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Essay on women in sports
Essay women in sports
Sexism in movies essay
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“She's the Man” which started Amanda Bynes was a cinematic experience that defined gender politics. “She’s the Man” managed to centralize on how difficult it was to be a woman dressed as a man in contemporary society with its pro-feminist and pro-gay beliefs. The film followed Amanda Bynes', Viola Hastings, a high-school soccer star who received news that the male-dominated administration of her school had ended the women's soccer program. When Viola suggested to the coach of the male team that she should be able to tryout, she was roundly mocked by the coach, the players, and even her boyfriend. To demonstrate that women can compete with men on the field, Viola took advantage of the fact that her twin brother was in London for two weeks. Viola disguised herself as her brother to try out for the men's soccer team. The strategy was a success, and she found herself playing for the boy's squad. …show more content…
She did not only have to change her outward appearance, but she also had to change how she walked and talked. Gender roles are something that we have socially constructed: or in other words only exist because society says that they exist. When Viola was learned how to do a man’s typical “slouchy” walk or tried to use language that men typically use, she was trying to imitate what we, as society, has defined as the male gender role. Gender roles are also specific to society and historical periods. We can see this in “She’s the Man”, as Viola was trying to imitate a very modern idea of masculinity. Throughout the movie she tried to imitate today’s idea of masculinity by doing things such as picking up girls, inappropriately touching them and dating multiple girls at once. This is an act that in today’s society is somewhat seen as acceptable of a college aged male. However, as one of the rules of gender roles this is only specific to a specific circumstance: today’s society and to the college age
and identifying as an average woman for a large part of her life, she takes on the persona of a
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
A large portion of contemporary film and theatre has been lacking in substance. More often than not, we are presented with a “been there, seen that” scenario. One such exception to this rule is Hedwig and the Angry Inch, a film by John Cameron Mitchell that was released in 2001. Set primarily in post-Cold War America, Hedwig is a film that characteristically breaks convention. Our story follows Hedwig, a forgotten and confused homo…trans…well, human being. Growing up in East Berlin during the Cold War, Hansel Schmidt (John Cameron Mitchell) lives what I would call a horrible childhood in the bleak landscape of communist occupied Germany. He falls in love with an American soldier, and undergoes a sex change in order to marry him and leave East Berlin. The operation is botched, leaving him/her as a physical contradiction. Not quite a man, but not yet a woman, Hansel (now Hedwig) has what she describes as an “angry inch.” When describing it in lighter terms, she calls it a “Barbie doll crotch.” Upon arriving in America, the soldier leaves her the same day the Berlin wall comes down. Destroyed, Hedwig spends some time discovering her new self and eventually finds a soul mate in a young boy named Tommy Speck (Michael Pitt). They collaborate musically and romantically, but upon discovering Hedwig’s secret he leaves with all of their music. He becomes a huge rock star, living Hedwig’s dream while simultaneously leaving her in the dust. From then on, Hedwig and her band “The Angry Inch” follow Tommy as he tours the nation while Hedwig tries desperately to gain the notoriety she deserves for her music. Viewing this film through the lens of a feminist gender perspective, I find that Hedwig is a pioneer on the forefront of changing the gende...
The most important events of this film all revolve around the female characters. While there are some male charac...
about marriage that our society assumes to be true today. These include ideas about single
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Within this film the sociological concept based around sex & gender is hit quite a few times. Missy, a new comer to her current school, tries out for the cheering team. She is put under lots of scrutiny from some of the members of the cheer squad. She is underestimated due to her appearance and she proves herself to the team. They already had a candidate in mind, but the captain lets the other two team members know that Missy will be on the team. Hearing this noise infuriated them and they called Missy an “uber dyke” which is a sex and gender stereotype. Missy was treated this way all based on the way she prefered to
Consequently, they must then take on parties, dates, auctions, beach days, and fashion shows, all while concealing their true male identities. While doing this, the movie portrays extreme stereotypes of gender roles and expectations. Although the portrayal of female expectations and characteristics is exaggerated for comedic effect, the underlying points and issues still remain. The way the brothers dress, speak, act, and understand their new social life as females, all contributes to the obvious contrast in gender specific qualities. The consistent sexualization of women and over pompous attitudes of men throughout the film provides exceptional evidence that society has established acceptable norms for both genders. These established roles of femininity and masculinity conflict within the undercover agents as they struggle to act poise, arrogant, non-confrontational, and sexy like their fellow female friends are, yet this is completely out of the norm for them as they are truly males. However, when they slip-up and allow their defensive masculine traits to show through it allows for not only a comedic break, but an exceptional
As the century progressed, the physicality of women in sports became more acceptable. Women who were not as feminine still had to deal with prejudice, and were sometimes labeled "homosexual" as a derogatory statement. Although there are still stereotypes that many women feel bound to, we see at the end of the film that images of women as athletes, rather than athletes as women are now acceptable. The Nike commercials are a good example of this. These commercials extol the physical prowess of wo...
Pat and Mike is a romantic comedy directed by George Cukor that makes a statement on feminism in the context of competitive sports. The film features Katharine Hepburn as Pat, a female athlete who excels in a variety of sports. Her character, for the most part, defies traditional gender roles - she is self-assertive and tough. However, her strong character is profoundly altered whenever she is around her fiance, Collier West. She becomes weak and ineffectual in his presence, which affects her athletic performance significantly several times throughout the film. Pat’s character and the effect of her fiance’s presence on her behavior can be considered a feminist commentary. In today’s society, a female character who is portrayed as being a competent and capable individual is not exactly groundbreaking. However, at the time of the film’s release, audiences probably experienced Pat and Mike differently than present-day viewers of the film.
The films message to viewers about gender and power is that women are meant to take care of the home and play the supportive role, while men go out to their jobs and provide. Men are strong and burly and women are naïve and domesticated. Women need men and men always come to the rescue to save women and give them a happy ending. Power is portrayed in the film both visually and through the film’s script and dialogue. The common idea that women are inferior to men is placed subtly in this movie throughout the plot and how these charac...
Women and men both play crucial roles in our society. Through the years, we like to presume that gender roles aren’t perceived as they once were. Is that the case? Looking through pieces of literature such as “I want a wife” (1971) by Judy Brandy, “Barbie Doll” by Marge Piercy (1973), and “The Yellow Wallpaper” by Charlotte Perkins Gilman (1899) and comparing them to modern day depicts how much gender roles changed. Gender roles have not changed a whole lot; they did change, but defiantly not as much as we like to believe. Women have more freedom and independence now than ever before, but that doesn’t change the fact that they are still controlled and objectified.
According to the social role theory, women throughout most cultures have less power than men, work less than men, and are paid less than men (Santrock, 2016). This theory leads to the conclusion that women are not taken seriously in this world. The Harvard Men’s Soccer Team clearly had no respect for the women on the Harvard Women’s Soccer Team. These women were treated as objects for man’s amusement (Seelye & Biggod, 2016). The Harvard Men’s Soccer Team objectified these women by rating women from one to ten on their sexual appeal. Unfortunately, the Harvard Women’s Soccer Team is not the only group of women who face this type of adversity, women everywhere have dealt with sexual harassment, and to some women, it is considered a social norm,
For any young female, this would be a devastating situation to be thrown into, and viola was no exception. Apart from having to deal with the loss of her brother, she also had to find a way to survive in illyria. Perhaps this is where the resilience in viola's nature is first shown instead of breaking down and mourning bitterly the death of her loved one, she immediately devises a plan to disguise herself as a male and serve duke orsino.
This was an astonishing change for the American film industry. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). The 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Secondary' of the 'Se These changes made in action films for women’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007).