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Analysis of shakespeare's play the taming of the shrew
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Act 1 Scene 1 of William Shakespeare's The Taming of the Shrew Shakespeare's Taming of the shrew Act 1 contains two parts, including the induction. None of Shakespeare's other plays begins with this, in which a full five-act play is performed within another play. The induction is a separate story, but shows relevance in introducing the main themes that Shakespeare uses in the rest of the play. The style of the structure is to give the reader an insight to the rest of the story, by creating a context. The induction provides themes of relationships, transformation, deception, manipulation and comedy establishing them for the rest of the play. The theme of relationship is shown through Sly and the Hostess, the Lord and Sly and the Lord and the Huntsmen. Sly and the Hostess show a relationship of conflict through power. The Hostess is wealthier but Sly feels he's higher power because he is the male. He tries to emphasise this by his language, he uses loud, aggressive, arrogant language, "The Sly's are no rouges", "Y'are a baggage " We know he is poorly educated as he uses colloquial language and makes mistakes in his arguments, "We came in with Richard Conqueror" and "Therefore paucas pallabris, let the world slide. Sessa"! Paucas pallabris is corruption of the Spanish pocas Palabras, and Sly mixes William the Conqueror with Richard Coeur-de-lion. It insights into Sly's character, as we know he has a bad attitude to women, he is a drunk and does not have a high status in society. The tone changes from this light-hearted bickering to a more serious tone as the Lord and his train enter the play. They show an image of hunting, representing wealth and respect, "Huntsman, I charge thee, tender well my hounds". The lord shows a relationship of equality with his huntsmen, as he talks to them as equals. The lord gives a long speech showing his importance and power, "Carry him gentle to my fairest chamber". He jokes about transformation and uses sly as entertainment, "I will practise of this drunken man". The lord's practical joke on Sly reinforces one of the central themes of the main play. Sly is used as entertainment, as the play is supposed to be entertainment for the audience. Shakespeare uses the structural technique of binary oppositions to show Sly and the Lord's characteristics. Their relationship emphasises relationships of power later on in the play.
Shakespeare writes with purpose in this play, he is showing that our ideals are not always what they seem. That in the end the truth wins. As in the case of his main characters in the play they needed to think about their ideals and see what the truth would be before they moved forward with their plans. These characters needed guidance and should have allowed life to happen instead of forcing situations; maybe then they would have survived.
Over the last decade or so, the United States of America has been shaken by an epidemic of terrifying mass shootings, devastating slayings of unexpecting victims, and unnerving annihilations of the innocent. There is no specific target, no explicitly sought-out group, nor definite individual. From a classroom of first-graders, to a crowded movie theatre, to a U.S. Naval yard, the location seems at most, random, other than that it is almost always a public place. The perpetrators responsible for these horrific murders also vary, and often surprise those who thought they knew them. However, while the occurrences of mass shootings are unpredictable and always shocking, most have one thing in common: the use, or rather misuse, of assault weapons-automatic or semiautomatic military style rifles. To ensure the safety, security, and well-being of the people of the United States, the government should ban assault weapons.
and not that he did this by his own choice. With this metaphor of a
Assault weapon control is becoming an unavoidable topic in the United States. According to the Federal Bureau of Investigation more than nine hundred people have died from mass shootings in the past seven years and an assault rifle was used in twelve of the forty-three mass shootings in the past four years. The U.S. Department of Defense has long defined assault rifles as fully automatic rifles used for military purposes. The National Firearm Act of 1934 prohibited fully automatic weapons in the United States. The 1994 Assault Weapon Ban prohibited semi and fully automatic weapons and any weapon with military style characteristics. California Senator, Dianne Feinstein, is leading the charge in the American government to pass a bill that will limit the capacity of ammunition in a magazine and ban assault weapons that are too dangerous for public use. It is time for the American government to act swiftly and acknowledge the dangers assault rifles pose.
