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Comparison between ancient Greece and Rome
Rome and Greece similarities and differences
Comparison between ancient Greece and Rome
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Recommended: Comparison between ancient Greece and Rome
Kayla Chung
#861281641
10/13/17
CLA 010C
Short Reflection Paper II
Throughout time, it is known that a civilization’s art can tell a centuries worth of stories, or important history from its origin. In relation to Ancient Rome, an important artifact, or more importantly a temple, may be the Aedes Herculis Musarum or 'Temple of Hercules of the Muses’. Created by the Roman General, Marcus Fulvius Nobilior in 184 BC, this temple was his promise in celebration after his campaign in 187 BC, as well as his victory over the Greek city of Ambracia. (Brief History of the Romans)
The temple itself, can be seen as one of the earliest accounts of Roman appropriation in relation to greek culture. This was almost common though, for Romans always admire and fascinated Greek Culture. As an enthusiast for Greek art and custom, Marcus Fulvius Nobilior attempted to spread and introduce such lifestyle through his works. With this, he placed in the temple a list of Fasti, in which he inscribed by himself. This list was a calendar displayed in accordance to special events or religious observances. (Brief History of the Romans Pg.333) The temple was round, as most temples in Rome were, and it consisted of tons of
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With this, we can see a newly unprecedented relationship between the elite Romans and Greeks. More importantly, we can see a relationship between the Roman Elites and the Temple itself. Stated on page. 52 of the “Brief History of the Romans”, “Members of Roman Elite liked to think the pursuit of praise of fame and glory was integral to their way of life.” With this, the Temple of Hercules of the Muses is a perfect example of source of praise, even if it was heavily influenced by a culture that was not
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
The layout of the museum makes it very easy to find works of art from different time periods. Since I have always been fascinated with ancient Greece and Rome, I knew exactly where to start my search. The Indian Triumph of Dionysus is on display directly at the top of the staircase leading up to the second floor. It is surrounded by many other artifacts from ancient Greece and Rome. As your eyes move across the room, catching a glint of gold here and pearly white marble there, it’s very easy to become overwhelmed for a moment. As I reached the top of the stairs, it was evident that the staging of this magnificent piece was carefully planned. The staff of the museum undoubtedly wants this piece seen by each and every visitor. The exhibit itself is well done. If you stand directly in front of The Indian Triumph of Dionysus, everything around you seems to fade away and tunnel vision sets in. As I stood in front of The Indian Triumph of Dionysus, diligently taking notes since photos are not allowed, I experienced an extreme spiritual connection to the past. I tried to put myself into the shoes of the author. What was his purpose? What d...
The Ancient Middle East the Roman time periods brought about many different works of art. The Votive Statue of Gudea, an Ancient Near Eastern work, and the Augustus of Primaporta, a Roman work, are good representations of art from their respective time periods. The two works have many similarities and differences within their formal elements, iconography, and historical significance to the time periods in which they were crafted.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
The Ara Pacis (“Altar of Augustan Peace” in Latin) is one of the most representative works of Augustan art. The monument was dedicated on 4 July 13 B.C to honor the return of Augustus after three years in Spain and Gaul, which were his last military operations, and commemorate military victories. The altar was an impressive example of the culture of Rome in general and illustration of prosperous Rome. The monument is a visual medium to represent that peace is the result of military victories and his proconsular power on the land and sea. Karl Galinsky, a Professor of Classics at the University of Texas at Austin says that the Ara Pacis is linked with the concept that pace is the result of military victories. According to him, Augustus mentioned the importance of the Ara Pacis in Res Gestae by saying, “On my return from Spain and Gaul in the consulship of Tiberius Nero and Publius Quintilius, after I had successfully arranged affairs in those provinces, the senate decreed that an altar of the Augustan Peace should be consecrated next to the Campus Martius in honor of my return, and ordered that the magistrates and priests and the Vestal Virgins perform an annual sacrifice there” (Karl Galinsky, 1996). He avoided building an altar in the senate chamber to honor his return. Instead, he ordered to build an altar to Pax Agusta in which one mile away from the sacred boundary of the city. It means that the altar was meant not only to be a monument of military achievement, but also a vision of the Roman religion. This research aims on function, structure of the altar, and reliefs on each side of the precinct wall.
