, I will examine a few key moments in the story and argue that Joyce's narrator is ultimately unable to resolve the differences between them.
However, that is also not open. He narrate the story and in a sense to prove the ideology right. Moreover, it cannot be said that he consciously did it. He is narrating what he has seen. He himself is not condemning it. He is a European and seeing thing through his perspective. He also thinks natives as savage and unconsciously described Eurocentricism. In the novel, every now and then he uses word savage. The readers also do not get each and everything. Not everyone can comprehend each and everything. Moreover, the writer also does not openly explain everything. He leaves it to the imagination and the understanding of reader. There is always gap left, which needs to be filled. This study is carried out to fill in the gaps and enlighten the readers with the evil. This study is meant to give better understanding of the and the ideology.
Since September 11, 2001, the Western world’s view of the Middle East, specifically countries like Iraq or Afghanistan, has shifted drastically. Whenever the media portrays the Middle East, they manage to spin a story negatively or violently. Due to these extrinsic influences, the youngest generation of Americans has never known an America that did not express at least some hatred toward certain parts of the Eastern world. Novels like The Kite Runner by Khaled Hosseini strive to encourage a healthy interest in Afghanistan and the Middle East while breaking the stereotypes that westerners have come to accept as fact about the culture and religion of Afghanistan. Hosseini manages to conjure a universal story line with relatable characters that introduce the world to the everyday people of postcolonial Afghanistan. On a grander scale, in The Kite Runner Khaled Hosseini utilizes his own life experiences alongside his firsthand account of the contemporary history of Afghanistan to craft a novel that breaks down these negative stereotypes and offers a significant contribution to Afghan American literature.
The Arabian Nights.Trans. Husain Haddwy. Ed. Muhsin Mahdi. New york: W.W. Norton & Co., 1990. E Book.
Hamid’s fiction deals with varied issues: from infidelity to drug trade in the subcontinent and, in the light of contemporary developments, about Islamic identity in a globalised world. His first novel, Moth Smoke (2000) won a Betty Trask Award and was shortlisted for the PEN/Hemingway Award in 2000. His other novel, The Reluctant Fundamentalist (2007) was shortlisted for the Man Booker Prize, the Decibel Award and the South Bank Award for Literature. This book serves as a testament to his elegant style as he deftly captures the straining relationship between America and Pakistan.
In his short story, “The Prophet’s Hair,” Salman Rushdie make use of magic realism, symbolization and situational irony to comment on class, religion, and the fragility of human life. The story is brimming with ironic outcomes that add to the lighthearted and slightly fantastic tone. Rushdie’s use of the genre magic realism capitalizes on the absurdity of each situation but makes the events relevant to readers’ lives. In addition, the irony in the story serves as a way to further deepen Rushdie’s commentary on class and religion. Finally, his use of symbolization focuses on the concept of glass, and just how easily it can be broken.