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Analysis of the shining film
Portrayal of women in film
Portrayal of women in film
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All That Heaven Allows opens with a panoramic, establishing shot. This shows the scene of a small New England town in autumn. Cary Scott is one of the main protagonist. She is a widow. Due to the loss of her husband, she is looking for a change in her life. She has a friend visit and try to persuade her to use this widowhood in a conventional manner. However, Cary’s gardener, Ron Kirby, appears and she has a look of interest from the moment she lays eyes on him. Watching the mise-en-scene in this scene makes it obvious she would rather become romantically involved with her gardener than to socialize at the country club. Cary offers Ron some tea and they make small talk. The end of this scene wraps up with Ron handing Cary a small branch, which …show more content…
However, the mise-en-scene establishes that she is not looking to stay in the same class as the one her husband was in. The sequence of the Golden Rain Tree is shown when Cary is in her room. There is a match cut with the branch Ron gave to her. This is an example of continuity editing. This is able to reinforce the narrative. It is understood that this branch already has a place close to her heart. Now that we know who the protagonists are, Sirk goes on to show the contrast between nature and conservative, or in other words, between Ron and Cary. This is shown by the way Cary’s room is laid out. It is very grand and elevated. She also dresses in a higher-class style. Later, we see Ron at his cabin with his country clothing and the mountains around him to show off his natural and lower-class …show more content…
Her children are shown going from a bright, happy light in the hallway to the dark room where Cary is sitting. The lighting shows that her children seem to be quite happy with their lives and what they are currently doing. In contrast, Cary seems to be depressed. This would be in tune with a woman who has just become a widow. However, it would seem to be that her depression lies in the fact that she wants something and has no idea how to obtain it. She is falling for a man outside of her class and age and knows that if she does give in to her feelings, it could have some very negative consequences. The action of her children being introduced through her mirror shows that Cary is very observative of the people around her. It also gives off the feeling that Cary is stuck in her room, like she is imprisoned there. However, we can tell it is her feelings that are actually imprisoned within
With nobody but herself at home, Ann strongly desires to talk to someone, and that someone who arrives at her house is Steven. Ann who has been feeling anxious and helpless while isolated suddenly feels relief when Steven comes as shown, “-and suddenly at the assurance of his touch and voice the fear that had been gripping her gave way to an hysteria of relief.” Steven helps comfort Ann, while Ann is being cautious of herself. She knows that Steven is enticing, but will not give in to him despite how attractive she finds him. Steven is the complete opposite of John and Ann compares John to Steven multiple times, “Steven’s smile, and therefore difficult to reprove. It lit up his lean, still-boyish face with a peculiar kind of arrogance: features and smile that were different from John’s.” and even favours Steven more than her husband. Ann is used to seeing John’s features but not Steven’s. This excites Ann and prompts her to develop feelings that are of a high school girls’, “She didn’t understand, but she knew. The texture of the moment was satisfyingly dreamlike.” It takes Ann a moment to realize that her object of temptation is right in front of her, and it does not take long for her to take the opportunity to ease her boredom and isolation through her upcoming
The Seven Five is a documentary that frivolously reexamines the crimes of Officer Michael Dowd and his team of dirty cops. Dowd is a former New York police officer who was stationed in the 75th Precinct in Eastern New York. The film presents the nefarious deeds of these officers via original interviews with Dowd and his former comrades as they recount their crimes and explain the reasoning behind their unethical behaviors. While working as a cop, he embellished his income through criminal exploits which include stealing guns, drugs, money, and eventually he began working in drug rings selling cocaine. Dowd’s felonious activities were extremely lucrative and earned him approximately $4,000 a week. Dowd was eventually arrested in 1992,
First, Roberta finds her purpose of life with the help of Roxanne. In the beginning, Roberta did not want to cover a tall azalea bush planted by her husband’s mother because she “[runs] out of energy for unwinnable battles against nature” (4). When Roxanne encounters a life issue, she asks for Roberta’s advice of whether she should leave the town. Roberta did not know how to answer and points out that she has been staying in town “chasing [her] tail doing nothing” (21) in the past. Her response reveals her sentiment of feeling trapped in the town and not pursuing her goals or contributing to anything. Roxanne, however, disagrees as she explains that Roberta’s job is not “like the jobs [other] people have … but it’s something to [her] “(39). Roxanne in fact appreciates Roberta’s effort of raising her in the past years and the azalea plant symbolizes Roberta’s work. Although the plant will still
She is taking care of herself by making the effort to go out, walk, and visit the park. The pigeons that others view with scorn are a joy to her. She watches TV at night, perhaps reliving some of her own personal romances, her faithful companion at her side. In the end, hers the only light on in the apartment building, leaving you to wonder where are all the other people. Are they out on the town, working, or perhaps hiding from the world in their apartments? I wonder, how this interpretation would change if the main character were a young girl, just beginning her life. We would see this as a new beginning, someone starting life with awe and wonder, someone who may not have much but is building a life and a future. We see Eleanor watching TV and instantly assume that she is sad and little else to do with her life. Yet if that same picture was of a young person we would assume they were binging on Netflix or their favorite TV show. Why is it then when the picture is of an older woman we naturally assume that she is lonely and unhappy? I think the world has a view of the older generation that is not always pleasant. People see the older generation as burdens, someone to be pitied. When I see this cartoon, I am filled with
To start off, first, the narrator thinks that the house her and her husband John are renting for the next three months is haunted or it wouldn’t be as cheap as it is for being such a beautiful place. Another thing is that she unhappy in her marriage. Her husband doesn’t listen to her, tells her she’s wrong and laughs at her. She is feeling very unwell and all he says is she has temporary nervous depression and only tells her to stay in bed and do nothing. The way she describes things is very bleak, dark, depressing. She keeps going back to thoughts of the house being haunted and gets anxious. She becomes angry with John for no reason sometimes and thinks it’s from her ‘nervous condition’. Something the reader may not catch onto when she talks about how she doesn’t like her bedroom is how she took the nursery, so right away, we know she has a baby. She feels trapped with the barred windows and not being able to go anywhere, having to just lay down and look at the most revolting yellow wallpaper shes ever seen. Writing the story alone makes her extremely exhausted and she says that John doesn’t know the extent of her suffering. Eventually, it’s made known that she can’t even go near her own child and it makes her increasingly nervous. She has unwanted thoughts throughout the entire story of the terrifying ugly yellow
'When you are old and grey and full of sleep, and nodding by the fire' (l.1-2) depicts the woman in her age, needing to nap more frequently. He speaks of a book (l.2) and the 'soft look' of her eyes (l.3-4). This book signifies a photo album that contains pictures of her as young adult.
