Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Nature of the Hero in Ancient and Mediaeval Epic
Heroes have formed an important part of literature since the ancient and medieval times. They represent the dominant values and ideals in a culture that only a few human beings could live up to. While the cultures understood the value of abiding by their virtues and ideals, they were also inherently aware of the challenges and strength of character required to accomplish such a task. Heroes were regarded as the embodiment of this struggle and a true reflection of people who had given it all to achieve the unattainable. In ancient and medieval epics, heroes played the same role of representing the dominant values and beliefs of a culture. As this values and beliefs changed, the character of heroes in the story also changed to embrace the new perspective. Sometimes, the characters represented ideals shared by
…show more content…
the author but not very dominant in their culture. This essay is going to explore three heroes of ancient and medieval epic to determine their nature and influences they derived from their cultures. Iliad by Homer is one of the ancient works in the epic genre. It tells the story of a hero named Achilles who sacrifices it all to preserve his nation and culture. To begin with, the events depicted in Iliad take place during a time known as the Greek Bronze Age. However, the most dominant cultures in the story as depicted by the character of its main hero is that of the Greek Dark Ages. The Dark Ages were a time when one of the greatest Greek civilizations fell and people were struggling to find ideals and virtues they could hold on to. Social instability and fear crept in after the collapse necessitating the people to look for a way of defending themselves both physically and emotionally. Achilles is created from this culture where he appears as a savior to defend the people both physically from enemies who might attack them and morally by providing a new set of values for the people to embrace. As a result, the characteristic of Achilles as a hero is that of a warrior. The Dark Ages saw the Greek Civilization rely heavily on warriors as there was a tendency by other communities to steal from those they considered weak and lacked good warriors. The instability in the Dark Ages forced communities to believe that only the warrior class were capable of leading a nation by providing it with values to hold on to and defending it from enemies. As a result, Achilles was a character with strength, bravery, and valor. He was athletic and very skilled at war which earned him his honor. The community considered him "lionhearted" who would break the spirits of men in battle. Greek scholars during the time and beyond regarded him as the most terrifying man capable of wrecking havoc in his enemies camps and bringing victory to his people. Achilles high honor remains intact even after the war as he provides the community with an identity and a sense of direction. Aeneas is another hero of the ancient times who's character significantly differs from that of Achilles despite the fact that they play a unifying role for their communities.
Additionally, Aeneas character is also heavily influenced by the culture present during his time. Aeneas is a roman hero who exists during the reign of emperor Augustus. Rome had just come out of a devastating civil war and the emperor was keen on maintaining peace and stability to ensure war never broke out again. The Stoicism philosophy took root during the time as both the emperor and the masses saw it as an ideal way to live purposeful lives that will prevent war in the future. As a result, Aeneas character is that of a young man living in peaceful and stable times and seeks to show his internal ideals by looking for quests to fulfill. While Achilles existed in a time of strife and was required to defend his community from the turmoil, Aeneas was born during peaceful times and pursued heroic activities as a way of defending his personal ideals. Stoicism advocated for the acceptance of one's destiny which characterized much of Aeneas
acts. Roland is another hero from the medieval times whose character heavily borrows from the culture of the community. During the time in Europe, there existed stable political regimes with Kings who were highly revered by their subjects. Acts of heroism were often acts that helped serve the kings or protect them from danger. Loyalty to the King was regarded as one of the highest virtues a civilian could possess. The Song of Roland was written during this time with Roland as the hero. Roland's character differs from that of Achilles and Aeneas by the fact that loyalty defines his main persona. Roland is a warrior of admired attributes who believes in courage during battle, fighting for the king, and defending Europe's belief in Christianity. Before the start of his many battles, he would give a speech reminding fellow warriors that loyalty to their lord, their religion, and valor in war is what they are fighting for. As a result, he was a hero for defending the dominant ideals of his people and for his loyalty to the king.
