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Elizabethian Era
Elizabethan golden age
Shakespeare's plot and characterization
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Nowadays acting has become a very popular source of entertainment. One of the main times acting is first noticed was during medieval times. Back then church services were spoken in Latin and since not many people spoke the language, priest would often teach by acting them out. Plays were originally situated on an altar outside the church, but as time passed and they grew more popular, they were moved to a bigger platform. Soon there were not enough priest available to fill every role, so the church started hiring the townspeople. As more people joined, the plays quickly grew away from the church and started to take on many different genres. During the Elizabethan time period, acting was just spreading everywhere and involving more and more …show more content…
The actors would sleep in or under the wagons when they were between towns. Due to this, troupes used very little scenery in their plays since it all had to fit in said wagon. On another note, during the Elizabethan period women were not allowed to perform, so any parts that had a female character had to be done by a young man. Also, troupes were fairly low on money. Sometimes they would get lucky and the town would pay for their services, but a troupe mainly lives off of any money the audience gives them. They would spend a majority of their money on costumes. Costumes were the most expensive part because those who played the main characters wanted to go all out and dress up in the most elaborate and beautiful attire. Companies would also spend money hiring musicians or making musical instruments. “I have gone to plays more for music sake than for action” (Currie, 32) Music was used to advance to plot of the play, set the mood for an important scene, or they would put on short concerts.
Eventually acting reputations would sink even lower and it would become increasingly harder for a troupe to perform in towns. In 1572 the Poor Laws were passed. Making it a criminal offense to wander and not stick to one place, limited the amount of companies, and required a company to be licensed by the government. As a result, companies were formed. They were made up of no fewer than ten actors. Those with a higher reputation sought out nobles who would vouch for their honesty and good
Eighteenth century British theatre was perhaps the starting point that would evolve into modern theatre. Women started to be allowed on stage and acting techniques were beginning to change. Leading performers were like celebrities with a number of fans. Theatre was an intricate part of the social ladder. In the overall scheme of things the actors and actresses played an important part in making the theatre what it was. Without the performers there wouldn’t really be theatre, so in order to understand the eighteenth century British theatre the performers of that era need to be understood.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
Every decade brings new rights and opportunities for women. Specifically, in the Elizabethan era between 1558 and 1603, women were given little freedom due to the common idea that they were weak and needed a man to care for them (Thomas). Imagine you are an Elizabethan woman in 1560; you are in an arranged marriage with two children, a boy and a girl. Your daughter is growing up to become a mother and devoted wife just as you did while your son attends school to become anything he desires whether it be a doctor or even a lawyer. As time grew on, society discovered the true potential of women, and today, women play a large role in politics and in everyday life, but they still carry the stereotypical role as homemaker and mother. Elizabethan England was a male dominated society ruled by a powerful woman, Queen Elizabeth I. She made powerful decisions, such as establishing the English Protestant Church, while most other women made little to no decisions in their life. Besides being a mother and wife, English drama and poetry was an outlet for their restrained social life. Women had a strenuous everyday life due to their few rights, arranged marriages, and inferiority in politics, education, and their occupation.
high budgeted play because of the props, scenery, and costumes that the actors wore. My Fair
The Elizabethan era gender roles were much different than they are today. Women were regarded as the weaker sex, and men were always dominant. These “rules” are shown prominently throughout Romeo and Juliet, and paved way for obstacles they went through in their relationship. The gender conventions for women and men were prodigiously stereotypical and unreasonable, as they made men out to be the superior gender. Women should not have been perceived as inferior to men, and these unwritten rules for masculinity and femininity were shown throughout the play. Romeo acted very feminine which contradicted his gender conventions while Juliet did not abide by rules and disobeyed her parents. Romeo and Juliet had many ways in which they followed and
Actors were expected to memorize hundreds of lines at a time. While one play could be performing, actors would be practicing lines for their next show. Play writers also began to make roles for the actors in the theatrical pieces. The theaters that actors performed in were roofless so that the sun could be used as lighting. Theatrical shows were held in the afternoon because it provided the best amount of light for the show. When the people gathered into the theater, the different classes of people were separated by where they could afford to sit and watch the show. The lower classmen were situated on the bare earth where it was dirty and smelly because it was never cleaned. The owners’ of the theaters found it less expensive if they did not keep high maintenance of their establishments. Higher classmen sat under a roof and for a penny more, they could buy cushions for their seats.
