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Brief history of african music
Brief history of african music
Brief history of african music
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In August Wilson’s novel, The Piano Lesson, African American music played a major role. Throughout the play the characters would sing many different genres of music. They sang songs that were from the blues era, and they included some jazz within the play. August Wilson, the author of The Piano Lesson, illustrates the importance that African American music and the instruments that they played had upon their culture.
The play The Piano Lesson, has several historical elements that have important meanings to the family. The characters in this play shows that no matter what has happened in the past to their ancestors that they will keep their tradition. Bernice keeping the piano that was traded for her grandmother shows that she cares a lot about
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her family history. The carvings on the piano reminds her of the things that they went through just for a piano (Wilson 1228). The carvings are people that were from her family that were either traded for something or were taken by another slave owner (Wilson 1228). The music that is played and sung by the characters are sung to change the mood from hectic to more of a humble peaceful mood. During the play, the family plays a major role. The family owns a piano that holds a lot of memories. Memories of their ancestors that were traded off for the instrument and the carvings that are imbedded on it (Wilson 1228). Since nobody played on the piano besides Maretha, her mother’s brother, Boy Willie comes to town to try to sell it (Wilson 1210). Boy Willie intention is to come to town to sell watermelons with his friend Lymon (Wilson 1206). He then realizes that the piano is just a waste and starts to consider selling it for some land. Boy Willie told Bernice and Doaker that Sutter body was found in his well and that the ghost of the yellow dog was responsible (Wilson 1208). Bernice comes running down the stairs in fear. She tells them that Sutter’s ghost was standing at the top of the stairs (Wilson 1211). Sutter was the slave owner of their ancestors (Wilson 1227). Sutter was the person to trade their ancestors so that his wife could have a piano (Wilson 1227). In the West Six Media video they comment, “before there was an instrument called the piano, there was an instrument similar to the piano called the harpsichord”. The strings on the harpsichord were plucked to play a softer or a louder tone (West Six Media). In 1709, Cristofori introduced the piano to the prince (West Six Media). The first piano which was built in 1920 is still on display in Maryland (West Six Media). They tested the string on the piano but hitting them with a hammer instead of plucking them like the previous instrument (West Six Media). The piano is constructed just like the harpsichord, and the sound from both instruments are also similar from the sound 180 years ago (West Six Media). However, the sound from the piano and the harpsichord has nothing to do with the sound board (West Six Media). The piano had more of a vibration from the strings rather than the harpsichord which has plucking of the strings (West Six Media). The first greatest piano teacher was Musio Celmso who was born in Rome (West Six Media). He created piano book so that people could learn how to play it, and his challenging work is still used during the modern time. He made a fortune from the work that he had created. Throughout the play, The Piano Lesson, American culture music are demonstrated.
The characters in the novel played all genres of music off a piano which they sang along to. In many scenarios, Winning Boy would begin to play music off the piano and began to sing which made the others join in with him. The first genre of music that he played was blues. The blues song that Winning Boy played was more of a slow tempo song. Although Elijah Wald, the author of, The Blues: A Very Short Introduction, makes a statement that blues was more of a slower tempo type music during the earlier years and the tempo began to speed up as years passed by (Wald 2). The tempo was not so slow that it would have been considered a sad song (Wald 2). Wald states, “This twelve-bar blues is ideally suited to the West African traditions of a call-to-response, in which a lead of voice or instrument states a phrase that is answered by other voices or players” (Wald 2). The statement explains that the genre blues started in Africa (Wald 2). Africans started the blues movement within this music and later during the years the music was recreated by people of other ethnics (Wald 2). The main African American style which would be described as a fusion of blues was brought by the ex-slaves right after the emancipation (Wald 82). It was not until the 1920s when African Americans were allowed to record any of their blues records (Wald 83). Blues could have been presented with many different rhythms. The rhythms could range from slow to moody to an even faster piece (Wald
83). Winning Boy enters the play again with another song, but this time the genre was different. The song that he begins to sing had more of an upbeat rhythm that made people want to dance. Within that moment, they were introduced to the genre, jazz. During the 1920s, many of the blues musicians were questionable because they were also good at jazz (Wald 85). Blues and jazz were connected, but as years went by, African American jazz musicians wanted to forget the link between the two (Wald 90). Many people know that the birthplace of the genre jazz is New Orleans. Gioia makes a statement saying, “Yet jazz bands were more commonly found in the cabarets and dance halls in the district, rather than in the bordellos themselves” (Gioia 34). People thought that the jazz music had a connection with the house of God (Gioia 34). The Bapist Church rhythms were comparable to jazz, and their singing was more of a blues harmony (Gioia 34). When Winning Boy entered the room singing a jazz song, everyone calmed down (Wilson 1229). Maybe church music and jazz are connected, which was the reason for everyone to calm down and sing along. In the early nineteenth century, the identity of the trumpet began to change due to the technology received in the nineteenth century (Wallace, John et al 1). Wallace and John states, “the trumpet was considered an aristocrat, the cornet a proletanan” (Wallace, John et al 1). During the early years, people made trumpets out of anything. They were made from wood, bamboo, mammal horns, and even crustacean shells (Wallace, John et al 5). The trumpet would be considered as an early man-made object (Wallace, John et al 5). In