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How does religion influence art
Alvin Ailey and his influence on modern dance
Role of art in religion
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Written Critique 2- Alvin Ailey Concert
On April 23, I saw the Alvin Ailey Dance Company perform at Jones Hall. They performed many pieces including Open Door, Vespers, The Hunt, and Revelations. These pieces all included more than one dance routine to different songs or pieces of music. While all of the pieces were amazing, I have to say that my favorite piece is Revelations. Revelations explores the sadness and joy of the human spirit through African-American, gospel inspired music to the styles of modern and jazz, deeply rooted and influenced by African-American culture. When Alvin Ailey choreographed this, I definitely believe that his main inspiration in his choreography derived from his faith and relationship with God. All of the pieces
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in Revelations are set to gospel and African-American spiritual music and the choreography emphasizes the meaning behind the lyrics of remorse, despair, and joy. In my critique, I will analyze and give my opinion over one dance from each single piece in Revelations. The three pieces in Revelations include Pilgrim of Sorrow, Take Me to the Water, and Move, Members, Move. Pilgrim of Sorrow has a very melancholy tone to it.
The dance Fix Me, Jesus was very moving and gave me chills. I think the purpose behind this piece was to convey how many people feel helpless or broken and that they are asking for Jesus to fix them and help them through the hard tribulations that they are facing. The style of dance is modern with some ballet influences. Throughout the dance there is a lot of isolated movements and repetition in the same movements over again. One movement that was isolated and repeated throughout the dance was the reaching of arms up to the ceiling. I believe that Alvin Ailey purposely used movements like these to further convey or confirm the spiritual message behind the movements and music. The lighting in this piece was very dim except for in the spot that the dancers were huddled close together where it was a warm yellow tone. The dancers all wore nude colored costumes to match the theme and lighting of the piece. This piece of Revelations probably moved me the most because of the raw emotion behind the lyrics and …show more content…
movements. Take Me to the Water was not as dark or sad as Pilgrim of Sorrow but nevertheless, very good and captivating just as any piece by the Alvin Ailey American Dance Theatre I have seen. My favorite dance in Take Me to the Water is I Wanna Be Ready. This dance was also very moving and slow like Fix Me, Jesus but not quite as sad. This piece is also very influenced by gospel and Christian beliefs. I think the meaning of this piece is that the person wants to be ready for Jesus when the time comes for us to see him again. The style of this piece is modern and has many isolated and repetitive movements in the choreography. This dance was a solo piece performed by a man. The lighting was very simple with a light blue tint. The costume was also simple with the man wearing plain white pants and no shirt. Move, Members, Move was probably the most upbeat and happier parts of Revelations.
While it is hard to pick a favorite, I would like to discuss the dance Rocka My Soul in the Bosom of Abraham just because it is completely different from the two previous dances I have mentioned above. While Fix Me, Jesus and I Wanna Be Ready were very serious and slow, Rocka My Soul in the Bosom of Abraham was upbeat, lively, and joyous. I think the purpose behind this choreography is that the dancers are rejoicing in the Lord and giving thanks unto him. The style of this dance was somewhat hard to place but I would have to say that the choreography is jazz broadly influenced by African-American culture and music. The women in the dance wore long church type dresses with floppy hats with a fan as a prop while the men wore black dress pants and tuxedos. It is clear that the purpose behind this costuming is because they are in a church service. This routine had everyone dancing in their seats and received a standing ovation in which they performed again for the
audience. I feel very fortunate to have the opportunity to see the Alvin Ailey Dance Theatre perform Revelations. I felt such a broad range of emotions throughout this thirty-minute time span from sorrow in Fix Me, Jesus, to motivation in I Wanna Be Ready, and to excitement and joyfulness in Rocka My Soul in the Bosom of Abraham. All of the pieces moved me in different ways and were all equally unique and beautiful. I really loved the choreography and music choices by Alvin Ailey in Revelations and would love to see this piece again one day to experience the same range of emotions and visually appealing choreography again.
Unlike most of his contemporaries, Grossman’s dance movements vary from one production to another. In the 1975 production ‘Higher’ the dance movements were mainly using the whole body. The piece went for 15 minutes and was explicit in its design so that the audience could clearly see and understand the intended message/s. This piece received many awards and is what got Grossman noticed and brought into the dancing world.
Hope, desperation, relief, and joy were the emotional aspects that I grasped onto during the piece. While there was not a literal story, it was relatable and real. The dance was visually beautiful, because the lighting, costumes, silk, and choreography worked together to create a picture of water. Yet, the music and idea behind the dance gave the intense and emotional aspect. Each of these elements worked together to create a piece that was mesmerizing and light
After watching the videos most made me feel same as in our book Bill T. Jones says, “Make something beautiful…Make something that comes honestly from you. Dare to fail.” That is exactly ho I felt after watching most of the videos. They were full of emotions and contact. The movements were very touchy feely and emotional with a story to tell; especially, the one called “What is contact improvisation?” I did reminded me of some of the previous choreographies we watched. I most of the videos there was a lots of ballet movements except the “Rennie Harris Puremovement │ Jacob 's Pillow Dance Festival 2009," which I actually enjoyed the most. I also did see some jazz, and musical, but not tap. If I look at previous video from Bob Fosse and his “Sweet Charity”, I don’t really see any connection between the videos we have see in this chapter.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Every company has what is known as a “signature piece,” that is, a work which expresses something about the artistic direction and the spirit of the company. For the Alvin Ailey Dance Theater that piece is Revelations. Choreographed and set to traditional music, Revelations was first performed at the Ninety-second Street YM-YWHA New York, NY. , January 31, 1960. The lead dancers were Joan Derby, Minnie Marhsall, Merle Derby, Dorene Richardson, Jay Fletcher, Nathaniel Horne, and Herman Howell and the soloists were Nancy Redi and Gene Hobgood.
