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The impact of art on society
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Many individuals would consider art a way to express oneself. The endless possibilities give so much room for artists to spread a message, while creating artwork that can be appreciated by many different audiences. Different audiences interpret art in their own way which allows artists to reach a larger group of individuals. Ai Weiwei utilized art as a way to not only express himself, but to also bring attention to issues surrounding his community. Ai Weiwei was born in Beijing, China and grew up in a Communist home, with a poet as his father. Growing up in this environment, Weiwei began to form his own opinions on social issues. He quickly became a human’s right activist and decided to express his ideas through art. Ai Weiwei uses art as a form of expression to highlight current issues in the world in hopes of sparking change. Ai Weiwei balances many different mediums, styles, and …show more content…
Many art critics have written about this piece and analyzed the meaning behind his work. To create this piece Weiwei used porcelain, paint, and approximately 100 million sunflower seeds. This piece is displayed in a large neutral room and the ground is covered by these sunflower seeds. Every sunflower seed displayed in this installation was hand painted which shows the audience the time and detail the artist put into the work. The seeds are meant to represent the population of China since they are widely popular in this country. The porcelain was used in this piece as a symbol for wealth and power because this medium was used in the Emperor’s court in China. This piece represents the idea of the porcelain holding together all of the seeds which all look the same. In other words, the government (the porcelain) controls the population of China (the seeds), and uses its power to shape China into a uniformed country. Weiwei does this to represent the lack of freedom and rights in his
It is art fulfilling its role in society. It is art that brings the moral issues. It is art that makes us human.
At first glance, each of the paintings look simply like a nice scene, with no historical role at play behind it. Again, this could not be further from the truth. The third painting that Brook shows us, is “Young Woman Reading a Letter at an Open Window”. The key element in this painting is the dish of fruit beneath the woman. This dish was was painted when the Chinese porcelain was taking its place in the Dutch’s life. The first porcelain dish to reach Europe amazed everyone, because of the attention to detail, quality, and fanciness that it possessed. The Portuguese were the first Europeans to acquire this delicacy. From there, it went to south of China, where it was negotiated with Chinese wholesalers for more of this porcelain. The route that porcelain took was crucial to commerce worldwide, so the Dutch wanted to get into it. After this, porcelain only increased in popularity and expanded trade around the world and soon, the most successful emerging business was the porters of Delft. Porcelain dishes were more than just breathtaking. Brook, himself, points out that they were a symbol of the Dutch positive relation to the world outside and the overcoming of challenges. Without porcelain reaching its supreme popularity in Delft, many trade routes around the world would not have been
The lenses of capitalism and communism influence how Andy Warhol and Ai Weiwei’s art are seen as political critiques. The celebrity persona of Andy Warhol differs greatly from that of Ai Weiwei, however “Andy Warhol and Ai Weiwei share an Iconoclastic spirit” (Delaney, M, 2016 p.27). More so their artistic practices both stem from Marcel Duchamp’s, ‘ready-mades’. This essay will consider the extents to which both artists’ can be considered activists. If there were a binary in place to understand the political effects and various ways activism is preformed, Weiwei and Warhol would undoubtedly be on opposite sides of the spectrum. Ai Weiwei would take on the overtly active and outspoken side, while Warhol’s passivity and projected indifference
The film Ai Weiwei: Never Sorry is in part about how the government responds to Ai Weiwei’s controversial artwork. Over the course of the film, he is beaten, watched, and arrested because his art goes against the Chinese government. The government tries to censor any content that may show them in a bad light, which prevents revolts from taking place in China since they never hear about the injustices that have occurred. Ai Weiwei, however, utilizes technology to spread information about what is going on: he uses blogging and recording as ways to make sure the government can’t hide what has happened. This Communist government, however, wants sole control over the economy and the politics of the country, but much of Ai Weiwei’s artwork fights against what the government is trying to force onto its’ people through the spread of information. With the technology Ai Weiwei uses, he is able to display the evidence of the injustices that are occurring in China, including posting the names of Sichuan earthquake victims on his blog and recording the police assaulting him. This way he can spread the information
Mel Chin is a conceptual artist whose images are motivated by political, cultural and social issues. The idea behind these pictures is that it is most important for an idea to emerge from the picture. Conceptual artists are not as concerned with how visually pleasing
Ai Weiwei was born during the Cultural Revolution in China of 1950s, he inherited a lot of his political knowledge from his father who was a poet called Ai Quig. Ai Quig was then later exiled with his family to re-education camps on the out reaches of a desert in 1958 for questioning government authority. After the Cultural Revolution, Chinese citizens were allowed to travel outside their borders again in 1970s. As a young man, the place that Ai Weiwei dreamed about going to was New York. He went to New York and was exposed to its western influences, its liberty and freedom of expression (Springford, 2011).Using photography Weiwei recorded and documented everything that inspired him. Weiwei visited galleries and art museums that exposed him to the world of conceptual art, becoming influenced by Andy Warhol and Marcel Duchamp. Ai Weiwei admired the ways of artists who could simply proclaim what was art and what wasn’t art, how Duchamp questioned art and when something gets to be art (Springford, 2011).Ai Weiwei came back to China in 1993 to take care of his sick father, and found himself drawn to his responsibility as an artist, to take the task of re-awakening his country through his art and to expose his thoughts on the corrupt and controlling nature of China’s government (Philipson,2012). Ai Weiwei has always been an outspoken artist. In the course of his art making, Weiwei has used a form of activism in his art, with political ideologies that exist because of the Chinese government. He also uses a sense of memory and the countrys past and history. Most of his art involves the public and their outlook of the government. Weiwei requests engagement from the public as a show of protest in his artworks (Harris & Zucker, 2009). When...
