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Religious symbolism in lord of the flies
Symbols of the lord of the flies
Religious symbolism in lord of the flies
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William Golding’s novel, Lord of the Flies, has been regarded as a masterpiece in the world of literature. This adventurous tale mixed with its frightening experiences arouses a sense of uncanny and even supernatural evil. But why is this? What impacting literary device does Golding use to bring out the terror of human darkness in his novel? Digging through the novel, it is a fact that William Golding uses symbolism to allude to religious archetypes that can be found in the Bible. This is exactly the function of the allegories used in this novel; it enriches the text depending on the different circumstances depicted in the novel. These allusions truly expand the readers view upon the situation in which the stranded boys are in. This respected …show more content…
author uses setting, characters, a Christ-figure, and a direct allusion to Adam and Eve, to bring out the theme of his novel. William Golding creates many symbolic settings to help emphasize the biblical allusions he incorporated into the book. In one case, The Garden of Eden is alluded to. Many of the events that took place in Goldings novel can be compared to the incidents that occurred in The Garden of Eden. For example, Golding describes the island with having striking scenery, calm weather, and filled with fruit. In the Garden of Eden from Genesis, Eden is described almost identically. “The breezes that on the lagoon had chased their tails like kittens were finding their way across the platform and into the forest.” (pg.40) It seems as if it almost an untouched paradise, such as the one in the story of Adam and Eve. In both stories, the paradise becomes abused for their resources and no longer is as perfect as it was. Another example of Golding's use Biblical setting is the description of Heaven and Hell represented on page 230. Phrases like “great bulging towers” and a “pearly stillness” everywhere seem to be a description of heaven. Yet, moments later the description turns to a negative connotation representing Hell as it describes the island with having a “tormenting heat” (pg. 230). As shown here, the comparisons between the settings shown in the Bible and the settings shown in Lord of the Flies are almost inseparable. Golding uses one of the boys to represent a core part of the Bible, a Christ figure.
Simon is used as a symbolical character to represent a religious hero such as Jesus. Like Christ, Simon is innocent, pure, and kind; there is no innate evil within him. An example of this is when he feeds the littluns, whom nobody cares for anymore. “Simon found for them the fruit they could not reach, pulled off the choicest from up in the foliage, passed them back down to the endless, outstretched hands” (pg.78). This is line from the book correlates to how Jesus, in Mark 6:41, hands out bread. “And taking the five loaves and the two fish he looked up to heaven and said a blessing and broke the loaves and gave them to the disciples to set before the people. And he divided the two fish among them all.” Another critical action Simon takes is when he shares his meat with Piggy on page 104. “Simon, sitting between the twins and Piggy, wiped his mouth and shoved his piece of meat over the rocks to Piggy, who grabbed it” This quotation shows how much Simon cares for others. Not only is Simon's kindness relate to Christ, but so does his loneliness. Both are outcast by others because of what they believe. Simon is teased by the other boys for being weird and undecipherable. The point in the novel when Simon feeds the littluns fruit shows exactly what the boys thought of him. “The littluns watched him inscrutably over double handfuls of ripe fruit” (pg.78). All the kind things Simon does is …show more content…
confusing to the other boys, who don't understand why he does it. For example, the time that Simon gave some of his meat to Piggy, led the twins to laugh at him. “The twins giggled and Simon lowered his face in shame.” (pg.104). The biggest comparison between Christ and Simon is the ultimate sacrifice made for humanity's redemption; death and crucifixion. It was a brutal and cruel killing for Simon as it was for Jesus. “At once the crowd surged after it, poured down the rock, leapt on to the beast, screamed, struck, bit, tore. There were no words, and no movements but the tearing of teeth and claws” (pg.219). The depiction of the death of Simon was also very similar to that of Jesus. It was peaceful and divine, as shown in page 169, “The water rose farther and dressed Simon’s coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange attendant creatures, with their fiery eyes and trailing vapors, busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water”. Simon was a core part of the book because he showed the kindness and morality that was also shown in Christ. Golding characterizes Simon in this way so he can give readers an ability to easily understand the theme of his Lord of the Flies. Golding produced characters and conducted them to say specific phrases that connects and corresponds to the Bible.
