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The importance of art
History of photography and photojournalism
The importance of art
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Equivalent
The equivalent is a series of photographs based on the work of Alfred Stieglitz from 1922 to the thirties. The Equivalents can is a contrast to traditional pictures of the scenery. His artistic form of capturing images was influenced by his personal experiences, and his interpretation of straight photography, which was fundamental in shaping the style of the series. The series includes 337 silver gelatin prints, printed on postcard stock paper. Art is part of society and plays a critical role in saving beauty, memories, and events. Equivalence has influenced current photographers in how they capture current images indicating its pivotal role in reshaping the photo art.
The equivalent was made past the era of colonization of the US, and at the time New York City was booming during the industrial revolution. Stieglitz pursued his unique form of artwork which was not influenced by the British, but one which
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Alvin Langdon works of photographs have not received as much recognition in history as the equivalents, yet they were the first to depict abstract photos. The equivalents images showed the rich culture and emotion of the community at the time, through showing the environment through their own eyes (H. Robert 247). Stieglitz wanted to show a degree of transparency in his work and helped in promoting art and photography, through exhibitions and publications. The importance of art is captured in history, during times of war pieces of art were treasured by both the invaders and local communities. Pictures convey human emotion, and preserve the history of society, indicating the things which are cherished. Stieglitz showed the value he had for his surrounding, especially the gorgeous beauty of the natural environment visible across the landscape (E. Anthony and S. Trower
Getlein, Mark. "Chapter 17-The 17th and 18th Centuries." Living with Art. 9th ed. Boston, MA: McGraw Hill, 2008. 384-406. Print.
Upon returning to his studio Storrier picks a photograph that can be associated in a variety of ways. He makes works similar in subject matter, but which give different overall impressions. 'I never work from photographic documents. The little polaroids are just mental records. I paint pictures about, not from, photographs.' He explores the concept, and makes preliminary sketches and small studies of his ideas to decide the colour and tone. He chooses the size to make his artwork oncer he has his idea.
Stieglitz's early work often balances depictions of soft, ephemeral, natural processes with motifs drawn from American industry. Romantic in spirit, he was troubled yet fascinated by the rise of American power and sought to soften its apparent brutality by cloaking it in
During the 20th Century artists began to challenge art and question the foundations and boundaries of artistic techniques and approaches. The main challenge artist faced during this time was breaking the barrier of realism and moving to representative art. Although, the creation of the camera made this change even more difficult. With this technological advance, anyone could buy a camera and snap a shot of a specific moment in time, without having to recreate it by hand. This was a very attracting concept to most, but also another impulse for those artists who were trying to break the artistic boundaries. Likewise, artists who decided to continue, or begin, painting were also looking to create something different that also evoked a specific
The art world of photography is changing all the time. Peter Schjeldahl starts out with a very strong and well written paragraph about the world of art. Peter Schjeldahl says, “You can always tell a William Eggleston photograph. It’s the one in color that hits you in the face and leaves you confused and happy, and perhaps convinces you that you don’t understand photography nearly as well as you thought you did”. These couple of sentences are very strong and flow so well together, and they grab the reader’s attention. Peter explains how William Eggleston was known as a great American photographer.
... Hunter, John Jacobus, Naomi Rosenblum and David M. Sokol, American Art: Painting, Sculpture, Architecture, Decorative Arts, Photography, Englewood Cliffs, Prentice-Hall, 1979
Simon Wiesenthal life and legends were extraordinary, he has expired people in many ways and was an iconic figure in modern Jewish history. Szyman Wiesenthal (was his real named and later named Simon) was born on December 31 in Buczacz, Galicia (which is now a part of Ukraine) in 1908. When Wiesenthal's father was killed in World War I, Mrs. Wiesenthal took her family to Vienna for a brief period, returning to Buczacz when she remarried. The young Wiesenthal graduated from the Humanistic Gymnasium (a high school) in 1928 and applied for admission to the Polytechnic Institute in Lvov. Turned away because of quota restrictions on Jewish students, he went instead to the Technical University
Geffin, David. "Creating Photographic Art - Exclusive Interview With Gregory Crewdson." Fstoppers. Fstoppers, 11 Oct. 2014. Web. 24 Feb. 2017.
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
Frederic Edwin Church was clearly an epic and defining figure among the Hudson River School painters, particularly in his collaborative efforts in developing a sense of national identity for America, but also in fostering tourism through landscape painting, political influence, and entrepreneurialism. By answering the national call for artists and writers to define American landscape, Church took the first steps towards becoming, not only one of America’s greatest painters, but also a successful entrepreneur when it came to selling his own work to make a living. Church was dedicated to preserving “scientific accuracy” in his interpretations of nature and beauty, which were stimulated by the scientific writings of geographer and explorer Alexander von Humboldt.1
Hughes, Robert. American Visions: The Epic History of Art in America. 1st ed. New York: Alfred A. Knopf, Inc., 1997. Print.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
CHAPTER NINE STUDY QUESTIONS – The Musical Theatre (Pgs. 243-259/247-261) 1. Describe some of the facts concerning the musical on Broadway (p. 244) (248). Broadway musicals can be characterized by aspects such as having multiple performances nearly every day of the week, having productions that tour the nation in hopes of attracting more audiences, and having large casts and orchestras (Cohen 248). 2.
As seen in paintings of battle scenes and portraits of wealthy Renaissance aristocracy, people have always strived to preserve and document their existence. The creation of photography was merely the logical continuum of human nature’s innate desire to preserve the past, as well as a necessary reaction to a world in a stage of dramatic and irreversible change. It is not a coincidence that photography arose in major industrial cities towards the end of the nineteenth century.
Kleiner, Fred S. Gardner's Art Through the Ages. Boston: Clark Baxter, 2009. Print. The.