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Jealousy theme in the crucible
The Crucible Act 2: CHARACTER DEVELOPMENT
Essay on john proctor's character
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Act II Analysis & Character Development
At the start of Act II, John Proctor returns from the fields and sits
down to dinner with his wife, Elizabeth. She has cooked up a rabbit,
which apparently walked into the house and sat itself in the corner.
Proctor seems out to please Elizabeth throughout this scene, kissing
her and complimenting her on her cooking. Their small talk continues
for a page or so, until the atmosphere abruptly changes, as Proctor
enquires, “I think you’re sad again aren’t you?” Elizabeth responds by
saying that he had returned so late that she thought he had gone to
Salem.
When Elizabeth mentions that Mary Warren is currently in Salem,
Proctor becomes angered, demanding why Elizabeth did not stop her.
Elizabeth suggests that he himself, go to Salem to testify that the
accusations of witchcraft are false. Proctor says that he cannot prove
his allegation because Abigail told him this information while they
were alone at Parris’ house. Elizabeth is greatly dismayed upon
learning that he and Abigail were alone together. Proctor demands that
she stop judging him. He says that he feels as though his home is a
courtroom, but Elizabeth responds that the real court is in his own
heart. This is implied by the line:
“I do not judge you. The magistrate sits in your heart that judges
you.”
This also suggests that regardless of whether Elizabeth forgives
Proctor, he still cannot forgive himself.
When Mary Warren returns home, the mood of the scene changes
dramatically. As soon as Mary enters the room, Proctor goes directly
to her and grabs her by the cloak, furious.
“How do you go to Salem when I forbid it? Do you mock me? [shaking
her.]
I’ll whip you if you dare leave this house again!
Mary responds by saying she is sick and gives Elizabeth a doll that
she sewed in court, saying that it is a gift. She reports that
thirty-nine people now stand accused. John and Mary argue over whether
Mary can continue attending the trials. Elizabeth’s name was
apparently mentioned in the accusations (Mary will not name the
accuser), but Mary spoke out in Elizabeth’s defense. Proctor instructs
Mary to go to bed, but she demands that he stop ordering her around.
Elizabeth, meanwhile, is convinced that it was Abigail who accused her
of witchcraft, in order to take her place in the Proctor household.
Overall, this is a very important Act in terms of the relationship
between Proctor and Elizabeth. It brings to light a number of crucial
issues such as deceit, dishonesty, unfaithfulness and a growing sense
of mistrust. Throughout the scene, Proctor seems motivated by feelings
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The mother is also ashamed of her house, and knows Dee will be. embarrassed by it, as well. No doubt when Dee sees it she will want to tear it down," she thinks to herself. And while the narrator puzzled by Wangero's new style and behavior, the reader knows.
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The play “A Raisin in the Sun” was written by Lorraine Hansberry marking her first ever written play. Lorraine Hansberry was the first African American woman to write a play that was to be produced on Broadway. Although a brilliant writer, Hansberry’s opportunities of writing were cut short when she died at the age of thirty-five from cancer. Lorraine lived from 1930 to 1965, dying on the day that Broadway closed her second play, “The Sign in Sidney Brustein’s Window”. “The Sign in Sidney Brustein’s Window” was written in 1964, only 5 years later than “A Raisin in the Sun” which was written in 1959. Later in 1959, “A Raisin in the Sun” won the New York Drama Critics Circle Award, becoming the first
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