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Define art and aesthetics
Art in different cultures essay
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Recommended: Define art and aesthetics
When it comes to aesthetic pleasure, there are many ways of arriving at the notion that something is aesthetically pleasing or something is art, cultures differ, but there are four theories that allow discussion on how or why something is aesthetically pleasing. These theories are; The Theory of Expression, The Theory of Representation, Institutional Theory and Formal Theory. But before proceeding one must understand what aesthetic pleasure is. Aesthetic pleasure is the pleasure received from seeing or hearing something beauty, as long as something is beautiful then that something is art. Dictionary.com would support my argument by stating on its website that aesthetics pleasure is “pertaining to a sense of the beautiful or to the philosophy of aesthetics.”
Many cultures have different ideas on what art is but they all use specific theories to identify something that is beautiful by extension art. In the hip hop culture where rap is its music, the song ‘Homecoming’ by Kanye West featuring Chris Martin can be discussed on why or how it is art with the use of The Theory of Represe...
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Timothy Brook’s book, The Confusions of Pleasure: Commerce and Culture in Ming China is a detailed account of the three centuries of the Ming Dynasty in China. The book allows an opportunity to view this prominent time period of Chinese history. Confusions of Pleasure not only chronicles the economic development during the Ming dynasty, but also the resulting cultural and social changes that transform the gentry and merchant class. Brook’s insights highlight the divide between the Ming dynasty’s idealized beliefs, and the realities of its economic expansion and its effects. Brook describes this gap through the use of several first hand accounts of individuals with various social statuses.
According to the Oxford dictionary, Art is an expression or application of human creative skill and imagination producing works to be appreciated primarily for their beauty or emotional power. (oxforddictionaries.com). In the area of the Arts, it seems that knowledge is attained through a holistic lens, where its approach towards knowledge emphasizes the whole of an artwork rather than their constituent parts (simplyphyschology.com). Art can be accessible since the audience is able to experience it directly, with the help of our senses. As viewer we enjoy aesthetic pleasure, which involves an appreciation of the contents in relation to vehicles or supports. (Levinson, 1996) In fact, according to Jerrold Levinson’s ‘The Pleasures of Aesthetics’
In the performance of life, one cultural representation that captivates and entrances people more fluently and describes the human experience more eloquently is that of artistic expression. It imposes itself unto the face of society through the individual who creates it as a reflection of any one or combination of personal, emotional, or physiological effects society or one’s own environment has inflicted onto them to compel them convey their feelings to the public. The essential argument, is whether graffiti has a place in the grand context of society. One end of the spectrum paints it as a nuisance to property owners and city officials allow for a criminal perspective of the practice. While at another end you can view it as the artist in a sense blessing others with the fruits of their inner consciousness. An artistic expression no matter what the viewpoint of society, in an anthropological context graffiti is essential to modern society and its impact is one that cannot be forgotten or lived without.
...olka, Petr Bc., and Jeffrey Alan Vanderziel. “Black or White: Commercial Rap Music and Authenticity.” Masaryk University Faculty of Arts, Department of
The nature of aesthetics has puzzled many, where questions and reflections about art, beauty, and taste have intersected with our understanding of what a real art experience truly is. The notion of the aesthetic experience, an experience that differs from the everyday experiences, has been given great consideration by English art critic Clive Bell and American philosopher John Dewey since the beginning of the 20th century. Both have spent much deliberation on the distinctive character of aesthetic experience; yet have complete opposing ideas on how to go about understanding aesthetic experience’s ecosystem. Bell takes a formalist approach, as he thinks that to understand everything about a work of art, one has to only look at the work of art.
“Aesthetics. Also called philosophy of art. Roughly, that branch of philosophy concerned with the creation, value and experience of art and the analysis and solution of problems relating to these. The primary topic is the appreciation of art, and major problems centre on what makes something a work of art” (A.R. Lacey, 1976 p.5).
Rap music from the 1990’s to the year 2000 is known in hip hop as “the golden era”. This era is all about individuality and innovation of creating music in one of the newest musical art forms. Rap music started out as the expression of young black youths in the inner city of New York. Rap music is rhymed storytelling accompanied by highly rhythmic, electronically based music. It began in the mid-1970s in the South Bronx in New York City as a part of hip hop, composed of graffiti, breakdancing, and rap music. From the outset, rap music has articulated the pleasures and problems of black urban life in contemporary America. Rappers speak with the voice of personal experience, taking on the identity of the observer or narrator. Rap music has lost a lot of it purity and essence due to the multimillion dollar business. Rap music is always critizied because of it’s violent and sexual nature but its just reporting what is views in this cold world.(Rose, 1994)
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
After reflecting more on my experiences and knowledge of popular culture, I have come to focus on specific questions and concerns that open up and explore a methodological path into my own viewing, listening, dancing and other creative encounters with hip-hop culture. Specifically, I engage the following questions:
"As Greg Tate warned, "hip hop might be bought and sold like gold, but the miners of its rich ore still represent a sleeping-giant constituency." Rappers and their young black constituency are the miners, they are the cultivators of communal artifacts, refining and developing the frameworks of alternative identities that draw on Afrodiasporic approaches to sound organization, rhyth, pleasures, style, and community. These cultivation processes are formally wedded to digital reproduction and life in an increasingly information-management-drivem society. Rap is a technologically sophisticated project in African-American recuperation and revision. African-American music and culture, inextricably tied to concrete historical and technological developments, have found yet another way to unnerve and simultaneously revitalize American culture" (183-185).
Aesthetics found that through their great interest in beauty, pleasure that is derived form objects of art is more beautiful than other pleasures.
In Introduction to Aesthetics, G.W.F. Hegel’s opening paragraphs describe the spacious realm of the beautiful, the relationship of beauty in both nature and art, and the limitation and defense of aesthetics. Hegel addresses that the proper way to express the meaning of aesthetics is to refer to it as Philosophy of Fine Art, however, once adopting this expression humans, “exclude the beauty of nature” (Hegel). As humans, it has become a way of life to use our senses to help describe the beauty of nature, animals and other people in our world. According to Hegel, “beauty of art is higher than nature” (Hegel) and it is the art that is created by the spirit that stands above that of nature. Nature is an incomplete substance and the, “realms of nature have not been classified and examined from the point of view of beauty” (Hegel). Therefore, there is a difference between the beauty of nature and
Art has had its roots, one may argue, when civilization was born. With each respective civilization and time periods from the past, humans have formed a diverse and unique society, a group of people with their own individual characteristics, cultures, as well as philosophies within which all kinds of differing ideas, thoughts and opinions are always brought upon for challenge and evaluation. These distinct aspects of a culture and/or time period may be recorded by people in varying forms of expression we all know as art. Directly from where culture had originated, events and/or emotions from that time period have been reflected or directly recorded in the arrangement of pictures i.e. paintings from the past which inform us about the people’s experiences and events in the past historical periods. Ultimately, History is the record of the development and how we have evolved as humans together in a society. History can be expressed and reflected in different kinds of music, sculptures, as well as paintings. There are several different periods of Art, each has contributed and reflected to how a society was. Art has been usually used by historians as one of the vehicles of history to illustrate and illuminate it as they are able to recognize that some types of art may be able to help them identify and explain the nature of societies and periods in history. Art and society have counteracted with each different type bringing forth new arts and new societies for many generations to come. Ideas have caused responses by citizens and therefore bring forth several different types of influences on a period’s background, heredity, and environments. These influences are then translated into new a idea, which then triggers the circle to repeat it...
Personally, my culture did not play a big role when I was in the midst