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Importance of dance in education
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Importance of dance in education
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This essay presents the author’s personal beliefs on how dance has influenced and empowered her as a black woman. The essay explains how the author’s dance company sole focus is to present a venue to engage dance that speaks to social justice issues and the personal experience of being Black in America. In addition, the essay speaks on the historical application of African dances compared to African American dances as a social movement.
An essay on dance education research is a relevant topic to address social terrors in the lives of black girls and women. Often critical dance education research has not looked a pond as critical analysis of research as a counter-narrative of marginalized subjects. With that said, I will review each paragraph
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The author states that conducting research is important to understand the legacy of social dance in the African American community. However, there is no mention of what form of research was performed to determine the benefits of African American social dancing.
The author explains how her company has evolved and created BLACK GIRL: Linguistic Play (BG:LP) to evoke childhood memories and self-discovery in the third paragraph. The author does not explain “rhythmic play” philosophy and how this relates to dance as a play based teaching methodology that could be a teaching tool for black girls and black women. In the first sentence, it should state “justice” instead of “justices,” also the capitalization of Black is inconsistent.
The fourth paragraph defines one form of social dance, however, it does not relate this to the overall theme of black girls and women. The author needs to explain how does this particular form of social dance help them? In the next paragraph, the author cites a book on games black girl’s play and explains this is her inspiration and central focus to her work. Yet, there is still no definition of methodology and how “play” is used which can confuse the reader. Play based philosophy is an important research method and the author has to explain how this correlates with social dance, trauma, dance education, and black girls in the
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It would be helpful if the author mentioned this earlier and elaborate more on the education initiative for these girls. The concluding paragraph gives a general view of movement and history, but does not answer the “So What?” and “Why should anybody care?”
The essay demonstrates the aim of the dance company, however, it does not explore how this relates to dance education and research to help the reader understand black girls daily life experiences in the community. The author is clear about African American dance, heritage, different forms of dance, methods of teaching dance, but vaguely touch on what are the challenges, terror, and trauma black girls and women face. Even though, the author mentions an education initiative it is not clear how her dance company relates to a K-20 curriculum and pedagogy in the school or community.
This essay has an important message and would be of great interest to the reader. However, the thesis is not well presented and the methodology is not clear, I recommend, “Reconsideration after major revisions.” Overall, the subject of dance education within academia is a scholarly topic often not address in k-20 educational curricula or institutions. It is important to have essays, which advance dance education in the arts to communicate meaning about the human
Throughout history, Black Americans have fought to reclaim their bodies and redefine ideas of Blackness. Much of this struggle can be attributed to the fact that Black people have not owned their own bodies for the vast majority of American history. The Black struggle to escape white labels and the fight for self-determination, Black narration, and the presentation of Black beauty are evident in dance and its evolution throughout history. In his article, "Simmering Passivity: The Black Male Body In Concert Dance," Thomas DeFrantz uses the career and choreography of Alvin Ailey to show how Black dancers in America have historically been forced to conform to White stereotypes. Conversely, Jason King and Ananya Chatterjea show in their articles “Which way is down? Improvisations on black mobility” and “Subversive Dancing: The Playful
Haskins, James. "Geoffrey Holder and Carmen De Lavallade." Black Dance in America. N.p.: n.p., 1990. 130-37. Print.
Every dance that is created by a choreographer has a meaning and or purpose behind it. The dance choreographed could be used to send a political, emotional, or a social message. Regardless of the message being sent, each dance created possesses a unique cultural and human significance. This essay will examine and analyze two dance works from history and give an insight into what each dance work provided to the society of its time.
Dunham’s Dynamic Museum also located in East Saint Louis was built most importantly to continue fighting racism by showing the importance and dignity of dark skinned people, as her entire life she saw the difference in treatment between her, a light skin, and a dark skinned person. (Dunham 559) “In comprehending Miss Dunham, then, one has to think not just of dance, not just of drums, not just of primitive rhythms, but of a totem-woman of African spirituality and cultural wealth” (Dunham 559).