The whole structure is of sculpted relief showing great detail and the use of peace as a main message. Mythological stories are also used to enhance his views of peace and prosperity. On one panel, Mother Earth or peace is depicted with a sheep and cow with personifications of water, air, and sea. Another relief on the Ara Pacis is the sacrifice of a sow by Aeneas. In Virgil’s Aeneid, Aeneas was given the prophecy that he would find Rome. The settlement of Rome was when Aeneas finds a sow. Augustus again shows his relationship with the founding of Rome in a different story but he still relates his ancestry in some
The engineering discoveries of ancient Rome have played a key role in the history of architecture and engineering. Many of Rome’s roadways, bridges, and aqueducts have been in use from the first century until the twentieth century. Many American buildings have used the Roman dome. Several major structures from early Rome still stand, including the Collosseum. These remnants of feats of Roman engineering stand as a monument to the ability of ancient Roman builders.
GREECE & ROME. Archaeology [serial online]. November 1987;40(6):18. Available from: Academic Search Complete, Ipswich, MA. Accessed December 22, 2011.
Also, the Romans built their first temple in honor of Apollo.
Not only is the Pantheon one of the most amazing architectural structures of the Roman Empire, but it is also one of the most intriguing. It was built during the early second century under the rule of Emperor Hadrian to replace a temple built in 27 B.C. by Marcus Agrippa which had burned down in 80 A.D. Like the temple it replaced, the Pantheon was a dedication to the Roman gods. An intriguing fact about the Pantheon is that it was one of the first buildings where the focus is on the interior rather than the exterior. On the outside, the cella appears in the shape of a ...
Here, we will be looking at a rendition of the high marble statue of Augustus Caesar known as “Augustus of Prima Porta.” Originating from 1st Century A.D., it is said that there is a possibility that the original sculpture could have been of greek descent. Upon a general overview of the sculpture, one can see that Augustus fulfils a millitarial role of some kind. From his very stance to the garments portrayed on him, Augustus is draped in a decorative cuirass and a tunic, accompanied by a figure of Cupid clutching on to his right calf. After taking the general themes of the work into account, one can then began to start unraveling the many symbolic elements embedded into the sculpture that allude to godly themes. Starting from the crown of his head, the very chiselment and structure of his face gives the work a youthful element to it, even though some say that Augustus was around 40 years old. A recurring theme within Greek and Roman culture is the matter of godliness and immortality amongst idolized figures themselves. This idea is usually depicted by displaying powerful human being in a younger light. This
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
Both the Greeks and the Romans dedicated their temples to the gods, however, unlike temples today that are used for congregation, Greek and Roman temples were used differently. Greek temples were used as the home of a certain deity and as a place to worship the specific god that was housed there. The Romans used temples to praise a god for military victory or for a politician to show his increase of wealth and status by commissioning the construction of a temple. Roman Temples were also often used as a meeting place for people to express a multitude of social and political concerns whereas the Greek temples were typically used by one person at a time. Within the cella of both the Greek and Roman temples was an altar dedicated to the gods. The Greeks used elements from their temple design in the creation of these altars, and Romans sometimes modeled their sarcophagi after this design. The Sarcophagus of Lucius Cornelius Scipio Barbatus from his tomb on the Via Appia from 200 B.C.E depicts the elements that the Romans borrowed from Greek temples. It is a mixture of two styles of Greek temple, Ionic and Doric. The Ionic style can be seen in the curves on the lid whereas the Doric style is depicted in the squares on the side of the sarcophagus, where each of the vertical lines of the square is a set of columns. This shows not only Greek