By mentioning the downfall of his people during the Trojan War and foreshadowing his destiny by "Sparing the conquered" Trojans and "battle down the proud" Greeks, can be looked upon as a reinforcement of his duties not only to his dead father and family, but to the entire Trojan population. To let another character found and rule Rome would just prove the failure of his people again, as shown through the Trojan war. Aeneas feels great pride and energy regarding his role in history and is anxious to continue on his journey. The gods are trying to convince Aeneas to value duty to his city and family, a kind of affiliation or relation by virtue of descent as-if from a parent, above duty to a lover by mere affiliation, or arbitrary association. This perspective on an appeal to authority still hinges on a relationship between Aeneas' desire for affiliation and public authority as the authority of filial priority. We learn early on in this epic that Aeneas is a very important character because of his divine parentage. After all, his mother is the Goddess Venus and his father's brother was the King of Troy. His mother is more concerned with his destiny than with his happiness. She makes Dido fall in love with Aeneas and then he falls in love with the Carthaginian queen in return. Despite the fact that he is happy, his mother is one of the gods working to make him fulfill his destiny. This "destiny" is truly revealed to Aeneas in the underworld when he encounters a few fellow Trojan comrades.
The Aeneid by Vergil is a long-standing epic poem with brief historical connections that was contributed to the Roman people’s beginnings. Of course, the main character, Aeneas has to have had some turning point within the poem that he became Roman rather than Trojan, at least within the eyes of the readers and listeners. This turning point is within Book IV when Aeneas has remembered his fate of creating a great city in Italy, and has to leave Dido and Carthage behind. This scene contributes to Aeneas now becoming a true Roman, at least in the ideals of one, because he has continued to be ‘Pious Aeneas’ and is securing his son’s future with following his fate. As an extra factor, Aeneas is also persisting as a heroic character by putting
... of one's character, is a driving force of not only Aeneas himself, but also Rome in its entirety. Without Aeneas striving to fulfill his destiny, thus becoming a divine leader in the process, how would Rome be able to be rebuilt and still contain the fallen Troy? Virgil's idea of a hero is not one of constant bravery and strength, but one who is able to conform themselves for the betterment of one's home and for those who dwell within. Although Aeneas is shown questioning if this fate is something he wishes to conform to and strive for, he ultimately realizes his true human existence is found within divine leadership, a quality attained through personal changes of his character. In order to reach this physical rebirth of Troy he is destined to attain, Aeneas must first undergo an internal rebirth, or change in his character, to benefit both him self and the Romans.
Many people seem to be under the impression that the Aeneid is a celebration of Roman glory, led by the hero of fate Aeneas. I find these preconceived ideas hard to reconcile with my actual reading of the text. For starters, I have a hard time viewing Aeneas as a hero at all. Almost any other main characters in the epic, from Dido to Camilla to Turnus, have more heroic qualities than Aeneas. This is especially noteworthy because many of these characters are his enemies. In addition, Aeneas is presented as a man with no free will. He is not so much bound to duty as he is shielded by it. It offers a convenient way for hum to dodge crucial moral questions. Although this doesn’t necessarily make him a bad person, it certainly makes him a weak one. Of course some will argue that it takes greater moral conviction to ignore personal temptation and act for the good of the people. These analysts are dodging the issue just like Aeneas does. The fact is that Aeneas doesn’t just sacrifice his own personal happiness for the common good; he also sacrifices the past of the Trojan people, most notably when he dishonors the memory of his fallen city by becoming the men he hated most, the Greek invaders. The picture of Aeneas as seen in the end of the Aeneid bears some sticking resemblances to his own depiction of the savage and treacherous Greeks in the early books.
What is a hero? We would like to think that a hero is someone who has achieved some fantastic goal or status, or maybe someone who has accomplished a great task. Heroes find themselves in situations of great pressure and act with nobility and grace. Though the main character of Virgil's Aeneid, Aeneas, is such a person, it is not by his own doing. He encounters situations in which death is near, in which love, hate, peace, and war come together to cause both good and evil. In these positions he conducts himself with honor, by going along with what the gods want. Only then goes on to pave the way for the Roman Empire. His deeds, actions, and leadership would never have come to be if it were not for the gods. The gods took special interest in Aeneas, causing him misfortune in some cases, giving him assistance in others. On the whole, the gods constantly provide perfect opportunities for Aeneas to display his heroism. Without them, Aeneas would not be the hero he is. This gift does not come without a price, though; he must endure the things heroes endure to become what they are. Despite his accomplishments and the glory associated with his life, Aeneas only achieves the status of hero through divine intervention, and this god-given position causes him just as much grief as it does splendor.
Aeneas also went to fight in the Trojan War. He also was a national hero. He was a great warrior. Both Odysseus and Aeneas were trying to head home.