The sow's head on a stick is a prominent example of this.The Lord of the Flies is compared to Satan because of it's role in the story. The sow's head evokes sin among all of the boys on the island. Identically, Satan evokes sin among all of humanity. The Lord of the Flies also represents temptation just as Satan is said to be a form of temptation in the world. The Lord of the Flies is also a direct translation of Beelzebub which is a symbol of pure evil and death. In the novel, Simon is tempted by the sow's head as it mocks him, calling him a “silly little boy”. and threatens him to not “try to escape” the evil within himself (pg.158). In Matthew 4:1-4, it says, “After 40 days and 40 nights of going without eating, Jesus was hungry. The tempter came to Him. He said, “If you are the Son of God, tell these stones to become bread.” The “tempter” is another name for Satan, who tries to place a seed of doubt in the mind of Jesus. For example, he questions Jesus' goodness with words like “If you are the Son of God...” while the Lord of the Flies tempts Simon by saying “We are going to have fun on this island”
(pg.207)
-Lord of the Flies makes many references that it represents pure evil, by saying things like “You knew, didn’t you? I’m part of you?” and “You know perfectly well you’ll only meet me down there- so don’t try to escape!”
Many works of literature inspire new works to be made every day. From things as old as beowulf to the many shakespeare plays, current day writers keep pulling ideas from the classics to create their own stories. Because of this, many older works of literature are still relevant today. The novel Lord of the Flies by William Golding is more current than ever with allusion from Popular television shows, music that is heard on the radio and the newest blockbuster movie. The many allusions in modern day literature and works of art to lord of the flies are too numerous to count.
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
Simon shows the most purity and compassion as problems increase through the boys as he tries to not let any of the causes affect him. In Lord of the Flies, Simon represents the goodness of the island as he helps the littluns, supports the boys and does everything in his power to make the best of the situation on the island. The lack of civilization and human goodness leads the young children to evils and a bad environment that they have never faced. Simon, a “skinny, vivid boy,” pg. 113. 24)” is a member of Jack’s choir but soon leaves his tribe and joins Ralph because he is not able to deal with the cruel leadership.
William Golding’s novel ‘The Lord of The Flies’ tells the story of a group of English boys isolated on a desert island, left to attempt to retain civilisation. In the novel, Golding shows one of the boys, Jack, to change significantly. At the beginning of the book, Jack’s character desires power and although he does not immediately get it, he retains the values of civilized behaviour. However, as the story proceeds, his character becomes more savage, leaving behind the values of society. Jack uses fear of the beast to control the other boys and he changes to become the book’s representation of savagery, violence and domination. He is first taken over with an obsession to hunt, which leads to a change in his physical appearance This change of character is significant as he leads the other boys into savagery, representing Golding’s views of there being a bad and unforgiving nature to every human.
Golding makes very good use of characters in Lord of the Flies, he shows both good and evil through each of the characters. One of the characters that represents goodness is Simon. He is very good and pure, and has the most positive outlook. Simon is very different from the other boys, he seems to always be helping the Littluns and many other vulnerable boys such as Piggy. "Simon sitting between the twins and Piggy, wiped his mouth and shoved his piece of meat over the rocks to Piggy, who grabbed it." (Golding, pg.74) This quote interprets an example of a time when Simon helped Piggy by giving him food, it shows Simon's wholeheartedness. Another example would be when Simon helps the Littluns pick fruit from high to reach places. All in all Golding tries to portray Simon as a Christ like figure.
The Lord of the Flies by William Golding is tale of a group of young boys who become stranded on a deserted island after their plane crashes. Intertwined in this classic novel are many themes, most that relate to the inherent evil that exists in all human beings and the malicious nature of mankind. In The Lord of the Flies, Golding shows the boys' gradual transformation from being civilized, well-mannered people to savage, ritualistic beasts.
The title, Lord of the Flies, refers to the pig’s head that was placed on a spear and worshiped by the young boys on the island. In other words, the boys have chosen to believe in a fake deity, much like the people of Israel, who built golden calves to worship. And along with these fake gods comes along sacrifices, such as the head was for the beast as Jack stated, “This head is for the beast. It’s a gift” (137). Additionally, the lord of the flies is also known as Beelzebub, an Egyptian god that was linked with the 4th plague, as one of the ten plagues God sent over Egypt through Moses. To further suggest a biblical allusion, Beelzebub is deemed a demon within The Bible and is one of the many vividly described embodiments of evil within the book: “At least Simon gave up and looked back; saw the white teeth and dim eyes, the blood – and his gaze was held by that ancient, inescapable recognition” (138). Golding effectively uses the lord of the flies as a biblical allusion because he is able to exploit the underlying tone of subtle evil that begins to surface within the boys, through their worship of a disgusting thing. However, the allusion loses its power if the readers were unacquainted with The...