characters felt the need to settle down in life and both saw the image of
She brings light to an issue that divided her family from her father, his “obsession” with fixing up the house. She states, "I grew to resent the way my father treated his furniture like children, and his children like furniture" (14). She believes her father was detached, living his life through restoring old furniture and fixing up the family home, leaving little attention for the family that lived there. She was suspicious of her father’s décor saying, “they were lies” (14). This left much to be desired, often leading her to question whether her father even liked having a family. This feeling is expressed when she says, "Sometimes, when things were going well, I think my father actually enjoyed having a family. Or at least, the air of authenticity we lent to his exhibit. A sort of still life with children" (13). He occupied his life with fixing up his home almost as if he was trying to cover up the problems going on inside himself. Bechdel suggests that the antique mirrors decorating the home were meant to distract visitors from his personal shame. She says, "His shame inhabited our house as pervasively and invisibly as the aromatic musk of aging mahogany" (20). She states that this shame stemmed from her father’s closeted sexual preferences. This would later connect them in a very powerful
On their final day in the house she completes her plan by stripping all that she could of the rest of the wallpaper from the walls. Her intention was to bring a sense of shock to her husband. This seems to be her way of punishing him for the part he played in trapping her in the room with this hideous wallpaper. I think it goes further than just the room to make a statement of how she feels trapped in her entire life with her husband. She is “freeing” the woman who is trapped...
In addition, she always talks about the moonlight during these times of night. When the moonlight is not present, the narrator is not active. Her husband comes to visit and she does not do much. But at night, when her husband is sleeping, the narrator wakes up and starts walking around the room. The protagonist believes that there is a woman trapped by the wall, and that this woman only moves at night with the night light. The allusion to this light is not in the beginning of the story, but in the end. “She begins to strip of the wallpaper at every opportunity in order to free the woman she perceives is trapped inside. Paranoid by now, the narrator attempts to disguise her obsession with the wallpaper.” (Knight, p.81) In the description of the yellow wallpaper and what is seen behind it there are sinister implications that symbolize the closure of the woman. It implies that any intellectual activity is a deviation from their duties as a housewife. Her marriage seems to be claustrophobic as her won life, a stifling confinement for a woman's creativity. As imaginable, such treatment and "solitary confinement"(Knight, p.86) will do nothing but worsen her condition, affecting
As a widow, she is a victim of circumstance who is eager to change her life. Her friend visits (Mona) and hopes to persuade Cary to take a conventional route out of widowhood but, by chance, she meets the gardener, Ron Kirby (Rock Hudson) and from the mise-en-scene in these opening scenes it is obvious that she would prefer a romantic affiliation of some sort with Ron. After a few pleasantries, some tea at the table outside Cary's house and some profound references to gardening, Ron goes to hand Cary a small brance/twig, evidently a token of deep affection. The film so far displays all the conventions of classical narrative and maintains all the dominant ideologies o... ... middle of paper ... ...
between them and their children. Coyne describes not only the emotions these women feel when
Her tense mind is then further pushed towards insanity by her husband, John. As one of the few characters in the story, John plays a pivotal role in the regression of the narrator’s mind. Again, the narrator uses the wallpaper to convey her emotions. Just as the shapes in the wallpaper become clearer to the narrator, in her mind, she is having the epiphany that John is in control of her.
... not as they conceptualized. As adulthood is commonly linked with age, the shift from adolescence to maturity arises with experience. In Joyce’s “Araby”, the emotional journey for the narrator, begins with the infatuation with his best friend’s sister, and ends with his disillusionment for love. In Mansfield’s “The Garden-Party”, Laura acts as a tie between the brightness and wealth of the Sheridan’s contrasted with the darkness and sorrow of the Scotts. While struggling with inner confusion, she attempts to build a unique identity for herself. Her emotional journey culminates with the viewing of the deceased man, and her powerful realization of life, where her life is put into perspective of life on a universal level. Both main characters experience major changes in their personality, as well as their psychology, and these insights change both of them incredibly.
Part of the reason for this feeling is because the family rented this beautiful, big house for a price that is way below market value. Since her husband believes that the best treatment for her is to lock her away in the house until she gets better she has a lot of down time. So for the first few days she explores what little she can and occasionally writes about her feelings, but it did not take long for her to notice the ugly yellow wallpaper in their bedroom, which she presumes was an old nursery. As soon as she sees the yellow wallpaper she immediately gets fixated on it, she tries to study it and understand it as if there is some deep underlying meaning to the yellow wallpaper. Since she could never leave the house she started letting her obsession of the wallpaper get the better of her, day and night she would just stare at the paper repeatedly saying that she will figure out the pattern behind the