It grew out of the liturgy...of the tenth-century Christian Church, and it achieved considerable magnificence under ecclesiastical sponsorship” (“Dramatic Elements” 3). In the early tenth-century religious leaders recognized the dramatic elements in church services that could be used to enhance the worshiper’s devotion. Scholarship about medieval drama does not contest the religious nature of the drama and its purpose of inspiring greater devotion. But another purpose of the plays was to educate a population that had varying degrees of literacy. Claire Sponsler explains, “drama was the privileged vehicle for lay religious expression, because like devotional imagery it could speak to illiterate people, but in even stronger terms” (134).
The huge demand for drama was clearly shown. Moreover, they made a permanent positive impact because they created specific stage traditions, and this was to modify or hugely control the brilliant drama of the Elizabethan era and to a certain extent subsequent eras. Their traditions consisted of the overlooking for unity, partially of action, but most importantly of time and place; the mingling of comedy with even the extremely powerful scenes of tragedy; there was very little stage scenery, leaving the audience to use their imagination to fill gaps; the existence of particular stock figures (e.g. the clown); and men and boys portraying women roles because it was illegal for women to perform in the theatre. However, the plays have great significance in dramatic history because they have impacted modern
The Elizabethan Theater History and Timeline Please refer to the Elizabethan Era sitemap for further details of all Shakespearean and Elizabethan history and timeline information. 1564 April 23 William Shakespeare was born 1576 James Burbage (father of the actor, Richard Burbage) obtains lease and permission to build 'The Theatre' in Shoreditch, London. The Lord Chamberlain's Men use it from 1594 to 1596 1577 Another open air amphitheatre called The Curtain opens in Finsbury Fields, Shoreditch, London 1587
In nutshell, women in Elizebathan era were expected to play second fiddle to men in their families irrespective of the strata of society they belonged to. In contrast, men enjoyed all the power & authority and had the final say in everything that mattered.
Not only was disease an obstacle William Shakespeare had to overcome in his work, he was also forced to face hampering from religious aspects as well. Leaders in the Puritan community looked down upon plays, acting, and other things of that nature. These authorities thought that these activities would sway people from focusing on the importance of practicing their religion. Plays and such were not allowed to be performed while in the city of London. They were banned. Eventually, despite all the obstructions, plays and theater came to be a popular thing although still forced outside the city (“The Changing Status...”).
The most significant contributions to the development of theater came from the Medieval Age. The rebirth of theater began at this time within the Church as a way to supplement the mass with religious based performances. As the performances developed and became increasingly complex, drama became increasingly secular which allowed for the expansion of topics outside of the religious realm. The medieval theater, while a setback from the great dramas of the Greek and Roman periods, gave major contributions such as the use of the vernacular and the development of more detailed and symbolic costumes.
The name most associated with excellence in theatre is William Shakespeare. His plays, more than any other playwright, resonate through the ages. It may be safe to say that he has influenced more actors, directors, and playwrights than any thespian in the history of the stage. But what were his influences? During the Middle Ages theatre was dominated by morality, miracle, and mystery plays that were often staged by the church as a means to teach the illiterate masses about Christianity. It wasn’t until the early sixteenth century that Greek tragedy experienced a revival, in turn, inspiring a generation of renaissance playwrights.
Secondly, on the stage music played a very important role. Music contributed to the atmosphere and set the mood in many of Shakespeare’s plays. There was a special musicians’ gallery above the stage, the music sometimes was played on the stage, and there were occasions when it was played under the stage to achieve an eerie effect. During comedy plays gentle songs would be played with the lute and during tragedies and histories the sounds of trumpets and drums would echo through the theater. For example, if a king entered the trumpets would sound and everyone would know who it was. The Twelfth Night is also a good example; it includes instrumental serenades and rousing drinking songs, all to show the gaiety and sadness for the mood of the play.
Theatre first came about from all different cultures acting out part of their bible, or performing rituals to the Gods. It was not until the middle ages when dramatists wrote about all aspects of life. Theatre has therefore changed continuously to suit the demands of each new age for fantasy, spectacle, or serious drama.