Through art, many spoke. Many released what they believed in into the world. They danced to express how they truly felt. They wrote poems about who they are and what they are living. Art is a major part of our everyday lives. For those who don’t know what attention is, receive attention with therapists. Creative arts therapy is to help those find their inner selves and allow them to break free but of course, it is going to take time. It’s a process and it won’t happen from day to night. It could take years but as they go through the process the better they become and the better the can express
Similar to many of the van Gogh’s paintings completed close to the end of his life, Vincent van Gogh's Wheat Field with Crows is a representational painting depicting nature around him. This piece is showing the wheat fields surrounding the graveyard of the Church in Auvers-sur-Oise - the graveyard where both van Gogh and his brother, Theo, were buried. The artist shows his interpretation of the wheat field on a stormy day, with three paths converging in the center of the painting's foreground. The center path disappears into the distance with an “abrupt termination” on its way to the horizon, creating a true sense of depth, while the other two ...
Born in Beijing in 1957, artworks of Ai Wei Wei have created thorough debate in the contemporary artworld due to their controversial political criticism toward the physical manifestations of global power and Chinese social systems which undermine cultural integrity. Commonly reflecting his personal experiences of living through the Chinese Cultural Revolution in China, Ai’s use of historically significant objects such as Chinese urns, ceramics and bicycles which appear defamiliarized and displaced, act as conceptual symbols of cultural violence. ‘‘Forever’ Bicycles’ (2003) is an instillation which Ai composed using over 1500 steel bicycles, transforming them into an array of irregular shapes where the familiar objects are reworked into something
According to Webster’s Dictionary, art is “human expression of objects by painting, etc” (10). The words “human experience” adds meaning to art. Artists reveal their inner thoughts and feelings through their work. When we study a painting by Salvador Dali, the strange objects and the surrealist background portrays the eccentricity of the painter. Some ideas cannot be explained verbally. They can only be shown via a medium. We can get across what is in our minds or our hearts by a stroke of a brush, a drop of paint, a row of words, or something else. But to express ourselves, we do not need to limit what we call art.
Chinese art went through many different stages starting from the year 1842. But the massacre of Tiananmen Square in the year 1989 was a turning point in the political life of China and in the country's art. Until the year 1992 art in China was underground, but it kept expanding. As a result of that, some Chinese artists started to do art works that rebel against their government and express their feelings towards China. One of these artists is the famous Chinese artist Ai Weiwei who expressed in each piece of art he did, his feelings that China should let its people break away from the rotten traditional, in order to express their thoughts freely.
Art is an expression of feelings, body language, and culture produced by humans. Art can be expressed in many different ways, and in many different forms from time to time! You’d be amazed with the different types of skilled work artists come up with each day and it’s all just someone, one person expressing how they feel or what they believe. One form of art that I find very interesting is Fauvism.
Wherever man lives there is art, because art is anything made or done by man that affects or moves us so that we feel and see beauty. Man uses his imagination to invent a unique beauty. The artist's feelings and inspiration affects on how he will express his art.
Art became a way to speak out against oppression and inequalities regarding gender, race or class. Judy Chicago showed the women’s role in culture at the time through her art. She was part of the feminist movement at the time and art was an outlet for her to be able to get people to see through her eyes. Banksy a British street artist focuses on politics and issues that affect people around the world. Most of his works are satirical and filled with irony.
The beauty of a portrait, the adventure of a saga, the delicacy of a porcelain vase, the emotion of a symphony – all forms of art, all forms of expression. Art, as Oscar Wilde explains it, is the “most intense mode of individualism that the world has ever known” (Wilde, The Soul of a Man Under Socialism). Art allows one to express themselves through a thousand mediums, using all five senses. It allows words that are not meant to be spoken, to be expressed, and ideas not meant to be thought, imagined. Perhaps the most prevalent form of art in today's society is literature, as is the most direct form of art.