the early years, a single trumpet could have been constructed just from a single piece of pipe. (Wallace, John et al 12). African chiefs and kings began to use the metal trumpets although those were constructed as side blown trumpets (Wallace, John et al 12). The instrument has a wind lip vibration that creates aa sound of sequence that comes from the players body. (Wallace, John et al 36). When playing a trumpet, the players lips are the major key. The way that their lips are on the instrument will reflect on the outcome of the sound that you will receive. (Wallace, John et al 36). The vibration from the air, which comes from the players lungs, form a standing wave within the instrument. The trumpet has two cylindrical yards (Wallace, John et al 36). The first part of the two-cylindrical yard is the tapered end where the mouthpiece belongs, and the third yard consists of two parts the conical bell pipe and a flare bell. (Wallace, John et al 36). Jazz and Blues are the type of music that people would use to calm themselves down. The method that they are performing with the music to calm them down is coping. For example, on page one thousand two hundred and thirty-two Bernie and her brother Boy Willie get into a headed altercation (Wilson). Bernice tells Boy Willie, “You killed Crawley just as sure as if you pulled that trigger” (Wilson 1232). Boy Willie, Lymon, and Crawley were hired by a man named Jim Miller to go pick up some wood (Wilson 1233). While doing the job, the three men saw three other men and thought that they were trying to get to their wood (Wilson 1224). Although that was not the case, Boy Willie, Lymon, and Crawley saw that the men were with cops, and Crawley wanted to take actions into his own hand (Wilson 1224). Crawley went to get his gun and began to fire the weapon at the men and at the police (Wilson 1224). As the altercation continues, Winning Boy comes in the door and begins to sing (Wilson 1229). When he began to sing, the tension went away, and Bernice began to think that they did that on purpose (Wilson 1230). The singing made things go back to normal all of the negativity went away within da matter of seconds.
The Piano Lesson written by August Wilson is a work that struggles to suggest how best African Americans can handle their heritage and how they can best put their history to use. This problem is important to the development of theme throughout the work and is fueled by the two key players of the drama: Berniece and Boy Willie. These siblings, who begin with opposing views on what to do with a precious family heirloom, although both protagonists in the drama, serve akin to foils of one another. Their similarities and differences help the audience to understand each individual more fully and to comprehend the theme that one must find balance between deserting and preserving the past in order to pursue the future, that both too greatly honoring or too greatly guarding the past can ruin opportunities in the present and the future.
All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of a new life for musicians and African Americans.
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
Perhaps the blues was representation of optimism and faith for the entire city of Harlem and all of African-American descent. Music is portrayed fluently and abundantly throughout the entire story of “Sonny’s Blues”. Despite the fact that Sonny frequently plays the piano, there is always a juke box playing, the “humming an old church song”, a “jangling beat of a tambourine”, a tune being whistled, or a revival meeting with the singing of religious words (Baldwin 293-307). The repetition of music in the short story is a realistic portrayal of how regular the blues, musically and emotionally, was present in an African-American’s life during the era of racial discrimination. Flibbert explains that the rooted, burdensome emotion felt by African Americans is difficult to put to words, other than describing it as the blues. He best defines the blues as “a mental and emotional state arising from recognition of limitation imposed-in the case of African-Americans-by racial barriers to the community” (Flibbert). Though a definite definition exists, the blues cannot simply be construed. To cope with this unexplainable feeling of blue, the African-American folk genre of jazz music was created. Finally, the blues was something African-Americans owned and that the white man could not strip them of. Though music appears to show up at the most troublesome times in “Sonny’s Blues”, it brings along “a glimmer of life within the
When Bernice moves to Pittsburg she takes her family’s piano with her to remind her of what they have gone through to get to where they were today. However, over time the piano is only used by Berniece 's daughter Maretha to practice playing classical music instead of the music she and her family had played. In act 1, Berniece hides the history and value of the piano from her daughter because the piano was brought into their family because of “killing and thieving”. Her father died because of the piano and Wining Boy, her father and Doaker stole the piano from Sutter. To Berniece the piano brought back the memories from her past that she did not want to remember or her daughter to know about. She does not want her daughter to think that she can take someone 's property for selfish reasons and she does not want Maretha to participate in the “killing and thieving” (Wilson 1232) that had happened to get the piano. However, she also does not want to let go of the piano because if she does she would lose the only thing that can tell and remind people of what happened and the history of her family. This shows that Berniece does not want to loose the connection she has with both her past and heritage even though she refuses acknowledge the importance they have had in her life. She says, “ For seventeen years she rubbed on it till her hands bled. Then she
In the play “The Piano Lesson”, August Wilson utilizes two main characters Boy Willie and Berniece to present the theme of gender roles and sexual politics. The reaction of the siblings toward the piano illustrates the role of a man and woman during the conflict. Throughout the entire play they argue over the piano and struggle with an underlying problem of choosing to honor their ancestors or leaving the family’s history in the past. Boy Willie wants to show respect to his ancestors by selling the piano to continue the Charles’s family legacy. He wants to buy Sutter’s land because Sutter was a white slave master who forced his ancestors to work on the land. However, Berniece wants to keep the piano and doesn’t want to use it because of fear. The disagreement between the siblings shows the play’s representation of gender differences.