Societies construct heroes that represent and embody the ideals of those who create them and read about them. Their is a stark contrast between the hero in the time of Beowulf and Hamlet’s creation and heroes created in modern times. Current literature, movies, and television portray a different kind of hero from those created in 1000 AD to 1600 AD. A hero is defined as someone who is "admired for achievements and noble qualities"," shows great courage", and in historical texts such as Beowulf and Hamlet is a "legendary figure often of divine descent endowed with great strength or ability" or an "illustrious warrior" (Merriam-Webster). Despite the popular belief that the time for heroes has passed away, based on the needs of society, today's heroes still exist and have evolved into something new.
Aeneas is portrayed as a hero from Virgil because of his warrior like attributes which will lead his people to safety. He established order in he and his people’s lives in being the founder of the new Trojan state. He is the epitome of the Romans virtues as he is an obedient servant of fate and gods, leader of his people, and shows great devotion to his family.
... wife and home as well as his place in Carthage in the name of the gods, in the name of a quest that does not directly benefit him. From this pursuit, he does not stand to gain spoils, and the most that could be said of his fame would be drawn from his descendents. It is this moral stance, this understanding of universal placement, of purpose, that sets Aeneas apart from other heroes.
I believe that the ending of the Aeneid shows that Aeneas is very heroic. According to Webster’s New Dictionary, “a man of distinguished bravery” and “admired for his exploits.” Aeneas is very brave when he fights Turnus, especially because it is known that the gods are on his side. He successfully killed Turnus, which is an achievement that calls for admiration.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
... between Aeneas and the Homeric heroes, given an account of the historical and mythological background of Rome and demonstrated that the Roman way of life is necessarily more structured and community oriented than the Homeric Greek way of life. Virgil wrote The Aeneid as an ode to the greatness of Rome, we could imagine that as he wrote it he was in constant competition with Homer because The Aeneid was a proclamation of greatness for the Romans as the Homeric epics were for the Greeks. But Virgil took advantage of the flaws that the Homeric Heroes had and gave the corresponding virtues to Aeneas thus ensuring Aeneas' superiority and consequently Rome's superiority.
To begin, Aeneas displays his ability to control his emotions when attempting to order his men to calm down and let him fight with Turnus. He believed he could gain glory and protect the lives of his men. “As Aeneas was saying these things, an arrow whistled through the air toward him in a long falling arch” (319, 387). Again, Aeneas controlled his emotions by choosing to flee the battle, rather than trying to achieve the glory. This is purely a Roman trait as a Homeric hero would have stayed and achieved victory or died in battle. Then, Aeneas is proven to be guided by obedience to his deific rule, when it was said, “Did any man or god compel Aeneas to make war on the Latins? “’He sought Italy at the call of the Fates.”’ Yes—driven on by Cassandra’s raving” (246, 75). Truly, Aeneas obeyed his gods and his command. Finally, Aeneas substantiated his dedication to his countrymen and not only unto himself when he proclaimed to Turnus, “Do you think you can get away from me while wearing the spoils of one of my men? Pallas Sacrifices you with this stroke—Pallas—and makes you pay with your guilty blood” (340, 1150). Honorably, Aeneas gives homage and claim on behalf of the fallen Pallas at the death of Turnus. Unquestionably Aeneas is the essence for the Roman Empirical
In modern day society, we often allude toward law enforcement, or people who show any form of protectiveness or comfort, as heroes. Sometimes a hero is even someone who we encounter every day - someone who makes us feel safe and secure. Not all of these heroes are remembered or even appreciated. However, this does not lessen their value as a heroic figure. Originating from the Anglo-Saxon epic poems, an epic hero is the main character of an epic who reflects the ideals of a particular society. Epic heroes look to achieve immortality through their brave and courageous actions. Two main heroes, Beowulf and Gilgamesh, from the extremely popular epics, “Beowulf” and “Gilgamesh”, share a vast amount of similarities, as well as differences, throughout
As Aeneas tells his story he portrays himself as a hero, which makes Dido even more infatuated with him. The couple immediately finds that they have many things in common as well, both Aeneas and Dido fled from their homeland. "I, too am fortune-driven, Through many sufferings; this land at last/ Has brought me rest. Not ignorant of evil, I know one thing, at least - to help the wretched." (664). At this time Aeneas notices that Dido is fair and just to her people which is the way he would like to be seen as a ruler of the Trojans.