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Recommended: Macbeth literary analysis
Action and Accountability in Macbeth
They say that life is what you make of it. Though there is much in the fabric of Shakespeare’s tragedies that complicates the relationship between action and accountability with regard to the tragic heroes, it cannot be assumed, simply because they find themselves in a difficult position, that they are engulfed and rendered powerless by the events that unfold in their midst. Even Iago, Shakespeare’s evil incarnate, remarks, “ ‘Tis in ourselves that we are thus or thus…we have reason to cool our raging motions, our carnal stings, our unbitted lusts” (1.3:316-326). Circumstance, then, simply does not negate guilt or responsibility. Given reason, we are capable both of the good and the evil behavior that seals our fate. This idea is especially important to a moral reading of Macbeth The true calamity of this and all other tragic Shakespearean plays lies not in the circumstances that Macbeth finds himself in, but what he chooses to make of those circumstances. Ultimately, it is Macbeth himself who serves as the instrument of his downfall. By instilling his character with reason, judgment, consciousness, and at least some degree of morality, Shakespeare proves Macbeth capable of resisting the impulse to carry out his infamous dark deeds, and thus implicitly tells us that despite our circumstances, we must all be held accountable (as Macbeth certainly is) for our own actions.
Macbeth’s moral makeup and reasoning capabilities play a major role in proving him the author of his own destiny, rather than a victim of circumstance. The complicated mix of unruly ambition and reflective morality that co-exist in Macbeth’s character, however, render those reasoning capabilities at ti...
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...is a very short-lived kingship, in fact, and when Macbeth’s head is finally paraded around on a stake, we can only blame him for his own gruesome demise.
Works Cited and Consulted
Bradley A. C. Shakespearean Tragedy 1912 pp. 468-9
Epstein, Norrie, The Friendly Shakepeare, New York, Viking Publishing, 1993.
Harbage, Alfred, Macbeth, Middlesex England, Penguin Publishing, 1956.
Magill, Masterplots- Volume 6, New Jersey, Salem Press, 1949.
Paul. Henry N. The Royal Play of Macbeth 1950 pp. 213-17
Schlegel, August Wilhelm. Criticism on Shakespeare s Tragedies . A Course of Lectures on Dramatic Art and Literature. London: AMS Press, Inc., 1985.
Stephen, Greenblatt. ed. Othello, Macbeth - The Norton Shakespeare. London, W.W. Norton & Co. 1997
T.W. Shakespeare, the Critical Heritage. Vol. 5. London: Routledge & Kegan Paul, 1979.
Shakespeare, William. The Tragedy of Macbeth. Elements of Literature. Sixth ed. Austin: Holt, Rinehart and Winston, 1997.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
The President’s Council on Bioethics published “Monitoring Stem Cell Research” in 2004. This report was written in response to President Bush’s comments regarding research of human stem cells on August 9, 2001. President Bush announced that he was going to make federal funding available for research that involved existing lines of stem cells that came from embryos. He is the first president to provide any type of financial support for the research of human stem cells. A Council was created with people who are educated in the field of stem cells to help monitor the research and to recommend guidelines and consider the ethical consequences that this research could create. This report is an “update” given by the President’s Council in January of 2004 to make the public aware of the significant developments in the science and medical aspects of stem cell research. It also describes the ethical, legal and political implications that stem cell research may create. However, since the research is still in its beginning stages, this “update” does not describe a complete or definitive study of stem cells nor does it provide specific guidelines or regulations. This is a report that is suppose to help the President, Congress and general public make better-informed decisions as to the direction that we should go with stem cells.
The tragedy Macbeth by William Shakespeare is based on a thane in whom is corrupted by greed and a negative ambition. The character Macbeth contradicts his moral responsibility in this play a great deal; many moral questions are brought forth to Macbeth. He questions himself and whether or not he should follow through with the evil deeds that he does. Macbeths ambition causes him to compromise his honour, he doesn’t take into consideration that he is being trusted and that every action that he takes will have a reaction. Macbeth attains his position as king unjustly. As is evident by the conclusion, justice prevails as usual and Macbeths demise is a result of his evil deeds.
Stem cells are an ongoing research project in which new discoveries are being made about them, and researchers are learning how to use them in new ways. The three current kinds of stem cells all prove to have their own challenges when it comes to using them. The important thing is finding out which stem cell is right for the patient and how much of an ethical concern there is when it comes to using the stem cell. As we learn the best way to use them and they become more popular in the medical field, stem cells will become a new weapon in the fight against certain diseases.
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
Monroe, Kristen, et al., eds. Fundamentals of the Stem Cell Debate: The Scientific, Religious, Ethical and Political Issues. Los Angeles/Berkley: University of California Press, 2008. Print
In Shakespeare’s Macbeth, the theme of guilt and conscience is one of many explored throughout the play. Macbeth, is a well respected Scottish noble who in the beginning of the play is a man everyone looks up to; however as the play progresses he makes a number of bad decisions. Eventually, as a result of his actions he suffers guilt and this plays heavily upon his character until his personality is completely destroyed. Shakespeare uses a range of techniques in order to develop this theme such as, characters, imagery.
Named the Breakthrough of the year for 1999, human embryonic stem cell research may indeed have the potential to benefit many people who suffer from serious debilitating conditions. Because embryonic stem cells can develop into many different types...
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.
The stem cell research controversy is one of the major headlines in bioscience and has been discussed and debated numerous times throughout the last decade or so.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997