Through the African dance technique used, the projection of the dancers bodies, and Ailey’s choice of gospel and spiritual music, these influences can be seen. Growing up in Texas during the Great Depression would likely have had great impact on Ailey, and it is said that the inspiration to his piece Revelations draws on the “blood memories” (Alvin Ailey Dance Foundation Inc. n.d) of his childhood and the Baptist Church. These memories of the Baptist Church can be seen throughout Revelations, particularly during Wade in the Water. While I was familiar with Ailey’s style already, I still feel as though I learned a great deal over the five weeks that we studied his work. I hope to continue to be able to use the different african dance techniques, such as the grounding through the legs and feet, in the future. Although Ailey passed away in 1989, his work is still studied and performed worldwide to this day and his legacy is continued through his school, Ailey School (Alvin Ailey Biography
Revelations is a contemporary style dance that tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music.This choreographic work was first performed in New York City on January 31,1960 at the Alvin Ailey American Dance Theater and later recognized to be a signature piece for the theater. Alvin Ailey is the original choreographer of the masterpiece titled “Revelations” and also the founder of the dance theater where the piece Revelations is mainly showcased, Ailey was an African-American born January 5,1931 in Rogers, TX , only 29 when he decided to develop this dance piece. There was a time where opportunities for male dancers like himself was severely limited, so that 's when he decided to establish his work, this dance performance was Ailey 's idea for African Americans to express their talents,cultural history, and experience and was also encouraged by his memories of living in the south and his understanding of human development.
Her goal was to move, not dance. She challenged the notions of what a quote on quote “female dancer” was and could do. Dance to her was an exploration, a celebration of life, and religious calling that required an absolute devotion (pg. 11, Freedman). She considered her dancers “acrobats of God”. An example of a dance which symbolized the “essentialized” body was Martha Graham’s Lamentation, choreographed in 1930, which served as an expression of what person’s grief, with Graham as the solo dancer in the piece. The costume, a tube-like stretchy piece of fabric, only allowed her face, hands, and feet to be seen, and, as Graham stated, “The garment that is worn is just a tube of material, but it is as though you were stretching inside your own skin.” In the beginning of the piece, she started out by sitting on a bench with her legs wide spread and arms held tight. Her head was going back and forth as if she was feeling sadness or maybe replaying thoughts in her head. By the way she was holding her hands so tight and close to her body, it symbolized the deep pain within her––the essence of her piece was grief, and she danced it from inside out. Russel Freedman, the author of Martha Graham A Dancers Life, stated, “She did not dance about grief, but sought “the thing itself”- the very embodiment of grief (p. 61).” Graham, dancing with strength and power, was encapsulated with her movement and was completely surrendered
One of the first concerts ever produced by his company was titled Blues Suite, which was a well-received depiction of poverty in the deep south set to a soundtrack of blues music. This concert was an integral part in defining Alvin Ailey’s choreography technique, which is loosely based on the technique associated in ballet with strong legs and feet, while still maintaining a more evocative, modern-style torso. However, the most critical element that determined the specific style of each piece was solely dependent on the story he wanted to tell. Revelations was a magnificent showcase of storytelling that quickly became Alvin’s signature dance concert. He drew inspiration for this piece from his memories as a child growing up in the south. According to the Dance Heritage Coalition, the concert, which has been viewed by twenty-three million people worldwide, featured the sounds of negro spirituals and gospel music with depictions of common worship rituals including baptism in Wade in the Water, the sacred act of taking communion in I Wanna Be Ready, and prayer in I’ve Been Buked (1). Additionally, Alvin also focused a great deal of his energy into creating a dramatic atmosphere for his dancers to perform in. He had a very strong creative influence in
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
"Alvin Ailey." The John F. Kennedy Center for the Performing Arts. N.p., n.d. Web. 27 Apr. 2014. .
Steve Paxton: Speaking of Dance – Conversations with Contemporary Masters of American Modern Dance. Academic Internet Video. Directed by Douglas Rosenberg. Oregon: Alexander Street Press, 1996.
The 2nd movement: A Ball. This movement is representative of the gala ball where he once again sees his beloved. This section is a dance movement in three-part form. The Idee fixe reappears in waltz time.
Dance is a part of every culture. Whether it is the fire dances of the native Hawaiians, or the Tango from Spain, dance is a part of every culture. This event is not an event I would usually attend. I am not into art of any kind except music. At first, there were two reasons I went to this performance.
Also, the performers are constituted with same number of men and women. They imply the importance of equality through the performance. The female and male dancers use the same movements to show that they are equal. The message being conveyed here is important, on the grounds of its social influence and giving the whole performance a deeper meaning. The thing makes dancing different and odd to other occupations is the fact that most famous and well known dancers are mostly females, since on other social circumstances males tend to dominate more realms. Here, besides all the female masters, the male dancers appear as much as the female artists do and they also showcase what they are capable of. As I watched more of the performance, the interactions between dancers and the LED lights became more appealing to me. Dancers use their bodies to interpret the connections between human beings and technology. Moreover, the background music also plays a vital role in the production of this whole piece of art. The tempo of the music, the dance movements, as well as the frequency of the lights going on and off together appeared to the audience as a desirable combination. I love how the dancers do every movements according to the rhythm of the music and how they two fit perfectly. All of those things together made a great show to watch and