...religious allegory. He depicts a story in which the boys are stranded on an island and need to fend for themselves. However, instead of focusing on rescue and building a fire, the boys ultimately shift their priorities to hunting and killing. They turn a once beautiful and majestic island into a place of terror and evil. Additionally, they maul and kill their only hope of ever changing, Simon. Lord of the Flies is reminiscent of the television series “Lost.” Just like in Golding’s world, “Lost” is staged on a remote far away island after a plane crash. However, these people are not children. They are adults, which makes the story even more chilling. These adults eventually succumb to murderous acts and violence, further proving the point Golding sets out to make. Humans are inherently evil, and without any system to keep them in line, they will destroy the world.
... of hope for rescue and the destruction of their ties to former human society; and the Lord of the Flies, used to represent mankind’s “essential illness”: inherent human evil. Ultimately, Golding’s symbols, simple in appearance yet burdened with the weight of human savagery, violence, and inner darkness, do more than frighten. As these symbols are ingrained into our minds, so, too, is responsibility: the responsibility of recognition, understanding, and action. If we do not take heed of the messages behind Golding’s symbols, then our ignorance may be more than unwise—it may be fatal. For if we do not soon take steps to confront our inner evil face-to-face, we may eventually find ourselves trapped in Golding’s harrowing depiction of human society: one bound only by rules far too fragile that, when broken, lead only to chaos, self-destruction, and total savagery.
The novel “Lord of the Flies” was written by William Golding to demonstrate the problems of society and the sinful nature of man.
One of the most important and most obvious symbols in Lord of the Flies is the object that gives the novel its name, the pig's head. Golding's description of the slaughtered animal's head on a spear is very graphic and even frightening. The pig's head is depicted as "dim-eyed, grinning faintly, blood blackening between the teeth," and the "obscene thing" is covered with a "black blob of flies" that "tickled under his nostrils" (William Golding, Lord of the Flies, New York, Putnam Publishing Group, 1954, p. 137, 138). As a result of this detailed, striking image, the reader becomes aware of the great evil and darkness represented by the Lord of the Flies, and when Simon begins to converse with the seemingly inanimate, devil-like object, the source of that wickedness is revealed. Even though the conversation may be entirely a hallucination, Simon learns that the beast, which has long since frightened the other boys on the island, is not an external force. In fact, the head of the slain pig tells him, "Fancy thinking the beast was something you could hunt and kill! Ö You knew, didn't you? I'm part of you?" (p. 143). That is to say, the evil, epitomized by the pig's head, that is causing the boys' island society to decline is that which is inherently present within man. At the end of this scene, the immense evil represented by this powerful symbol can once again be seen as Simon faints after looking into the wide mouth of the pig and seeing "blackness within, a blackness that spread" (p. 144).
Golding drives the point that the instinctual evil within man is inescapable. At one point in the book, when the Lord of the Flies is representing all evil, this theory is stated as, "The Lord of the Flies was expanding like a balloon" (Golding 130). Along with this idea is the religious symbolism that is used for ineffectively confronting the evil. At a point in the book, Golding has Simon, symbolic of Jesus Christ, confront the Lord of the Flies. This is a pig's head on a stick that is imagined to talk and represent the evil in all humans. Simon tries to act and spread the knowledge of this evil to others but is killed. This is a direct reference to the death of Christ, alluding to the Holy Bible.
"Maybe there is a beast... maybe it's only us." In William Golding's post-war novel, The Lord of the Flies, he illustrates how darkness is within everyone by portraying the island as a replica of World War II. The island symbolizes life in the real world by allowing people to view the war through these young boys. The background of the book and the outside world are shown to correlate through the symbols. The archetypal symbols, characters, and setting relay the idea that the beast is within.
Simon is the morally good boy. His selflessness and goodness comes from within. He is kind to the little boys, and helps the outcasts. For example, when none of the boys want to give Piggy meat from the first pig, Simon steps up and takes him meat. "Simon…wiped his mouth and shoved his piece of meat over the rocks to Piggy…"(p.74) While everyone else is cruel to the young ones, he helps the "lil'uns" grab meat from the trees when they can't reach. "Simon found for them the fruit they could not reach, pulled off the choicest…passed them back to the endless, outstretched hands." (p.56) Simon helps those whom no one else is kind to, perhaps remembering that he was looked down upon once. He realizes what it's like to be scorned and to be the "little one", so he tries to make it less miserable for the outcasts by being kind to them. He wants to always help others, so when he discovers the beast is inside of everyone, not external, as they had imagined, he instantly runs down the mountain to tell him. He helps others even to the point of death.