... social dance. Many people in today’s society enjoy social; dancing. Chapter eleven dance concert, properly planning and establishing a dance concert is of the utmost importance. The partnership with the lighting designer usually takes priority over all other factors. One of the most important issues concerning customers has to do with mobility. The dancer must be able to move comfortably in the costume. The task of producing a dance concert is an overwhelming and tiring one. Chapter twelve dance in education and career in dance, many dance educators present the argument that teaching and learning dance as an art form is obviously absent from the American student education. There has always been and always will be people who have a love, desire, and passion to instruct and learn the art of dance, will ensure an important place for dance in higher education.
However, New York Public Schools offered ballroom dancing classes to low-income students of color, which allowed the arts to be included in their curriculum. Watching the film, I observed the positive reaction the children had to the dance classes. Overall, they were exposed to different cultures, made new friendships, became more confident, and aware of different career options such as professional dancers or singers (Agrelo, 2005).
“The Dancer’s gift” is a love story between a young man and woman, Marcel and Samantha. But this novel was written not only to call feelings about love and passion; the main goal was to introduce students to sociological concepts. Overall, the book includes more than 180 sociological terms that flow with the story and closely connected to happening events. Marcel, a black man, arrives from Martinique (an island in the Caribbean Sea), and Samantha, a rich American girl, meet each other in college and fall in love. Both of them face obstacles in their lives: Marcel was grown up in a poor extended but a friendly family, while Samantha was a daughter of rich but divorced parents. Marcel comes to the U.S. to become a professional dancer, while Sam decided to become an attorney at law just like her father. Being lovers they decide to spend their Christmas holidays together and go to New York. Next holidays they go to Marcel’s homeland, Martinique, where they realize that there lives a woman who is pregnant by him. At that time all dreams of Sam just collapse due to this bitter disappointment, which becomes one of the reasons why they break up. Throughout the story, they both meet with numerous social issues such as education, marriage, gender issue, racism, deviance, divorce, religion, race and ethnicity. In this essay, the three main reasons why this novel is an effective tool for learning sociological concepts will be discussed.
Alvin Ailey played a large role in the diversification and cultural storytelling that can be seen in modern dance today. With the founding of the Alvin Ailey American Dance Theater, his dance company stands strong as one of the most respected and prosperous dance companies because of its artistic representation of the beauty that is otherwise known as the African culture. His work absolutely changed the atmosphere of modern dance because he was able to provide the modern dance community with a wider variety of content that had otherwise not been popularized before. Not only did he draw his inspiration from the African culture, but he also amalgamated this with his personal experience growing up as a black child during times of segregation.
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
The painting “Sugar Shack” depicts how African Americans relieve physical tension through dance and movement. This painting suggests that Ernie Barnes shows how his culture expresses themselves through dance. In fact, one of the reasons Sugar Shack is popular is because of the way Barnes captured physical strain and dynamic movement through the extension of arms and legs and the swaying of hips. We see the figures as men and women who are dancing in pairs, physically relating to one another and to other couples. This creates a sense of unity among all the figures in the piece, including the band. Barnes said, “Sugar Shack is a recall of a childhood experience. It was the first time my innocence met with the sins of dance.” The painting is supposed to make a person feel the rhythm while viewing it to show that African Americans use rhythm as
Kelso, P. T. (2003). Behind the curtain: The body, control, and ballet. Edwardsville Journal of Sociology, 3(2). Retrieved from http://www.siue.edu/sociology/EJS/v32kelso.htm
In this article, Ghandnoosh articulated different interpretations of hip hop dance culture by people of non-African American heritage. He utilized interviews with non-African American female students and instructors of hip hop dance in addition to participant observation in dance classes which revealed a diversity of interpretations.
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.
The content is written in the style of the blues not only in the music but in the social perspective of the times in Harlem in respect to the sufferings and struggles of the African-American past and present experiences, and what they were going to encount...
Ballet has been an art form since the late fifteenth century, but society did not truly see the impact of ballet until the nineteenth century. Modern day thinkers possess the idea that ballet began with tutus and pointe shoes, but it wasn’t until the nineteenth century that this opinion was observed. Ballet has come a long way. It has survived the turmoil of many wars and has changed itself by accepting new ideas and impressing the audience with its unique stylistic views.