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The evolution of african american cultural
Dance and society
The evolution of african american cultural
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Analysis of African American Fashion
History repeats itself in many different forms — African American culture has been reinforced after being suppressed by America for so long, although various forms have been altered and transformed — change is inevitable. African American fashion was heavily influenced by political movements such as the harlem renaissance and the civil rights era, music including funk and hip-hop throughout the 70s, as well as blaxploitation films that represented the black experience.
The Harlem Renaissance was an extremely significant moment when African Americans decidedly promoted themselves as equals and relevant to the American culture. This era marked the historical movement when white America started recognising
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In the mid 70s, Earth Wind and Fire contributed to the success by putting on a show; adding costumes, props, dancing and magic tricks to their music. P-Funk became an international sensation, influencing the emergence of ‘Disco’. Disco is a prime example of one of the many transformations of African American culture, stealing the true genre of funk and the style that came with it. African Americans sense of fashion was intertwined with, yet lost in the new world of commercialized and transformed funk — disco. Ultimately, mediocrity, popularity and money were the primary factors behind the decline of funk in the 70s. Funk had to adapt to survive as bands faced the harsh reality of “get down to the disco beat or stay true to funk and lose your record.” Funk has become an international language and still thrives today, with its DNA in almost every piece of music we listen to. Although funk has been transformed and borrowed from many different cultures, as long as oppression, discrimination and racial tension exists it will never die. Funk continued to expand in fashion, political voice and music internationally, representing the black experience and paving the way for a revolution. Blaxploitation films growing from the 1970s culture not only gave African American leaders the opportunity to star in films but also portrayed an “unapologetic black
Berry Gordy played a significant role in the 1960’s African American shift into the American Music Industry through the establishment of the highly recognised company and genre “Motown”. As the Founder of Motown Records Berry Gordy introduced to the American Music Industry some of the biggest artists of all time take the stage and within a decade created the “Black Pop” genre, which was listened to and purchased from a segregated audience. The business changed the way record labels would polish, nurture and distribute their artist, having an impact on the number of jobs that were introduced into the Music Industry, dealing and consulting with marketing, artist development, choreography, stylists and costume designers. With Berry Gordy’s all
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
The 1920’s was an era of dramatic political and cultural change, where many Americans lived in cities rather than farms. Many inventors came to be noticed as new cars were invented and as music entered the entertainment industry. A new style of music was invented mainly in the African American community, creating the Harlem Renaissance; which was an evolution of music and entertainment in Harlem, New York City. The women of America began to evolve in the 1920s, adding new styles to our fashion industry and changing the way women dress, act, and are portrayed in society for generations. Women were viewed before the 1920’s as innocent housewives, that made little to no money, as they often relied on their husbands’ for income. Women also
In Stuart Hall’s “What is This “Black” in Black Popular Culture?” the historical implication of popular culture in the U.S is examined and the influence that blackness has in it is deconstructed. According to the text, the departure of European concepts of culture after WWII sparked a hegemonic shift as the United States emerged as a world power. Due to this, the U.S. became the epicenter of global culture production. However, since America has always had a large ethnic population due to slavery, the true face of American popular culture was black American vernacular traditions. Even today, slang that emerge from black ghettos and communities become highly popular with people of other races. In fact, much of black culture is not just our culture,
Perhaps this trend of commercially successful music promoting hypermasculinity and misogyny found success in funk music and the labels continue to push for these themes in an attempt to continue benefitting from the themes’ popularity and profitability. Both funk and hip hop share the characteristic of being genres that have recurring themes that have been commercially successful, and although it may be out of the control of the artist, these themes play a huge role in both
Phillis Wheatley and Elizabeth Freeman’s actions influenced the American Revolution. Wheatley through her literature, which included poems sent to George Washington and a poem written in regards to King George the third, was able to set an example of how African Americans are intelligent and equal human beings of the American colonies. Elizabeth Wheatley went against all odds to obtain her freedom by suing her slave owner and winning the case in court. Phillis Wheatley and Elizabeth Freeman’s actions during the American Revolution affected what liberty rights they would obtain years after the American Revolution ended.
After many of World War II’s harmful effects, the 1950s served as a period of time of musical change that reflected the dynamic of society as well as the traditional norms and values. Many factors contributed to this transformation. For example, the civil rights movement heightened many racial tensions, and the music produced consequently manifested this tension in itself. Rock-n-roll and R&B music universalized music typically associated with African-Americans, and many African-American musicians gained fame; however, as with any relatively-widespread success, there were many musicians as well who missed their opportunities due to the same racial segregation. While “radical” genres such as R&B and rock-n-roll laid the foundation for music future forms of music, the standard pop, jazz, and country music adhered to traditional values, and thus continued to maintain popularity amidst phenomena such as the Elvis craze.
The months and even the years prior to the Harlem Renaissance were very bleak and the future of life in America for African-Americans didn’t seem to bode very well. Well, progression towards and reaching the era known as the Harlem Renaissance changed the whole perception of the future of the African-American people as well as life for the group as we know it today. It can be best described by George Hutchinson as ”a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history [that took place specifically in Harlem]. Embracing literary, musical, theatrical, and visual arts.”. With an increase in the focus of “Black culture”, America seems to be changing its norms with the introduction of this new movement or rather this new “era”.
Despite the restrictions imposed by slavery, African Americans have made significant contributions to American culture in music, literature, and cuisine.
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans.
With African Americans being apart of the fashion industry, they faced many hardships. However, they created a distinctive voice in the history of fashion. Throughout the early twentieth century, Blacks designers influenced the fashion industry in America, having, “a system and structure for maintaining their particular type of fashion.” African American fashion was very popular and caught the attention from the media. Department stores held successful fashion shows, screened fashion movies, and staged fashion pageants. Fortunately, African Americans were allowed to attend these events, yet they were not welcomed. Fast-forward to today, the fashion industry has opened up several doors for African American designers, stylist, and models. However,
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
As I reflect on who I am and which culture I identify with, I am met with reservation. My parents are both Black Americans, they were both born and raised in the United States, their parent were also born and raised in the US. It is obvious that we derive from African descent; our skin color and physical features yet I find it difficult to relate or identify with my African heritage as slavery has played a pivotal role in separating us from our African origin. African enslavement left us devoid of a way to define ourselves. It severed familial ties and deprived us of any viable opportunity to reclaim them.(www.huffpost.com) We are descendants of African slaves but when I speak to someone who was born in Africa or research African culture, I
During the mid-19th century, popular culture dramatically changed, where tensions over social class and race were the main causes. This essay will demonstrate how the upper and lower class had distinct definitions of what a good person should be as well as what Christmas should be. New forms of culture arise through the influence of Phineas T. Barnum shows. Envy between working whites and blacks caused conflict and the creation of blackface for entertainment purposes. Overall culture changes in Industrial America, but class conflicts were not mediated only revised.