A long time ago, a drunken man fell asleep outside an alehouse. This man, Christopher Sly, was discovered by a mischievous lord who took him into his home. The witty lord then convinced Sly that he was a lord, as well. The lord then put on a play for him. The play, The Taming of the Shrew, was about the two young daughters of Baptista. The youngest daughter, Bianca, wished to wed but her father, Baptista, would not allow this until his eldest daughter, Katherina, was married. Under normal circumstances, it would be easy to find a husband for Katherina with all her beauty, but all her beauty was covered by her shrewd personality. By this time Bianca's suitors were growing very impatient, so they decide to team up and find a husband for Katherina. In jest they mentioned their plan to a friend, Petruchio, who surprisingly agreed to marry Katherina. All her beauty and wealth were enough for him. Katherina reluctantly was wed to Petruchio and she was taken to his home to be tamed. With Katherina out of the way, Bianca was now allowed to marry Lucentio, who offered her father the highest dowry for her. In the final scenes of the play, Katherina proves that she is tamed by winning an obedience contest at a dinner party. Katherina is now even more in accordance with her wifely duties than Bianca. A fare is a type of comedy based on a ridiculous situation. The Taming of the Shrew, an eminent example of a farce, is the first of three farces written by Shakespeare.
Act 3 Scene 3 of William Shakespeare's Othello Act 3, Scene 3 is central to ‘Othello’, not only in terms of where it
Over the past 400 or so years since Shakespeare wrote _The Taming of the Shrew_, many writers, painters, musicians and directors have adapted and reformed this play of control and subjugation into timeless pieces of art. In _10 Things I Hate About You_ and Kiss Me Kate from two very different times in the twentieth century, and paintings of Katherina and Bianca from the late nineteenth century, the creators of these adaptations have chosen to focus on the role of the two main female characters in the play. The ideas surrounding these women have changed through the years, from Katherina and Bianca simply being young women who deviated from the norm of Shakespeare’s time to women who embody feminist ideals and stereotypes of the more modern world.
Furthermore, Shakespeare introduces the Players to add an extra dimension to his ideas on the effects of disassembly. The juxtaposition of the `play within a play' acts as a subtle literary device that suggests that, as Hamlet's play occurs in the middle of the play, the play itself revolves around the pretence undertaken by the majority of Shakespeare's characters.
of the Capulet’s orchard. This is a brave thing to do, for, if he had
Shakespeare emphasises the opulent ambience through the lavish descriptions of the banquet. The scene opens with Macbeth and Lady Macbeth’s warm welcome to the lords as they must “play the humble host,” being an important political stage in their lives. Here Shakespeare uses a metatheatrical reference which is dramatically effective to remind the Jacobean audience the falsity of their roles. As they are illicit figures, it sugg...
In general, it is fair to say that in Act 1 Shakespeare focuses on the
The ties between the Induction and the main plot are undeniable. Shakespeare clearly uses the Induction as a means to set up the themes and ideas expressed in the plot. Whether it is by theme, character similarities, gender roles, or imagery Shakespeare put in the Induction for a specific reason.
William Shakespeare's play, "The Taming of the Shrew," has been a subject of debate regarding its treatment of women. Depending on the era, it could be seen as either offensive or acceptable. Act 4 Scene 1 is a focal point of this debate. During Shakespeare's time, women were treated as objects and had no say in their marriages. Men were considered superior and had complete control over women.
...he fails to allow his dreams to add to his identity (in his case, however, his "dream" appears to actually be his reality). Petruccio, like Neo and Quaid, appears in the play within the play to affirm that "reality" is more than just physical environment (i.e., as he denies the place of the wedding ceremony and his attire to equate his identity). Quaid and Leonard's environments are just as fabricated as Sly's noble environment is, yet even their dreams and implanted memories/mementos shape their identity. All of these texts utilize the notion of autopoiesis and emergence from systems within systems. They acknowledge the validity of implanted memories and dreams to demonstrate that though systems force their inhabitants to view them with limiting lenses, when one is able to acknowledge that they do exist in a system within a larger system, emergence can take place.
Shakespeares works of art are all written in the form of a play as opposed to a novel or short story