The Piano Lesson by August Wilson is taking place in Pittsburg because many Blacks travelled North to escape poverty and racial judgment in the South. This rapid mass movement in history is known as The Great migration. The migration meant African Americans are leaving behind what had always been their economic and social base in America, and having to find a new one. The main characters in this play are Berniece and Boy Willie who are siblings fighting over a piano that they value in different ways. Berniece wants to have it for sentimental reasons, while Boy Willie wants it so he can sell it and buy land. The piano teaches many lessons about the effects of separation, migration, and the reunion of
In The Piano Lesson each central character learns a lesson. August Wilson uses plenty of symbolism throughout his play, the strongest symbol being the piano itself, representing the family's history, their long struggle, and their burden of their race. Throughout the play, the conflict revolves around the piano, and Berniece and Boy Willie's contrasting views about its significance and about what should be done with it. Berniece is ashamed and cannot let go of the past, or the piano, and Boy Willie wants to move his life forward, and use the piano to do so. Wilson portrays the 'lesson' of the piano as accepting and respecting one's past and moving on with one's life gracefully, through Berniece and Boy Willies contrasting actions and the play's climactic resolution.
August Wilson’s The Piano Lesson, tells a story of a family haunted by the pain of their past and their struggle to find peace to move forward. The story begins with character Boy Willie coming up from the south visiting his sister Bernice. Boy Willie introduces the idea of selling the family’s heirloom, a piano, to raise enough money to buy the land on which his ancestors were enslaved. However, both Boy Willie and his sister Berniece own half a half of the piano and she refuses to let Boy Willie sell it. Through the use of symbolism, Wilson uses his characters, the piano and the family’s situation to provide his intended audience with the lesson of exorcising our past in order to move forward in our lives. Our past will always be a part of our lives, but it does not limit or determine where we can go, what we can do, or who we can become.
The history of Jazz music is one that is tied to enslavement, and prejudices. It Is impossible to separate the development of Jazz music from the racial oppression that occurred in the United States as they are inextricably connected. Slavery was a part of our country’s development that is shameful and yet, lead to some of the greatest musical advances of the twentieth century.
In the play, The Piano Lesson, music played an important role. The piano in the play represented the African American history and culture. The ghost of Sutter represented the pain and trauma that had been endured throughout the generations in the Charles family. Berniece did not play the piano because she associated it with pain and the bad things that happened to her family members. She did not want to accept the things that had happened in her family’s past. She thought that she could deny everything and act like it never happened. She believed if she continued to run from everything and everybody that the pain would go away. Berniece was burdened and haunted by the ghost of Sutter until she gave in and played the piano after all of those years. After playing the piano, Berniece was no longer burdened or haunted by the past. She was free from all of the denial. She escaped the pain through the music and reflecting on the carvings on the piano, which represented her heritage. Berniece’s brother, Boy Willie, told her “Berniece, if you and Maretha don’t keep playing on that piano… ain’t no telling… me and Sutter both liable to be back” (Wilson 108). By saying that, he meant that if she did not allow her daughter to continue playing the piano and learning about her culture that she would end up going through the same things that Berniece had gone through. Music has a huge impact on the African American culture in several ways and many things about the past can be learned through it.
They were a mixture of story telling and talking with a definite call and response. Religious music was very important in forming blues music. Because most blacks went to Christian churches from an early age and were exposed to Christian hymns. Ragtime was an influence that came later and is a faster blues played with the piano and someone singing which was usually played in bars called barrel houses.
Music nurtured the African American tradition and their struggle towards equality in the same century.... ... middle of paper ... ... Greensboro, N.C.: Morgan Reynolds Pub. Carter, D. (2009).
As it mentioned above, the title itself, draws attention to the world-renowned music created by African Americans in the 1920s’ as well as to the book’s jazz-like narrative structure and themes. Jazz is the best-known artistic creation of Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf